brushed finish

Ingénue – Innocent young woman

When this idea came to me, I really wanted to create something that was classic, could be worn with anything, and wasn’t overpowering to either the woman or the gems. I wanted simplicity that was more than just a solitaire. The name of this game was subtlety.  Something quiet. Graceful. Sophisticated.

I started with a two stone idea. A smaller stone “bale” with a larger stone hanging below.

The first version I pulled out for this idea was with an angular stone. I had a small princess lying around, so I thought that would work well and go with the angular shape of the stone I was considering. But the main stone ended up selling out from under me, so I had to change gears.

I decided that classic rounds would be the way to go – rounds are the most popular shape, they would always be plentiful and I’d have no problems sourcing some when I was ready to make the design.

So of course, I always jump at any chance to make something with rose cut diamonds, and in this case, anything else would have been too flashy. I love the way the light floats across the facets of a rose cut – it’s reminiscent of the light from the setting sun hitting the soft waves of a lake. For the rose cut, I decided that a simple bezel with milgrain would do nicely.

The bottom was harder.  I started playing with the idea of another metal halo style, because I didn’t want diamonds. Since I had already decided I wanted a bezel on top, a bezel seemed to make sense for the bottom. But that would be too predictable. Instead I went in another direction: prongs. It became a metal halo with prongs, much like the Aurore. But how do you make a metal halo interesting? Metalwork. Two rows of milgrain combined with some delicate engraving helps add a little extra detail without being too overwhelming.

Note: I never draw engraving. I cannot do justice to a master engraver’s work. Seriously. So I don’t even try.

Now the question became, what to do with the back? I always try to get something a little unexpected in my jewelry, and the back, or the underside are the perfect playground. For this I went back to where it began – the rose cut. And I used the rose cut facet pattern that I love so much and brought it to life in the metal.

The hardest part yet was figuring out what stone to be the star of the show. As I mentioned, I originally was planning on making it with a fancy shaped diamond (this design will work for absolutely any shape!) but that fell through. Then I figured I’d make it with a round diamond, but that seemed predictable – there are so many diamond necklaces out there already! And for a person who loves other gemstones I wanted something that was more interesting and rare. Something that fit the classic look and feel but wasn’t a diamond.

Which is where Geoffrey Watt of Mayer & Watt steps in. I had asked him to find me a white spinel at JCK 2016, since I wasn’t going to make it this year. He obliged, and I found my main stone. Not long after, the sketch was complete.

It wasn’t until the necklace was out of production that I realized that I wasn’t feeling the high polish. I tend to try to avoid brushed finishes because they can wear away so quickly, but for a necklace that wouldn’t be coming into contact with anything but skin, it made sense.

I think I accomplished my goal. Classic, versatile, sophisticated with a vintage feel. Something that be dressed up or down. The Ingénue.