Choosing a Jewelry Designer

Well I’ve talked a lot about my own design philosophy as well as my style and over here on my Atelier page, I talk a bit about my design process.

But what I haven’t really talked about is how important it is to really make sure that the designer you’ve chosen, or are considering working with can really accomplish your wants and desires. The first question you ask yourself should be, “Do I like what this designer does with the pieces I’ve seen?” And the second question is, “How much control do I want over the process?”

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I will be the first person to tell you that if you want something ornate, covered in engraving and milgrain, diamond crusted, or antique style, I am not the person you want as your designer, and there are many other designers out there that will be better suited to your desired style. I’m not going to be the best to give clean lines and modern edge either!

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Now, one key thing here, is that the designer you have approached with your project could potentially say something like “I just don’t think that I can accomplish what you’re seeking” or something similar to that, which isn’t an insult, I promise. We really want you to be happy with the end product, and feel as though someone else can better create it! Typically a designer can tell within an email or two that it’s a project and a client that they can work with, and feel as though their aesthetic meshes well with what you want.

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There are some designers who like to have free rein, and don’t like to have people hovering over them to tell them precisely which angle they want for this or that part of the item. There are also designers who like to have a broad inspiration idea when walking into a project, and they can help finesse and fill in the blanks. There are other designers that are given one element and told to build the rest of the ring around that element. Some designers can do all of those things, they just prefer to have one type of project over another.

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I do not recommend going to a designer and asking them to work outside their element. They might agree to it, and they might consider it a challenge, but that doesn’t mean that you’re going to get the best result for your money.  If you find a designer whose work you love, and you work well together with both personality and aesthetics, stick with them, by all means! Everyone appreciates a return client!

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I have some deadlines I want to get out there and publish before it gets too late!
November 15: If I don’t have a custom design already in the works by this date, it will not be ready in time for the holidays.
December 1: Last day to place an order for stock Elle Collection items
December 18th: Last day to order ready made items for guaranteed by Christmas delivery. I am not going to take any chances here! I’ve had so many items that were “guaranteed by Christmas” and have them arrive the day after, and I do not want to participate in any of that kind of disappointment!

I should have some new items cropping up very shortly, a couple ring settings and a band. I’m incredibly excited about them and cannot wait to share them!

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Art of Any Medium

Sometimes you lose your drive and your inspiration. I’ve been so stressed out with everything, moving and selling our house that I’ve just been blah in every aspect of my life, except for sleeping. Yesterday my husband and daughter went to work and gave me some peace and quiet. I told myself that I wouldn’t do any chores and forced myself to try to relax and get with the program. Let me deviate for a bit.

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About a week ago, I won a print of a beautiful asscher cut diamond painting done by Angie Crabtree. Part of winning that particular contest was that she would name it after me. You can check out “Elle” here: Angie Crabtree

 

Now, I’d been following Angie around instagram for a bit, admiring her diamond painting work. She has recently gotten several inquiries asking if she would do a gemstone photograph, and she replied that she would. But she wanted a straight on high resolution photo to paint from. So I decided today was the day to challenge myself to try to get a straight on photo of a gem that was high resolution and good enough to paint from. Short story, I did not achieve my goal, but did get some nice photos anyway.

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Still feeling rather blah, I sat down on my couch and turned on Netflix. I’ve mentioned before that I was a pastry chef, and I was incredibly serious about it. I went to culinary school with the mindset that I would be a savory chef, and leave that sissy pastry stuff to people who couldn’t hack it in a real kitchen. Then I started baking and pastry classes, and it was all over. I was entranced by the artistry of pastry and the fact that I felt as though I was completely unencumbered by the mediums, after all, I could take flour, sugar and butter and transform it into anything, rather than trying to mold a chicken breast into something else that didn’t make sense. Later, I would learn that that wasn’t exactly the case, but I was already too in love with the art and specific science of pastry. So I flicked through several suggested shows, and I see something called “Chef’s Table”, and figure “Why the hell not?”

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I want to thank Massimo Bottura for lifting me out of my funk and reminding me of my passion for the beautiful, for pushing boundaries, and questioning traditions. And making me remember that some of the best creations come from accidents.

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I feel better now.