custom jewelry – The Gemstone Project

2019 Updates to Policies

Posted on October 27, 2018October 27, 2018 by grayspinel

I realize that I’ve been terrible about updating the page for the past year, and I’m hoping that things will start to turn around shortly.

I wanted to post an update that there will be changes made to the following policies that will take place at 12:01am January 1, 2019. Here is a summarization of the changes that will be taking place:

Custom Work

Custom work will require a non-refundable 50% deposit due before the piece goes into physical production. The remaining 50% deposit will be due at the time that the project is completed.

Layaways

Lay away payment plans will be executed at my discretion. They will require a $100 deposit due immediately to hold the item. The item must be paid in full within 90 days. Any and all payments made will be non-refundable, but will be transferable within TGP.

Pricing

The pricing structure of TGP will be changing in 2019. Any and all projects that are started in 2018 will be grandfathered in to the current pricing structure.

Engagement: Alli & Doug

Posted on April 3, 2017March 3, 2017 by grayspinel

I’m still not really sure how Alli and Doug found me, but they did and I’m absolutely delighted that they did. Otherwise I wouldn’t have had a part in this gorgeous ring, which would have been terrible.

Back in the Fall of 2016, Alli and Doug reached out and asked if I would be interested in making their engagement ring. They had bought a gray spinel, and had several items of family jewelry that they wanted to use the stones from. If you’ve followed me at all, you already know how into an idea I am if it has a gray spinel attached to it. But I was intrigued both by the couple and their design ideas, as well as the center stone!

They expressed later to me how difficult it had been to find a jeweler to execute their vision for their ring, and I can sort of understand why because it’s not conventional, and there really aren’t that many jewelers who are willing or want to take on an unusual request. Especially for a gemstone. I am honored to be asked to create this beauty for such a special sentimental ring!

So they sent along some guides as to what they wanted their ring to look like, with some examples of each one, and we went back and forth on lots of the details for a long time, trying to iron out each element.

They wanted the gray spinel to take main stage from top down, and not have any of the accent stones visible from the top down. They wanted double prongs (which is always a stability concern for me with cushion cut gems! Double prongs are always best for cushions!) and an antique feel.

They wanted engraving, pretty much all over. They wanted Alexandrite accent stones in various places on the profile. They wanted diamond accents in other places. They wanted to use diamonds from an antique family ring. They wanted it to have the feel of an antique.

Luckily their requests came with a stone that was large enough that we could add a lot of detail and still manage to hide everything under the stone.

I had to play with proportions of everything, but at one point, everything just flowed together with all of the inspiration photos they had given me, every element that they had asked for, and my own little flourishes.

They had me add their birthstones, an amethyst and a garnet plus an alexandrite into the shank, against her skin.

A view of the tucked under family diamond, detailed with accents inspired by a 1950s birthstone ring that belonged to my mother. This shows it alongside a gray gold Accolade band.

A bit of an idea of what it looks like on the hand with a quick handshot from yours truly!

One of my flourishes, and Alli and Doug still don’t know this, is that when I was thinking about the project, I was strongly inspired by Alli and felt that she had a certain kinship with Wonder Woman. As a result, I mimicked Wonder Woman’s tiara shape in the profile of Alli’s ring, which you can see best when it’s upside down. Alli is an athlete and a dentist (technically a prosthedontist) and those are just the tips of the iceberg when it comes to describing how gifted this woman is!

I love how this ring looks slightly different from every angle.

A closer look at the family diamond we bezel set on the shoulders of the ring.

You know I cannot resist a gray spinel, especially a giant one like this! Once Alli saw that I had started to offer gray gold as an alternative to the traditional white, she jumped on the bandwagon immediately, and I think it came out incredibly well, and suits the stone perfectly.

And to finish off, a couple macro photos on an antique beaded purse. When Doug surprised Alli with the ring, he turned off all of the lights because I had sent it in a ring box with a light in it, and she was really confused why he was turning the lights off, until he opened the box!

When the ring was completed, I emailed Doug, and I told him that if he trusted me, he should just let me send the ring, and forgo seeing pictures of it beforehand. He did, and this blog entry would be the first time he would see the photos I had taken!

Doug & Alli, it was my utmost pleasure to work with you and I hope that we can work together again in the future! Enjoy that stunner of a ring and congratulations again on sharing your life with each other!

Evolution

Posted on March 6, 2017March 3, 2017 by grayspinel

Roughly ten years ago I started to take my obsession with jewelry and gemstones a bit more seriously by starting to actively research and reading everything I could find online. It turns out that over ten years, things can evolve and change quite a bit.

I had a guest blogger who wrote about her collection and how it evolved over time, but I have not really addressed those kinds of questions myself, even though they keep coming up. So here are some answers to questions I get regularly!

What do you keep?
I keep almost exclusively sentimental pieces. At this point in my life, a stone has to be really outstanding to catch my eye, much less make me want to keep it in my personal collection. I have cultivated almost a rainbow of rings with pinks, peach, green, blue, violet and purple playing the major roles.

A padparadscha sapphire in the Aurore, an anniversary gift from my husband.

What you sell and why?
I usually do not sell anything from my personal collection. The only time I might sell something from my personal collection is if something else is replacing it. Also, if I’m selling something from my personal collection, you can bet that it doesn’t have any sentimental value attached to it. If my husband or daughter had any input in it, it’s going to stay in my personal collection. The pink spinel Vivant ring is the perfect example – the diamond sides were originally purchased as my first pair of diamond studs by my husband. They were used in another ring before being set into this ring. I cannot count how many times I’ve been asked to sell that ring, but I won’t!

These diamonds were an anniversary gift from my husband.

Do you buy less expensive things as time goes on?
No. If anything, I’ve bought more expensive things. I will pick up things here and there if I find them to be a good deal, but if I’m adding it to my personal collection, at this point, it’s got to be larger or “better” in some way than what I have already. Since many of those items were bought quite some time ago, odds are very good that the market has gone up since then, almost universally.

This flawless Mint Merelani Garnet was given to me as a 30th birthday present.

Or fewer, more expensive pieces?
What is kind of interesting is that I’ve been able to make more items that could potentially stay in my personal collection as prototypes than I was previously able to. At some point, I have to make a decision as to whether I am ok with selling them or keeping them in my collection. So I’ve been making more pieces, and they end up being more expensive. I think though, if I wasn’t designing jewelry and therefore unable to justify them as prototypes, I’d be putting together fewer, more expensive pieces.

The blue spinel in the Petiller was a wedding gift from my father, and every diamond in the Privé band was from a different occasion – Valentine’s Day, Mother’s Day, birthday, etc.

Or some other philosophy?
I guess I kind of collect everything now!

A collection picture from 2013, before I started designing everything.

How your settings have changed?
I started out being totally adverse to diamonds. As you’ll see in the settings that are coming up, diamonds play a pretty big part in it. So I’ve totally reversed my position on that end of things! But while there has been the addition of diamond accents, I’ve make an effort to simplify some of the blingier settings. That has not held true in every situation, as you’ll soon see when my next settings come out!

This Colombian emerald was the last gem that really caught my attention. I couldn’t resist that color!

Have you gotten more subtle with age or more blingy?
Both. I think that both have a place in any collection. I have plain solitaires, and plain bands with no accents, and then I have settings that are crusted with diamonds. Different moods call for different types of jewelry and I like that my jewelry box can accommodate just about any occasion.

This Accolade band was made with spinels that my husband helped me pick out when he was just my boyfriend.

What has changed the most in your collection?
I’ve actually tasted a little bit of antique jewelry. My most recent addition to my personal collection was an onyx, diamond, platinum and gold French ring from 1910, and I’m totally enamored with the craftsmanship and the detail work. Before, I never would have given most antique jewelry a second glance!

An anniversary gift from my husband.

The Résilient in Photographs

Posted on January 30, 2017January 30, 2017 by grayspinel

I’m doing a photo heavy and commentary light post because I have too much on my to do list, but I still wanted to share the beauty of this ring with you, and I haven’t been able to put a blog out about it yet.

The center stone is a Amora Moissanite cut into the OEC pattern, and all of the other stones are diamonds. The Amora Moissanite has been discontinued, which, after seeing it in person, is a real shame. They have replaced it with the Forever One Moissanite, and the OEC cutting is also nowhere to be found.

Sometimes, through great times of turmoil, comes great beauty.

Updates and an Announcement

Posted on January 2, 2017January 1, 2017 by grayspinel

I feel like it’s been a while since I blogged. And there are a lot of good reasons for that. But I’ll get to that in a bit.

I recently nabbed a trio of gray spinel asschers. I’m thinking about making a three stone with them, if they match well enough and look good together. I will see once they arrive! If I don’t love them together, they will probably go into the etsy shop.

I did several earring design sketches for a client, and I’m considering turning some of the unused ones into designs to go into the etsy shop. Especially since I have a ton of green garnets that really should be used for something fabulous.

Upcoming projects: a necklace for a friend, a Rubellite ring, a smattering of three stone rings, a five stone ring, a couple of fancy halos, and a handful of solitaire rings. Plus who knows what else will pop up in the next few weeks. I have several ideas for necklaces that I’d like to make, but those may take a while to bring into fruition.

The biggest announcement is that I have taken an outside opportunity, and as a result, I won’t be able to devote as much time as I have been to my own jewelry design. There won’t be a ton of changes that stem from this change, my website will stay the same, my stock designs will remain available, the Etsy shop will remain open, and I will still be available to do custom design.

The big changes are going to be: I won’t be able to devote as much time to hunting down gemstones and I’m going to have to be stricter about custom projects that I take on. I will still have accounts with Gem2000, Mayer & Watt and Pala International/Gems, and their stones will be available for purchase through me. Shipping will only happen once a week, probably Mondays or Tuesdays. Unfortunately, blogging will have to take more of a backseat, and will likely turn into a once a month occurrence. I will still try to respond to emails within 24 hours, but I may not be as swift as I was before.

Hand Forging vs. CAD and Cast

Posted on November 21, 2016November 20, 2016 by grayspinel

I feel like the topic of different ways to manufacture jewelry has been coming up more and more lately in email conversations with clients, so I figured I’d write a little bit about it.

*Please note, I’m not going to discuss die struck jewelry in this post!

I think it’s Mark Morrell that was a touch snarky about answering the question of “are your items handforged?” I believe his answer is along the lines of “I use the best manufacturing method for the job at hand.” Which, to me, says loads – it says that he thinks the question is hogwash, he uses both “methods”, and isn’t going to waste a lot of time molding metal to make a ring that could be manufactured easier and quicker through other means.

In reality, all jewelry is made by jewelers manipulating a variety of tools through a variety of techniques to get the desired result.

It seems to me that there has been a big fuss about what tools and techniques are used to achieve those results.

Now, there are obvious differences in production, but there is very little that can be produced “better” via “hand forging” vs CAD and cast. CAD and cast is easier, it’s cheaper, and the time savings is tremendous as far as labor goes. CAD and cast are also typically going to be more precise and symmetric. A computer and a machine just aren’t going to make the mistakes that a human would. The differences boil down to how the parts of the jewelry were created. Otherwise, there is a ton of overlap in the methods. Hand forged items, if you’ve watched videos, have been brought into their shapes with tools and a person guiding those tools. No matter what, the pieces are all soldered on the same way, they are all polished the same way, the seats for the stones are all cut the same way. Engraving is done the same way. You get the idea.

Feel free to mute your sound should you choose to watch the video!

https://www.youtube.com/watch?v=XEul-_Zh4q0

I have a Mark Morrell piece in my personal collection, and what I can tell from it is that his finishing is impeccable. You can tell that he goes over every millimeter until it’s to his standards. The ring is CAD and cast, though I have no doubts that he uses hand forging methods when necessary. I have played with a 100% hand forged piece and I can see solder where the band was put together, the prongs on the center stones are all different lengths and widths, and one doesn’t quite touch the stone correctly, causing it to catch on things and have constant chunks of fuzz under it.

Mark Morrell set with a colorless spinel

For me, it becomes a question of, “Do I want this cheaper, quicker and easy to replicate? Or do I want this to cost 5x as much, imperfect, longer manufacturing times, and not easily replicated?”

My Pétiller ring is one that’s good to think about because it’s quite simple in execution, and was cast. The cast pieces were assembled by hand, and then the seats were hand carved out of the solid metal for each diamond. The only difference in making that ring via hand forging vs CAD and cast is that the methods would be different to get the solid shank, and the bezels that make up the support structure between them. Otherwise, the methods to put it together are exactly the same.

My stance is that I prefer CAD and cast over hand forging. Much of the manufacturing methods are the same, it’s just a question of how the metal came to be the finished shape before things like setting stones and other finishing techniques take place. CAD and cast is much easier, especially when it comes to online orders – the client gets to see what it’s going to look like before it’s produced, rather than just hoping it will come out how it’s been envisioned, and seeing it when it’s finished.

So much of the jewelry world is incredibly secretive. I don’t think that most jewelry people like to take time out to explain the differences to laypeople, especially when it’s hard to gauge the audience – are they really wanting to know the specifics behind the manufacturing methods or is it just a question being asked to make small talk? And sadly, most sales people in the retail world have no idea about manufacturing methods at all.

Ombré du Soleil

Posted on November 7, 2016November 6, 2016 by grayspinel

They just wanted to be made. – Elle

I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.

A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.

My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.

Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.

Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.

About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré color scheme I had dreamed up. I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.

As soon as I had all of the stones collected, I sent the picture to a friend.

And a couple months later, she asked me when I was going to make the earrings? Why hadn’t I made them already? I had all of these beautiful stones, why not make use of them already? So I turned around that week, and sent them off to the jeweler, along with a picture of the sketch.

As I mentioned before, the sketch went through a couple of revisions. The final version ended up being so large that the entire thing wouldn’t fit on one page of my sketch book, so I had to improvise a little bit, and drew the stud separately from the rest of the earring. A quick note: I draw everything at 5x scale.

So, lets talk specifics of the finished product.

The bottom 5 stones are spessartites, the top three in the bottom section are sapphires. The top stone (the stud) is a spessartite and then the rest (second stone in the stud and then the little connecting section) are all fancy yellow diamonds.

These are definitely more hefty than I usually make, but the one thing I wanted out of these is that I wanted to have that heft, and I didn’t want them to feel cheap. I feel like they easily could have gone the costume jewelry route, but the setter managed to avoid it, keeping the walls between the stones quite thin, and the edges from stone to outside rim thin in most areas . The largest stones are 7mm and very deep so we really had to have a lot of metal to hold them all in place.

The settings are open in the back to let in a ton of light, even though they are bezeled. The emphasis for this project was really on the stones, the ombré effect and the concept of light. Seeing as how it took about two years to find the right stones in the right sizes, tones and saturation to I really wanted to not detract from the concept as a whole and keep the ombré effect in the metal that’s holding the stones together. As you will see in the images below, the color of the stones change from one image to another – the most accurate devices for color viewing are Apple products, iphone, ipad, Mac computers, and images with the brightest colors and least amount of brown are the closest to real life.

14 grams of 18kt yellow gold

.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets

14.7 total carats

They measure just over 2.5 inches long.

Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”

At the moment, I don’t know what the future holds for them. But absolutely something bright.

2016 Holiday Deadlines

Posted on October 23, 2016October 23, 2016 by grayspinel

I posted the holiday deadlines to my Facebook page but I figured they should be posted here as well to make sure that no one misses them!

Custom jewelry: November 1st
Stock design: November 23rd
In store item: December 19th
In store item with expedited shipping: December 21th

I live in a small town, and unfortunately USPS cannot guarantee overnight delivery from where I’m located! I do have access to a UPS office, but no FedEx.

There may be some slight flexibility in these, but that would be on a case by case basis! Please contact us directly for details!

Also, this is the last week for our fall sale (15% off!) in the etsy shop! Don’t miss out! The coupon code can be found on the Facebook page!

And because I can’t stop posting photos of this everywhere, here is the newest version of the Intrepide! My client’s 4.42ct Mahenge Spinel that she has been holding into for 5 years (!) looks fantastic in it’s new home!

Incoming Gemstones

Posted on October 17, 2016October 16, 2016 by grayspinel

Whoa! Gemstones ahoy!

I got a couple of packages from a couple of collectors looking to consign items, and there are some really awesome gems, and a couple of finished jewelry pieces.

Some of the stand outs include:

40+ carats of green garnets: tsavorite, demantoid, mint, including melee!
2+ carat blue spinel pear
1.89 carat neon pink spinel
Green zircon
6+ carat blue zircon
Light teal-blue tourmaline
Pink Vietnamese spinel
Ruby studs
Handful of diamonds, rounds and cushions
Precision cut Mahenge garnets
Lavender tourmaline

Plus more!

Also expected this week, a precision cut gray spinel antique cushion with a certification from AGL.

And I still have more incoming in the next couple weeks!

All of these will be listed to my etsy shop in the coming weeks, while I’m hoping to have everything up by Thanksgiving, but that just depends on how things go, and how much sun I get for photographs! If you are looking for anything in particular or if any of the above sound interesting, please reach out to be added to the interest list!

If you haven’t found my coupon code on my Facebook page yet, you should go check it out because it expires October 31!

Also I have accounts with some wholesale dealers, so if you’re looking for anything in particular, let me know!

We are getting very close to the holiday season. I will be releasing deadlines for holiday ordering within the next week – where has this year gone?! I cannot believe the holiday season is upon us!

So many custom projects going into production right now, I am so excited to see them come to fruition!

Evaluating a Neon Pink Red Mahenge Spinel

Posted on September 26, 2016September 25, 2016 by grayspinel

This week’s blog is an evaluation of a 3.21ct Mahenge spinel that I did for a client recently. The stone was brought in from Mayer & Watt, a wholesale dealer where the advertised MSRP is $5,256/carat. The following is a direct copy and paste of my email.

Color:

It is always interesting to see how different stones look when up against other stones of similar colors. For this pear, I pulled out the large Mahenge reddish-pink cushion I have, the small Burmese pink-red, a red-red oval, my red spinel band, and my pink-pink Mahenge spinel. So this one is interesting because up against the more pink stones, it looks more red, and when it’s up against a red red, it looks pink. Overall it’s strongly saturated, medium in tone, with the slightest hint of orange when compared to pinks that are more blue-toned.

Inside

Outside

Inclusions:

My biggest concern going into it was the inclusion. As I think I mentioned in a message I sent you earlier, in some lighting situations, it’s more obvious than in others. Right now it’s about 18 inches from my face, and even though I know where it is, I have difficulty finding it. I think that it would be very close to where a prong would sit to hold it, so once set, it may become even less obvious. I just put it under 14x magnification and it looks as though there is a cluster of 3 bubble inclusions, which are typical for the Mahenge location. They don’t pose any problems for setting, they don’t even come close to reaching the surface. The largest one has a slightly larger cloud around it that’s typically not visible except when backlit, which I have attached a picture of. They are all clear or white inclusions, probably a negative crystal inclusion and two gas bubbles. Even with the three inclusions, I would say that this is a very clean example of Mahenge material.

Cut/coloration:

You had asked about zoning earlier. There isn’t any zoning, but as is pretty typical with pear and marquise cuts, the color tends to concentrate on the tips, as a result of the cut. This one is actually pretty evenly colored, with just a slightly deeper color on the tip. As far as cut, this is a really well cut pear. There isn’t any windowing, and there isn’t an abnormal amount of tilt windowing. If anything, I’d say that there is less than the typical amount of tilt windowing. There does not appear to be any bow-tie or large amount of extinction.

Fluorescence:

It glows a bright red under UV light.

Overall I’d say it’s a pretty exceptional stone. The only hesitation I would have would be the inclusion, but that’s really a matter of personal preference – I’m ok with inclusions so long as they aren’t detrimental to the overall look of the stone.