Ombré du Soleil

They just wanted to be made. – Elle

I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.

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A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.

My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.

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Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.

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Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.

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About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré  color scheme I had dreamed up.  I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.

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As soon as I had all of the stones collected, I sent the picture to a friend.
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And a couple months later, she asked me when I was going to make the earrings? Why hadn’t I made them already? I had all of these beautiful stones, why not make use of them already? So I turned around that week, and sent them off to the jeweler, along with a picture of the sketch.
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As I mentioned before, the sketch went through a couple of revisions. The final version ended up being so large that the entire thing wouldn’t fit on one page of my sketch book, so I had to improvise a little bit, and drew the stud separately from the rest of the earring. A quick note: I draw everything at 5x scale.
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 So, lets talk specifics of the finished product.
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The bottom 5 stones are spessartites, the top three in the bottom section are sapphires. The top stone (the stud) is a spessartite and then the rest (second stone in the stud and then the little connecting section) are all fancy yellow diamonds.
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These are definitely more hefty than I usually make, but the one thing I wanted out of these is that I wanted to have that heft, and I didn’t want them to feel cheap. I feel like they easily could have gone the costume jewelry route, but the setter managed to avoid it, keeping the walls between the stones quite thin, and the edges from stone to outside rim thin in most areas . The largest stones are 7mm and very deep so we really had to have a lot of metal to hold them all in place.
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The settings are open in the back to let in a ton of light, even though they are bezeled. The emphasis for this project was really on the stones, the ombré effect and the concept of light. Seeing as how it took about two years to find the right stones in the right sizes, tones and saturation to I really wanted to not detract from the concept as a whole and keep the ombré effect in the metal that’s holding the stones together. As you will see in the images below, the color of the stones change from one image to another – the most accurate devices for color viewing are Apple products, iphone, ipad, Mac computers, and images with the brightest colors and least amount of brown are the closest to real life.
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14 grams of 18kt yellow gold

.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets

14.7 total carats

They measure just over 2.5 inches long.

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Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”

At the moment, I don’t know what the future holds for them. But absolutely something bright.

Elle signature

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The Vivant Ring

One thing I sometimes struggle with is keeping it simple. Sometimes I find myself adding details and thinking, “This is perfect!” and then going back and thinking, “Why did I add so much?!” I always try to remember that Coco Chanel quote:

“Before you leave the house, look in the mirror and take one thing off.”

Wise words from an impeccably fashionable woman. So while the Vivant necklace is a modern take with Art Deco appeal, I decided to keep the Vivant ring an echo of some of the details from the necklace, and lend towards classic simplicity.

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The stones chosen for this setting were chosen to add a little bit of drama via color, with a neon pink Mahenge spinel, and two antique Old Mine Cut cushions (because antique cuts in diamonds are my favorites!) as the perfect classic accents.

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Typically one of my favorite views, because it shows off so many details of a ring setting, and how they flow together. 

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The ring ends up at 2.64ctw of diamonds (antiques are .99ctw, melee are .10ctw) and spinel (1.55ct) and was made of 18kt white gold. This setting will be available (and tremendously adaptable!) for your own stone or stones, of any shape and size. I am also able to source stones, because pairs are not exactly easy to find sometimes!

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And ending with the fluidity of the shank, and the slight split shank transition.

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Viva Las Vegas! JCK 2015 Part 1!

I don’t even know where to start because I did so much while I was in Las Vegas, so I guess I’ll just go in chronological order and give an abbreviated look into three of the most intense days of my life.

Thursday

So, I’m lucky enough to live relatively close to Las Vegas. As a result, I decided to drive across the Mojave (which is not a decision to be taken lightly!) and save a bit on airfare. Well, just as I had pulled off the freeway to stop at an ATM, and was stopped at a stoplight, I picked up my phone to check the map, and a cop pulled me over for using my phone while driving. Apparently I need to start using paper maps rather than my phone as a map. That did not start my trip off well. In addition to that rough start, my lovely bling friend who was rooming with me, her flight was not only delayed, but she was moved to another flight, that would have her arrive ten hours after she had originally been scheduled.

Not a good start to what was supposed to be a fun weekend.

So, at that point, alone and grouchy, I checked in, got some free drink vouchers (bless the woman at the check in counter!) I unpacked everything, and decided to check my messages, where my delayed roommate had mentioned a potential dinner date with Roger Dery. Seeing as how I hadn’t eaten anything all day, I figured I should probably put something in my stomach. So I text Roger and arranged to meet him at a restaurant a block from his hotel.

Dinner with Roger Dery

Let me start out by saying that Roger is wonderful. I’m not just saying that because I know he’ll read this either! I don’t want to talk too much about dinner because we talked about a lot of gemstone stuff, my plans for the future, his history with gemstones, posting on Pricescope (we both typically refrain unless we think very carefully about what we’re going to say before we say it), the increase in interest in gray spinel, mining, etc. You get the picture, I basically got as much information out of him as I possibly could over a couple of hours.

Gemstone showing with Roger

After we finished dinner, Roger invited me to view the gemstones he had with him, and of course I jumped at the opportunity! Who wouldn’t?! Here are some of the pictures I took of some of his gems.

Chrysoberyl
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Orange sapphire. Just a tiny bit more brown than a fine orange garnet. This picture does not do it justice.
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A large blue sapphire
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My favorite stone of the night, a 2.03ct blue sapphire
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Iolite cabochon. A wonderful violet color. 
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One of many kiwi garnets.
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Another kiwi garnet.
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A fine spessartite, as usual, this picture does it no justice. 
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The amazing crown on a red garnet.
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A gorgeous burnt orange garnet that has a tinge of pink to it; another favorite of the night.
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Admiring the chrysoberyl.
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I took pictures of every single gem he brought with him, but some of them came out terribly, so I won’t post those! Roger gave me some helpful hints about the business and made some great suggestions as to next steps I should take. Not long afterward I finished looking at the gems, Jason Brim, Ryan Quantz and some other gemstone afflicted came by to go through Roger’s gems, and talk about gems. We also talked at length about Sharing the Rough, which I was able to see at the Newport Beach Film Festival. But more on the film later!

Back to the Bling Room

At this point, it was midnight and my roommate had finally made it to our hotel, so I decided it was time to head back….and look at more bling.

Colombian emerald cut by Lisa Elser.
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6+ct violet sapphire from Gene Flanigan at Precision Gems.
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Electric blue zircon from Roger Dery, customized Gabriel & Co setting.
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A red flame spinel in a custom Bez Ambar setting with Blaze diamonds
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A special transitional diamond from Love Affair Diamonds. This diamond comes with a story! 
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Violet sapphire from Natural Sapphire Company, setting from Jeff Davies.
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Shoulder views of Gabriel & Co setting and Julia B Jewelry setting with a Prima Gems red Mahenge spinel. 
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I finally passed out around 3am, already feeling a bit overwhelmed. This is what a colored stone lover’s nightstand looks like when we have a bling weekend.

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Part 2 with the lowdown on Friday’s insanity coming tomorrow!

Hint: it involved a lot of time with Prima Gems, and a limo ride. Not related to each other!