2019 Updates to Policies

I realize that I’ve been terrible about updating the page for the past year, and I’m hoping that things will start to turn around shortly.

I wanted to post an update that there will be changes made to the following policies that will take place at 12:01am January 1, 2019. Here is a summarization of the changes that will be taking place:

Custom Work

Custom work will require a non-refundable 50% deposit due before the piece goes into physical production. The remaining 50% deposit will be due at the time that the project is completed.

Layaways

Lay away payment plans will be executed at my discretion. They will require a $100 deposit due immediately to hold the item. The item must be paid in full within 90 days. Any and all payments made will be non-refundable, but will be transferable within TGP.

Pricing

The pricing structure of TGP will be changing in 2019. Any and all projects that are started in 2018 will be grandfathered in to the current pricing structure.

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The Résilient in Photographs

I’m doing a photo heavy and commentary light post because I have too much on my to do list, but I still wanted to share the beauty of this ring with you, and I haven’t been able to put a blog out about it yet.

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The center stone is a Amora Moissanite cut into the OEC pattern, and all of the other stones are diamonds. The Amora Moissanite has been discontinued, which, after seeing it in person, is a real shame. They have replaced it with the Forever One Moissanite, and the OEC cutting is also nowhere to be found.

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Sometimes, through great times of turmoil, comes great beauty.

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Incoming Gemstones

Whoa! Gemstones ahoy!

I got a couple of packages from a couple of collectors looking to consign items, and there are some really awesome gems, and a couple of finished jewelry pieces.

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Some of the stand outs include:

40+ carats of green garnets: tsavorite, demantoid, mint, including melee!
2+ carat blue spinel pear
1.89 carat neon pink spinel
Green zircon
6+ carat blue zircon
Light teal-blue tourmaline
Pink Vietnamese spinel
Ruby studs
Handful of diamonds, rounds and cushions
Precision cut Mahenge garnets
Lavender tourmaline

Plus more!

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Also expected this week, a precision cut gray spinel antique cushion with a certification from AGL.

And I still have more incoming in the next couple weeks!

All of these will be listed to my etsy shop in the coming weeks, while I’m hoping to have everything up by Thanksgiving, but that just depends on how things go, and how much sun I get for photographs! If you are looking for anything in particular or if any of the above sound interesting, please reach out to be added to the interest list!

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If you haven’t found my coupon code on my Facebook page yet, you should go check it out because it expires October 31!

Also I have accounts with some wholesale dealers, so if you’re looking for anything in particular, let me know!

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We are getting very close to the holiday season. I will be releasing deadlines for holiday ordering within the next week – where has this year gone?! I cannot believe the holiday season is upon us!

So many custom projects going into production right now, I am so excited to see them come to fruition!

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Evaluating a Neon Pink Red Mahenge Spinel

This week’s blog is an evaluation of a 3.21ct Mahenge spinel that I did for a client recently.  The stone was brought in from Mayer & Watt, a wholesale dealer where the advertised MSRP is $5,256/carat. The following is a direct copy and paste of my email.
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Color:
It is always interesting to see how different stones look when up against other stones of similar colors. For this pear, I pulled out the large Mahenge reddish-pink cushion I have, the small Burmese pink-red, a red-red oval, my red spinel band, and my pink-pink Mahenge spinel. So this one is interesting because up against the more pink stones, it looks more red, and when it’s up against a red red, it looks pink. Overall it’s strongly saturated, medium in tone, with the slightest hint of orange when compared to pinks that are more blue-toned.
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Inclusions:
My biggest concern going into it was the inclusion. As I think I mentioned in a message I sent you earlier, in some lighting situations, it’s more obvious than in others. Right now it’s about 18 inches from my face, and even though I know where it is, I have difficulty finding it. I think that it would be very close to where a prong would sit to hold it, so once set, it may become even less obvious. I just put it under 14x magnification and it looks as though there is a cluster of 3 bubble inclusions, which are typical for the Mahenge location. They don’t pose any problems for setting, they don’t even come close to reaching the surface. The largest one has a slightly larger cloud around it that’s typically not visible except when backlit, which I have attached a picture of. They are all clear or white inclusions, probably a negative crystal inclusion and two gas bubbles. Even with the three inclusions, I would say that this is a very clean example of Mahenge material.
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Cut/coloration:
You had asked about zoning earlier. There isn’t any zoning, but as is pretty typical with pear and marquise cuts, the color tends to concentrate on the tips, as a result of the cut. This one is actually pretty evenly colored, with just a slightly deeper color on the tip. As far as cut, this is a really well cut pear. There isn’t any windowing, and there isn’t an abnormal amount of tilt windowing. If anything, I’d say that there is less than the typical amount of tilt windowing.  There does not appear to be any bow-tie or large amount of extinction.
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Fluorescence:
It glows a bright red under UV light.
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Overall I’d say it’s a pretty exceptional stone. The only hesitation I would have would be the inclusion, but that’s really a matter of personal preference – I’m ok with inclusions so long as they aren’t detrimental to the overall look of the stone.
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Engaged: 3 Stone Spinel

Sometimes the best projects are the most terrifying. Warning – this post is picture heavy!

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A while back I had a new client come to me and she said, “I don’t know what I want, but really like the Accolade band, and a few other settings. Can you design my engagement ring?” To which I said yes.

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Looking back on it, I think it’s kind of funny because being given full creative control is so so scary, but her engagement ring turned out wonderfully and I couldn’t be happier.

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We had a lot of debate over stones, but once the actual setting idea came into fruition, it all seemed to fall into place.

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It was made using three precision cut spinels – the center is a lavender spinel, and the two side stones are gray spinels.

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Platinum ended up being the metal of choice due to it’s lack of maintenance.  The random polish to smooth out scratches, and it looks as good as new again!

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The angled shoulder view is often my favorite on any ring, but on this ring, it’s extra special – I love how the prongs and the curves just flow together!

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Last rays of summer sun…

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Once you see the profile, you can clearly see how it was inspired by the Accolade band!

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E, I am absolutely delighted for you and D, and I hope that this ring follows you through many great adventures on your life together!

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Gem Blast: Vivant Earrings

If you follow me on social media, you’ve seen these earrings before. They have been all over Instagram, Facebook, and Snapchat.

Inspired by the Vivant necklace, I got the idea when I found these incredible step cut cushion Mahenge spinels, and had to put them together. I then paired them with a pair of Mahenge round brilliant spinels that I had purchased years ago, tweaked a few details to make the combination of stones work together and elongate the shape to flatter the wearer, and added a post back.

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Showing off a bit of their red fluorescence in the sun.

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Looking a bit blue, reflecting the sky in the stones.

Some of the finer details:

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Mahenge spinel, diamonds and 18kt white gold.
2.40ctw spinels, .30ctw diamonds, 2.70ctw total stone weight.

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Finding a pair of spinels is exceedingly difficult because the stones in general are so rare, but to find some that are the same color, size, shape and cut magnifies to difficulty level thousandfold. Finding two pairs that go together and match on color isn’t exactly easy either, and often is a matter of waiting until the right stone or stones comes around.

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Now, the next time you see them, they will be a bit different. A client took a liking to them, but wanted them changed just a touch, and asked me to make the alterations.  I can’t wait to see them when they are done!
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Custom Red Burmese Spinel Halo Ring

I’ve been incredibly busy, to say the least!

I actually took my first day off in three weeks renovating/decorating/etc the other day to exclusively work on jewelry stuff. I had been sorely missing it and really had a stack of things to get back on – gemstone photography, rough jewelry ideas, blog ideas, sketches (which I’m still behind on!), as well as giving my back a rest, as I had pulled it over a week ago.  So I’m feeling as though I’m in a much better place than I was last weekend, with getting some items that were way overdue taken off my list.

I have a few fancy shaped antique diamonds in queue to design custom rings around, and I’m really excited about those. And of course I have some colored stone custom designs in the works as well!

In the meantime, I wanted to share some images of the most recent design to come out of production, something reaching quite a ways outside of my comfort zone, which I often struggle with, but always comes out better than I could imagine.

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Sketch, slightly underdeveloped.

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Jeweler’s photographs. 

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Client’s photographs.

I always love when clients come up with something that’s out of the ordinary, and this certainly fits the bill in that regard! An unconventional diamond and platinum halo surrounds a 1.69 ct Burmese Red Spinel.

I will be sending a parcel of sapphires and an emerald to AGL for certification this week. I had been intending to send them to AGL and kept putting it off for various reasons. But they are going to go now, and typically they are at about a 2.5 week wait, so hopefully I will have them back relatively soon.

I have been working on some stock items, and as per usual, the CADs came out perfectly the first time for both items. Both share elements with the Vivant and as such, I decided to use Mahenge spinels as them as well. I can’t wait to see them completed!

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Feature: Dan and Cindi Stair

Daniel and Cynthia Stair are the owners and gem cutters at Custom Gemstones and I have known them for many years, after first striking up a conversation when I was looking for my engagement ring stone. I recently reached out to Dan with a whole bunch of questions and he answered every single one! Something that I really love about their website is that they take before and after pictures and it’s fascinating to see how the rough turns out, and recently started posting video of every single stone that goes up on their website.

How much of the cutting do you each do?
I cut full-time and do one or two per day. Cindi works at the local hospital, so she only has time to cut a few stones each month.

What are your favorite stones to cut?
That’s a tough question.  If I had to pick one, it would probably be natural sapphires.  However, I really like tourmalines, spinels and garnets too.  I tend to favor higher RI or more dispersive gemstones, regardless of the hardness of the stone or the fact that harder stones take a little longer to cut.  They also last longer in jewelry, so that’s something I feel good about.  I don’t like to hear that people have rings made and then the stones get all scuffed up.

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Do you have a favorite shape you like to cut? Or a favorite cut design?
No.  I don’t like cutting pears, but other than that, don’t really have a favorite.  Variety is a good thing when it comes to cutting stones.

Do you typically cut more from diagrams or more by instinct?
Actually, I only use diagrams less than 10% of the time.  I usually cut using a “style” such as step cutting as with emeralds or Asscher cuts, or brilliant cutting as with Portuguese, standard round brilliants, etc.  I also do a lot of radiant or princess type cuts if the stone is shallowish, and scissors cuts if it’s deeper in shape.  While I work, I figure it out as I go and make notes about the angles, index gear (rotational) settings, etc. as needed so I can remember what I did when I go back to prepolish, then polish the stone.

How did you get started cutting gems? What did each of you do before?
I was a photographer, writer and graphic designer for a large fishing lure manufacturer, and also did a lot of work for other area business and print shops when they needed full color printing done.  Back in the early 1990’s, I was probably one of the very first people to successfully use a desktop color computer for production of things like catalogs, magazine ads, etc.  Cindi was a housewife for many years and a gem collector.  She started cutting stones about ten years ago.  I started in 1998 if I remember correctly.

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What’s your favorite type of customer? 
I don’t really have a favorite type of customer other than maybe people working on engagement ring projects because it’s fun to be a part of that, or gemologists because it’s nice to work with someone who knows a lot about gemstones.

What’s the percentage split between commissions vs what you choose?
It’s gotten to be about 50/50.  Right now, we’re backlogged about a month with other peoples stones to cut, but also have to keep the ebay store and regular website interesting.  I try to cut one of my own, one for someone else, one of my own, etc.

I noticed that you added videos of your stones to each listing. What brought that on?
I was getting a lot of request for “more photos”, particularly from pricescope.com members.  What they don’t realize is how much time that takes and often, they were more looking for reasons to not buy a stone than anything else.  So, I decided to try videos because that shows so much more about how a stone looks in person that still photos alone.  Since I started doing that, I have noticed a huge reduction in requests for additional pictures as well as a major decrease in how many people get stones in the mail then decide to return them because they aren’t exactly as expected.  Neither the photos nor the videos are perfect, but between those and the written description, a person should be able to get a pretty thorough idea of what a stone will be like in person.

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You seem to have gained quite the reputation in recent years for recutting less than perfect stones, or damaged stones. How did that come about?
I used to send all those projects to other cutters, but started getting complaints that stones were being held for six months or more and the cutters were not returning emails.  So, I finally decided to do the work myself rather than referring people to others that did not provide a good service.  Since I have cut thousands of stones, and have that experience, I was able to develop some cutting concepts to fix a lot of the commercially cut stones without losing a ton of weight or having to do total recuts.  The tops are usually not too badly cut.  The pavilions are almost always 90% of the problem so learning to fix those has been the real key to improving the stones.  As far as reputation goes, I really can’t say much about that other than I always try to do a good job and keep the overall value of the stone in mind so people don’t lose money on their gemstone investments.

How long does each stone take to cut? Do certain shapes take longer to cut?
Most smaller stones that cut to be 2 carats or less take 2-3 hours to cut.  Bigger stones take longer, but not proportionally so.  For example, a two carat finished garnet might take three hours, and a 10 carat more like 5 hours.  simple shapes like rounds, squares and emerald cuts are fastest.  Shapes with long curved sides take a bit longer.  Examples would be ovals, pears, marquise cuts, etc.

What’s each of your favorite colors? Do you tend to try to cut those more often?
After all the years of graphic arts and now colorful gemstones, I have no favorite color.  I don’t, however, like olive green or brownish pink colors.  Cindi’s favorite colors are pink and green.  She tends to like all colors, even some of the “ugly” ones, except red.

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How often do you cut stones and keep them?
Me, less than one per year.  Cindi, every few months. I very rarely keep a stone.  I have a nearly flawless emerald, some opals and a blue to pink color change garnet that I’ve kept.  After 17 or so years, I only have about 10 stones total…if that.  Cindi, on the other hand has hundreds.

Does Dan have any jewelry made with the stones he has (Or Cindi) cut?
Yes.  I have a silver ring Cindi made for me using a welo opal and a Tripps setting.  I also have a small blue Australian sapphire that I cut in my simple, comfort fit wedding band.

How do you manage working together as a couple? How did Cindi get started and involved?
We both love gemstones in general and met when she start collecting stones I was cutting.  Oddly, we work together very well and almost never fight or argue about anything.  Cindi got started cutting gemstones as a hobby, which is how I got started also.

What is your favorite stone that you ever cut? Did you sell it or keep it?
I’m not sure I have a favorite, but the first one I ever kept for myself was an almost flawless, untreated Colombian emerald that even shows dispersion or spectral color flashes in sunlight.  I am fond of this one because of the clarity.  The somewhat odd step cut pear shape isn’t necessarily what I like about it.  Under magnification, I could only spot three little specks of “jardin”.

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What’s the weirdest stone you’ve ever cut?
Cindi has a really unusual gray tourmaline that is almost a charcoal color and super dispersive that I cut about 13 years ago.  The thing has big spectral flashes coming out of a completely gray colored stone.

Whatever happened to those corpse colored tourmalines you had listed? Weird as it may sound, I’m sorry I missed out on them…
The first of the two “corpse” colored tourmalines was purchased by a nurse (funny huh?).  I can’t remember who bought the second one.

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A huge thank you to Dan for taking so much time to answer all of my questions and being so frank with his answers. Most of the images in this post were taken from the website, of some gemstones that are currently for sale (minus the pear emerald and the “Ugly Tourmaline”!) I have a particular weakness for Dan’s step cuts!

Custom Three Stone

One of the many reasons I love spinels so much is that they have so much personality. One minute they may look one color, the next minute, they could look another color. So of course when I had a client reach out and ask if I would set her violet-blue cushion spinel, I jumped at the chance.

Now the ring is currently in transit to the client, but she has already seen most of these pictures.

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She wanted a three stone with diamond half moons, and we had a lot of discussion about the design elements of it, and where to go with inspiration.

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She suggested that she wanted it to be very traditional from top down, and something unexpected from the side. Her thought was “A professional woman in a business suit, but with blue fingernails.”

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The working title for the ring became the “mullet ring”, with business from the top, and party from the side. We went through a variety of diamonds for the surprise stones, and ended up using irradiated yellow diamonds.

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I really wanted it to have a minimalist feel from the top down, but wanted a bit of detail on the shank, adding a ridge – inspired by pinstripes so popular in business suits!

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The profile was inspired in part by Maleficent. Yes, Maleficent from Disney’s Sleeping Beauty. The small detail on the center stone’s basket emulates her staff, while the shape of the center stone’s basket echos the curve of her jawline, and the lines of the metal holding the half moons mirror Maleficent’s robes.

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The cool colors are so perfect for winter, and I cannot wait for her to see it in person!

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Lots of things in the works over here.

I’m planning on adding a page with a portfolio for work that may not make it to the website via the blog or some other means. Some of my items are on Pinterest, but not in a consolidated area.

I am considering adding some jewelry items to my etsy shop. I have gradually been letting the listings expire, but will soon be addressing those.

Custom projects are always in the works and I currently have a few exciting ones in the pipeline.

I’m also reconsidering the setting I had planned as a solitaire, the Dignité. I may take it into a different direction than I had been previously, I will have to put some thought into it.

Lastly, everyone keeps asking me if I’m going to be in Tucson this year – I will not be in attendance, but will have a representative there acting as my eyes and ears. Perhaps 2017 will be my year!

Miscellaneous Updates

Just a quick update this week, New Years is coming up soon (where did this year go?), and getting my new office/studio together is taking up way more time than I planned on.

  • My wonderful Angie Crabtree “Elle” print was finally framed, and it’s waiting for it’s new spot to be hung in my new office. I went simple on this one, and hopefully, since she is working on some antique diamond cuts, I can give “Elle” a companion sooner rather than later!
  • I haven’t been able to sketch and design as much as I normally do, snow shoveling has taken way too much of my time, as well as driving in the snow. It turns out that driving slow is key for avoiding wrecks! Right now I have three (plus) projects going on – two ring projects that I have very clear ideas on, and another more fluid project that I got a whole parcel of stones for, and have too many ideas on, so that will need to be worked on, hopefully in the coming week or so.
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  • Not much going on with stock settings, I decided against rolling out the Dignité for now, and will probably reconsider in the future. I am working on a three stone idea that has been formulating in my head that lends itself well to pairing with the Vivant necklace.
  • Instead of the Dignité being released, I posted the Intrepide – a wonderful interesting halo that’s just a slight tweak on a simple halo, that really comes with big impact!  This setting is available for any size and shape of stone, please contact us for details.
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  • I have a Voeu ring that just came out of production, and is available to view in person at David Klass Jewelry in Los Angeles. This one was made with a peachy-brown imperial garnet with both yellow gold and rose gold. This setting really lends itself well to smaller stones, giving them a good dose of presence, even for a smaller stone.
  • I got a few new jewelry tools for the holidays, so I’m excited to use those, both for pictures and just in general.
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  • I am considering sending several sapphires to AGL for certification, but the negative side of doing that (for the customer) is that the prices will inevitably go up.
  • Speaking of pricing, I think I might do a sale on my items on etsy for January. I will decide in the next week or so.
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A bit short today, I have been completely overloaded, but will hopefully get back into the groove again soon!