My Office

If you have been following me for a while, you will have noted that I dropped the ball for a while and didn’t blog or have many jewelry updates. Well, that was due to the fact that I was moving offices. For some time we were about 30 minutes outside of town, and this spring, we finally finished renovations. I don’t know that my office will ever be actually finished, per se, but I feel like it’s a good start and definitely functional! I consider my office to be a very personal space and I’ve been a bit reluctant to share a space that I’ve spent so much time creating and creating in. But people ask, so I thought I’d share a bit about it, with pictures of some of the details.

amethyst
Catching rainbow inclusions in my amethyst paperweight, macro.

Furniture

I have no fewer than 5 parts to my desk. There is no way that I could manage with a traditional desk, because I really like to have everything in plain sight when I work. I also have multiple jobs that I have to fulfill, and my desk set up has to reflect that. Each desk has a primary function, and other secondary and tertiary functions. I have an antique desk for photography and storage, a drafting table, a shelving unit, an antique table for miscellaneous items (typically items being shipped out or notebooks and paperwork), and a desk for my laptop and photography. This doesn’t include another shelf that stores books and items that aren’t necessarily used every day or a small silver table that is home to a cobalt blue lamp.

curtains

Color

Of course I had to choose the color of my walls carefully. Since most of the surfaces of my office area are dark wood, I had to keep it light and airy. The walls are two different shades of a light cornflower blue, one color is so light that it almost appears white depending on the sun’s position, while the other is a couple shades darker. The curtains are a medium silvery gray – reminiscent of brushed white metal. Silver accents abound! Two silver tables, a chrome and black leather chair, silver frames for almost every picture, and a eclectic mix of modernity and antiquity.

wall decor

Lighting

My office has one large window that looks out to roses, flowers and fruit trees. It is also, most importantly, south facing. So no matter what, unless it’s rainy and cloudy, my office is completely flooded with natural light. When picking the space, this was absolutely crucial considering how many photos I can take on an average day. However, I also have several lamps – a couple decorative lamps with incandescent lightbulbs, an Anker Lumos LED lamp (which is awesome because it has several different colors of lights that it displays), as well as a magnifying fluorescent lamp, and thats not even counting the actual ceiling lights!

Anker light

Details

Of course I wanted to surround myself with items that are not only beautiful but also calming, inspiring, functional and of things I love – family, friends, and deeply sentimental items.  I have a Pricescope “diamond” paperweight that I got from a JCK event, an amethyst crystal paperweight that was a gift from my husband, and a paperweight that was a gift from my dad when I got my first job out of college. I have a “Diamond Terrarium” in copper from Lonesome Hobo, that sits on my antique desk that is beautiful and functional – I use it to store rings for short periods, as a photography backdrop, and as a object to stare at sometimes.

Terrarium

Picture frames with loved ones are all over, as well as two Angie Crabtree prints – the “Dominique” and “Elle” and the centerpiece of the decor is an antique mirror that my mother once designed an entire luxe bathroom around (it had this incredible beeswax Venetian plaster on the walls, among other things.) I have a “wall of women” – it holds both of my diplomas, a stunning photograph of my grandmother with her hair grazing her derriere sitting at a dressing table and a picture of my mother’s family – she was the youngest of ten. I also store pens, pencils and markers in a piñon wood bowl that has inlaid turquoise – a gift from an old boss, that represents so much and is a good reminder of home, New Mexico.

turquoise pen cup

I hope you enjoyed seeing some of the details that I look at every day!

Elle signature

Overthinking

I have one particular client-friend who will tell you just how much I overthink pieces. She has listened to me, more than once, go on and on and on about how much time I put into designs, and how ridiculous all of the thought I put in before I even start sketching out what is going through my mind. Of course, once I start sketching is when the pieces all fall into place and I can see, granted in a 2D representation, how everything fits and flows together, what works and what doesn’t. I feel like a lot of jewelry out there doesn’t take every angle and every single element into consideration, which is so sad to me.

5
For instance, why is the basket so enclosed?

31
Two reasons, it’s highly polished to reflect the stone’s color back at the wearer and in a stone that isn’t cut perfectly, it helps camouflage any windowing.

I have just spent the morning and early afternoon rough sketching a design that has been plaguing me for weeks. Part of the reason it’s been plaguing me for so long is the fact that I was writing descriptions, taking photos and actually doing the legwork myself to get my collection onto the site, but also, I’ve been seriously stuck with where I wanted to go with the design. Today I finally had a bit of a breakthrough, and I finally put the pieces together. The structure of what needs to be there to hold the stones down has been holding me down, but I finally feel like I got it today. The pieces started to finally come together.

18
Basket detail? Not just pretty, it also provides structure and support for the halo.

So much of jewelry design is holding stones. Lately I’ve been taking note of designers who don’t use prongs. Polly Wales, for instance, just casts the stones directly into her items. It is a really cool look. Bezeling is popular too. But I feel like most people work around prongs, and don’t incorporate them into the design. I think it was in my beloved architecture book, a quote about how a design element should have at least two uses, otherwise it shouldn’t be there. I will have to go look it up. My point there is that I think and think and think about those design elements.

It’s not just a prong. It should never be considered just a prong. What ELSE can the prong be? What else does the prong WANT to be?

12
It wants to be a mermaid, but will settle for being part of the split shank.

And with that, I’m starting to sound like a slightly deranged philosopher. But these are the things I think of when I design a piece of jewelry. It’s not just something to be worn – it’s wearable sculpture. Each element should be practical AND beautiful. Otherwise, what is it doing there?

2
Ok, well, sometimes I add things that are just pretty…like that design element on the end of the stone.