Color

When I was young, I really wanted to be an interior decorator. Every wall in my house was painted white, except for my room, which was a soft buttery yellow. When I was about 7 my mom decided to hire an interior decorator for this one room in our house, and I still don’t know why that room was picked, as it was the least formal communal room, containing our tv and my father’s desk. The decorator ended up wall papering one wall, and took about 6 months to coax my mom into painting the rest of the walls a light peach color. I never understood the color scheme in there, and still don’t, but I loved the idea of giving a room some personality through color, shape, texture and furniture arrangement.

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I have mentioned on social media that I’ve been in the midst of home renovations. My family and I recently purchased a home that was built in the 1970s, and as a result, requires a bit of work to update the place. I’ve been getting a lot of grief about the colors I’ve chosen for the house. I really decided to go all out for this house and I’m not holding back in the color department, with deep emerald, pale periwinkles, vibrant teal, violet and a vivid green, to name some of the more exciting colors.

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But I’ve come to realize that color is one of those things that’s highly subjective, and everyone’s opinion is going to vary based on a lot of factors. The most controversial color is surprising to me – a pale green. The reasons I chose it aren’t important, but the strong reactions to it have been startling – it’s a pale minty bluish green, reminiscent of Baskin Robbins’ Mint Chocolate Chip, but lighter (kind of like the above garnet). In my opinion, a pretty innocuous color.

But that’s the thing, color can have unexpected visceral reactions and people are going to love and hate the same colors, and sometimes won’t even be able to explain why they are having the reactions to the color that they are.

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So here is a little bit about color terminology for gemstones. I’ve gone over some of these terms before, but it’s always good to have a refresher.

Hue: the color of the stone. “Purple” “blue” “red” “teal” are all hues.

Tone: lightness to darkness of the stone. “Deep in tone” connotes that a stone may have a darker color. “Light in tone” connotes a pale or pastel shade.

Saturation: how much color/pigmentation a stone has, the intensity or vividness of a color. “light” “medium” “intense” “vivid” are all terms that can be associated with saturation.

Modifier: if the stone has a strong primary color, the secondary (or even tertiary colors) are called modifiers.

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I would describe the above spinel’s color like this: Blue in hue, with medium-dark tone, medium to strong saturation, with a slight green-gray secondary modifier. This stone also shifts to a purple under fluorescent lighting, the rest of the information stays the same in both colorways.

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The most highly sought after stones in the colored stone universe are going to be pure of hue, medium in tone and with vivid saturation. A little gray goes a long way to making stones be within a more reasonable price range with typically a barely perceptible difference.

So, I’ve been posting less to Instagram, Facebook, Twitter, etc because I’ve been busy painting and painting and painting. Good thing it’s a labor of love but I will be so happy when it’s over! I have some exciting things planned for the coming weeks, including a Q&A feature with someone in the gemstone world, and a couple fantastic custom projects I’ve been working on over the last few months. I have fun stuff coming up for 2016 too, and I can’t wait to share those things with you as the year progresses!

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Inclusions

Gas bubbles, feathers, crystals, veils, carbon spots, lily pads, silk, jardin, etc. There are maybe more types of inclusions than there are gemstone varieties!

I seem to have spent the last week talking about inclusions with various people. I figured that since I’ve been talking about it so much, I might as well turn all of that discussion into a blog entry. This post is pretty generalized. It is more of a take on my view of inclusions, how they affect the beauty/appearance, and a little bit about their effect on value.

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Inclusions don’t bother me in colored stones, but they do (most of the time) in diamonds. But that’s because I’m all about color. When I design, typically diamonds are accents, unless, of course, they are colored diamonds.

If the color is right, and the price is right, inclusions are great. They show the stone is natural and they usually lower the price. Some inclusions are prized, like silk in rubies and sapphires, horsetails in demantoids, jardin in emeralds, and they make the stones more valuable.

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Now, why would they make the stone more valuable? Well, they can show provenance, they show evidence of treatment and can make for some stunning effects on the gem. Without silk, there would be no gorgeous velvet vivid blue sapphires and no huge markup for a Kashmir blue sapphire.

All of these gems are more rare than diamonds, so inclusions in colored gems are acceptable, so long as they don’t interfere too much with the overall appearance of the gem. Diamonds really aren’t that rare, despite what the diamond industry might want you to believe, so insisting on a stone being at least eyeclean doesn’t really narrow the diamond field that much. But if you’re looking for an internally flawless sapphire, ruby or spinel for instance, you might be waiting for quite a while.

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So, clarity between diamonds and most colored gemstones just a completely different ballgame. It is inclusions and differences in chemical composition that can give gems their coloration. There wouldn’t be the electric neon glow of Paraiba tourmaline without copper.

In my opinion, the inclusions don’t necessarily detract from the beauty of the stone, and I think they are super cool to look at under magnification, not to mention, as I said before, they can create awesome visual effects within the stone. For instance, I love the gas bubbles seen in this Mahenge – they remind me of carbonation bubbles in soft drinks.

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Lets get a little bit more specific, with spessartite. Typically I actually prefer sugar inclusions in Loliondo, because they give it a glow that they don’t have otherwise, but I like clean stones too – though they tend to look brown in certain lighting because there aren’t any inclusions to break up the light reaching the facets. So then the facets reflect everything and typically it looks brown because of the orange color. Spess is very complicated.

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If colored gemstones weren’t rare, and there was a plethora of these gems out there, the way they are with diamonds, then yeah, I’d insist on eyeclean, the same way I do for diamonds. But they aren’t. All of these beautiful little colored stones are actually pretty rare, even more so in the stone’s ideal colors, which explains the mark up!

So. I give a big thumbs up to inclusions. Inclusions and I are friends.