Sometimes life throws you lemons, and you have to make lemonade.
Consider me a lemonade factory at the moment.
Feel free to reach out via the contact page with inquiries, and I will do my best to respond in a timely manner. Please keep in mind that I’m a full time employee with an super impressive sounding job title, a full time mom to a wonderful, vivacious child and that I do jewelry for fun and because it’s my passion. So patience would be greatly appreciated at this time!
Hopefully soon everyone’s patience will be rewarded with some evolution in my jewelry designs and photography.
The first time I ever went to New York City was when I was 18 years old with my parents for a business trip for my dad. I remember walking the streets wearing furry Steve Madden shoes and having a doorman compliment them. I fell in love with the city in that trip, between the Empire State Building, the flagship stores, the food, the energy and life of the city. I didn’t know it at the time, but only a few short years later, I would be going to school slightly upstate from the city.
It wouldn’t be until I went to NYC via train from upstate that I would first experience Grand Central Terminal in all of it’s glory, between the Oyster Bar, the marble floors, the tile ceilings, and the glorious teal ceiling bedecked with celestial gold in the main hall. For me, with the Grand Central ceiling, it was love at first sight. Every time I would take a trip to the city via MTA, I would be delighted to experience it’s beauty once again, and I would look forward to seeing that ceiling every time.
So, since I don’t get to do that regularly anymore, I had to base a piece of jewelry around it.
My starting point, as is often the case, was color. I had a copper bearing precision cut teal tourmaline from Barry Bridgestock that was absolutely the color of the ceiling. I knew from very early on that I had to have yellow gold, as the zodiac symbols all over are painted in a golden color. It was only later that I would decide that the piece would need to have white gold as well, which was a difficult conclusion for me as I’m typically not a fan of mixed metals.
In planning the rest of the elements of the design, I took into account an incredible number of details from around GCT, from the arches of the hallways, to the color of the walls and the floors, to the incredible iconic pendant chandeliers. I evaluated every single one of the zodiac symbols, the detail of the arches, the Tiffany glass of the clock, the golden clock in the middle of the terminal, the detail of the windows. Essentially, the entire building is one very large piece of functional art, each detail has had painstaking work put into it by artisans of years past. There is some sad irony in the fact that most people who witness it never take the opportunity to enjoy those details.
I started out thinking that it would be a ring. I soon found out that between the stone size, the ring size and the sheer scope of my vision for it, a ring that size would be essentially unwearable on a regular basis. So I ended up changing it to a necklace. And of course I took the opportunity to use a stone that I have an infatuation with – a rose cut diamond. This time around, I decided that it should be prong set with a hexagonal surround, to echo the geometry of the iconic graphic feel of the Art Deco era.
For a while I considered something that had to do with my zodiac sign, my husband’s zodiac sign and my daughter’s zodiac sign, but that became too complicated and didn’t end up making any sense design wise. So I simplified,
I considered adding a detail from the arches (also seen on SNL’s GCT set) to the eventual outer halo, but nixed that idea as it became too busy. I also considered having no negative space, with just the contrast of diamonds and metal color to guide the design, but again, cited the busy-ness of the design for utilizing negative space rather than adding more to an already complex concept.
I ended up with just a thin outer diamond halo to provide some structure for the centerpiece of the piece, and I chose a octagonal shape for it inspired by the octagonal frames around the medallion detail on the large arches on either end of the building. (Bottom left corner in the below image.)
I originally designed the star’s diagonal points to stretch all of the way to the halo, but after thinking, and evaluating the actual stars of the GCT ceiling, as well as looking at the Art Deco stars, I realized that while it may be less stable, shortening the diagonal points would be better for the over all aesthetic, and echoed the compass like shape of the actual GCT stars.
Elevating the star and the stone just a touch was the finishing detail. I used fancy yellow diamonds on the yellow gold and single cut white diamonds on the outside halo, in keeping with the Art Deco era.
It is not very often that I create jewelry for myself anymore. This isn’t a piece that I will probably wear often, but it is a small, sparkly tribute to a city that I love, and the Art Deco masterpiece that lies within it.
Sometimes the best projects are the most terrifying. Warning – this post is picture heavy!
A while back I had a new client come to me and she said, “I don’t know what I want, but really like the Accolade band, and a few other settings. Can you design my engagement ring?” To which I said yes.
Looking back on it, I think it’s kind of funny because being given full creative control is so so scary, but her engagement ring turned out wonderfully and I couldn’t be happier.
We had a lot of debate over stones, but once the actual setting idea came into fruition, it all seemed to fall into place.
It was made using three precision cut spinels – the center is a lavender spinel, and the two side stones are gray spinels.
Platinum ended up being the metal of choice due to it’s lack of maintenance. The random polish to smooth out scratches, and it looks as good as new again!
The angled shoulder view is often my favorite on any ring, but on this ring, it’s extra special – I love how the prongs and the curves just flow together!
Last rays of summer sun…
Once you see the profile, you can clearly see how it was inspired by the Accolade band!
E, I am absolutely delighted for you and D, and I hope that this ring follows you through many great adventures on your life together!
I want to take a post to talk a little bit about this garnet. I had been eyeing it for years from my favorite gemstone supplier, and at a certain point, could no longer resist the temptation and brought it home with me.
Tsavorite/Green Grossular Garnet
Elongated Octagon/emerald outline w/ step cut crown
There was a point where I thought about setting it and selling it as a piece, but I’ve been working so hard at trying to build up my list of prototypes for my jewelry line, that I can no longer justify holding onto it. So, it went up into my etsy store last week, and hopefully it will go to a good home.
However, in the time between going from considering selling it, to listing it to etsy, I sent it to an expert on all things green garnet to get his opinion on it and give me a quote on how much he thought I should list it for. I’ll be mysterious as to that person’s identity for now, but I plan on writing a blog with information from him at a later point in time.
This image and the following 2 images show it with natural light hitting the left side and artificial lighting hitting the right side.
The crystal is actually quite clean, but has some veil inclusions that are pretty evenly distributed throughout the stone.
As you can see, it’s a pretty remarkable gem, a gorgeous bright open medium green that really catches the eye, especially with it’s size.
And a terrible picture of some really gorgeous little tsavorites that I adore and picked up at the same time. I have no idea what I’m going to do with them but I will figure it out sooner or later! They were far too beautiful to leave there.
I just realized that it’s possible to take advantage of my fall sale coupon code with this garnet, making it a really great deal! Of course, I’m always open to offers as well.