Principles of Design

I doubt that one of the people with the biggest influences on me would even remember my name.

Study the basic concepts of figure, ground, line, contrast, pattern, proportion, color, symmetry, movement, unity, and balance. Students learn the principles of two- and three-dimensional design and develop language to analyze product design, plate presentations, decoration, and packaging on visual, tactile, and conceptual levels.

In 2004, I was quite young, yet already three years into my culinary career, and already terribly jaded. I had an associates degree in culinary arts, and had worked in several restaurants of varying quality, back of the house, front of the house, a little bit of everything. And I was accepted to what is probably still considered “the Harvard of culinary schools” into the baking and pastry program.

I had started out my culinary career as wanting to pursue the savory side, and that the sweet side was all wedding cakes, bread, and bakeries – nothing I was interested in. It was midway through my associates degree that I fell in love with pastry. With pastry, you could make anything you wanted utilizing several fundamental ingredients – namely sugar, butter, eggs, flour. And suddenly it was like my world opened. With savory food, you were tied to ingredients and keeping those ingredients recognizable. Who would want to eat a chicken thigh that looks like a flower? Baking did not have aesthetic limits.

Boom.

Which is how I found my way to The Culinary Institute of America, and specifically to Bruce Ostwald’s Principles of Design class, the first college level art class I ever took. Sure, the curriculum was based around food, creating plates that would have interesting textures and colors, as well as incorporating different complementary flavors and temperatures. But at the heart of this class was design – art. Visuals. Contrast. Texture. Negative space. Color. Movement. So while I was trying my hardest to continue cramming knowledge about food into my brain, my heart was learning something else – creativity. Expressing myself through a variety of mediums.

 

The problem was, sugar and chocolate couldn’t hold my interest. I was too interested in people, and when you make food, you have essentially no contact with the people you’re making it for.

Less than two years later that I returned to school, and this time I was aiming for art history. I had picked up some culinary French, and I had always had an interest in architecture, so art history made sense.

Until it didn’t.

At 22, I had just spent five years working towards a career that I really enjoyed, but that felt somewhat lacking in the practicality department – the restaurant world is very difficult to have a family in, and making a living wage seemed downright impossible – I had the best culinary school in the country on my resume and was only able to command $9/hour with no benefits. What sort of career could a bachelor’s degree in art history give me? On top of that, I felt like an anomaly – my peers were just graduating with their four year degrees, and I was already well on my way to being career changer.

So while the practical side of me chose something that was somewhat more useful – a bachelor’s in psychology is applicable in a variety in positions, though not exactly a career jump starter – I used everything in the rest of my background’s arsenal, including my interest in my father’s long time career, to gain enough momentum to create another career for myself. Which, over the years, I have turned into my day job.

And then there is the creative side, which you see here, where the spark that was discovered through Mr. Ostwald’s design class has been a glowing ember and has turned into a bonfire. Only, it’s in jewelry, rather than food. Because I can work one on one with my clients, and hopefully create something that they hold dear for years, or even generations, to come.

My most memorable piece in my principles of design class was mixed media on blue background, with diamonds cut from magazine ads exploding outwards. I should have known.

 

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New York, New York

A touch over two years ago I posted a blog entry about a planning a specific project:

https://thegemstoneproject.com/2014/11/28/new-york-city-inspired-ring/

Well, it evolved. I will get to that in a second.

Grand Central Terminal
Grand Central Terminal

The first time I ever went to New York City was when I was 18 years old with my parents for a business trip for my dad. I remember walking the streets wearing furry Steve Madden shoes and having a doorman compliment them. I fell in love with the city in that trip, between the Empire State Building, the flagship stores, the food, the energy and life of the city. I didn’t know it at the time, but only a few short years later, I would be going to school slightly upstate from the city.

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It wouldn’t be until I went to NYC via train from upstate that I would first experience Grand Central Terminal in all of it’s glory, between the Oyster Bar, the marble floors, the tile ceilings, and the glorious teal ceiling bedecked with celestial gold in the main hall. For me, with the Grand Central ceiling, it was love at first sight. Every time I would take a trip to the city via MTA, I would be delighted to experience it’s beauty once again, and I would look forward to seeing that ceiling every time.

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So, since I don’t get to do that regularly anymore, I had to base a piece of jewelry around it.

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My starting point, as is often the case, was color. I had a copper bearing precision cut teal tourmaline from Barry Bridgestock that was absolutely the color of the ceiling.  I knew from very early on that I had to have yellow gold, as the zodiac symbols all over are painted in a golden color. It was only later that I would decide that the piece would need to have white gold as well, which was a difficult conclusion for me as I’m typically not a fan of mixed metals.

4-view

In planning the rest of the elements of the design, I took into account an incredible number of details from around GCT, from the arches of the hallways, to the color of the walls and the floors, to the incredible iconic pendant chandeliers. I evaluated every single one of the zodiac symbols, the detail of the arches, the Tiffany glass of the clock, the golden clock in the middle of the terminal, the detail of the windows. Essentially, the entire building is one very large piece of functional art, each detail has had painstaking work put into it by artisans of years past. There is some sad irony in the fact that most people who witness it never take the opportunity to enjoy those details.

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I started out thinking that it would be a ring. I soon found out that between the stone size, the ring size and the sheer scope of my vision for it, a ring that size would be essentially unwearable on a regular basis.  So I ended up changing it to a necklace. And of course I took the opportunity to use a stone that I have an infatuation with – a rose cut diamond. This time around, I decided that it should be prong set with a hexagonal surround, to echo the geometry of the iconic graphic feel of the Art Deco era.

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For a while I considered something that had to do with my zodiac sign, my husband’s zodiac sign and my daughter’s zodiac sign, but that became too complicated and didn’t end up making any sense design wise. So I simplified,

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I considered adding a detail from the arches (also seen on SNL’s GCT set) to the eventual outer halo, but nixed that idea as it became too busy. I also considered having no negative space, with just the contrast of diamonds and metal color to guide the design, but again, cited the busy-ness of the design for utilizing negative space rather than adding more to an already complex concept.

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I ended up with just a thin outer diamond halo to provide some structure for the centerpiece of the piece, and I chose a octagonal shape for it inspired by the octagonal frames around the medallion detail on the large arches on either end of the building. (Bottom left corner in the below image.)

Grand Central Terminal Ceiling
Grand Central Terminal Ceiling

I originally designed the star’s diagonal points to stretch all of the way to the halo, but after thinking, and evaluating the actual stars of the GCT ceiling, as well as looking at the Art Deco stars, I realized that while it may be less stable, shortening the diagonal points would be better for the over all aesthetic, and echoed the compass like shape of the actual GCT stars.

Grand Central Terminal Taurus Detail
Grand Central Terminal Taurus Detail

Elevating the star and the stone just a touch was the finishing detail. I used fancy yellow diamonds on the yellow gold and single cut white diamonds on the outside halo, in keeping with the Art Deco era.

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It is not very often that I create jewelry for myself anymore. This isn’t a piece that I will probably wear often, but it is a small, sparkly tribute to a city that I love, and the Art Deco masterpiece that lies within it.

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A Year in Review

Happy first birthday to The Gemstone Project!

Lets see, the past year has been chock full of wonderful craziness.

August 2014
The first month started out with a lot of posts about various gemstones, including a colorless garnet, and gray spinel. It included an unheated Umba color shifting sapphire in a Harry Winston inspired halo that I helped put together for a friend. I posted a bit about myself and some about my photography. And I topped off the month with my first Gem Blast.

September 2014
September started out with a visit to Lang Antiques in San Francisco that took up three posts. September included three Gem Blasts, including one about considering gemstone recuts. I concluded September with my handy guide “Scale of Gray” for seeking out gray spinels.

October 2014
October gave way to talk about birthstones, including two antique birthstone rings, tourmaline & opal. I touched on gemstone cutting flaws and what to keep an eye out for. I posted a design I used for my first jewelry design contest with David Klass. I included posts about tsavorites, Mahenge spinels, and an evaluation I did for a friend on a red spinel. Two designs were posted, including a breast cancer awareness ring and a red spinel inspired by the Art Deco period. October only had one Gem Blast – sapphires and moonstones.

November 2014
I created a Facebook page in November! I posted my drawing process for my solitaire setting entry for another of David Klass’ contests, this time winning. I also featured willajunejewelry. A Gem Blast about diamonds, some rough ideas for a NYC ring, plus some random thoughts flowed through November.

December 2014
A feature on Jewels by Grace brought December in with bang! Though the rest of the month I stayed a bit quieter due to the holidays, I still had a range of topics to cover. I wrote about design ideas and inspiration for my pad sapphire ring. A Gem Blast on Merelani Mint Garnets, my thoughts on what the New Year would bring, and a post about lapidaries fleshed out the end of the year.

January 2015
I brought in January with my own type of confetti: red spinel melee. A reader had suggested posting about a guide of what to look for in a gem. I announced that I was starting to design my own line of jewelry, posted a Gem Blast on the many gems at my beloved gem store and another Gem Blast celebrating January’s birthstone, several varieties of garnets. Then January closed with my declaration of opening an etsy store.

February 2015
February started with me changing to trade status on Pricescope and picking up a new username, and a post about fantasy cut gemstones. Pantone had announced their color of the year to be Marsala, and I have a few things to say about that. Sticking with the birthstone idea, I posted a Gem Blast about amethysts. I added a simple diamond pendant design, and a post about my most memorable Oscar jewelry.

March 2015
I brought in March with a post about a green beryl/aquamarine, another birthstone post. Some discussion about current jewelry trends took place, as well as a post about red spinel. I finally posted the finished product from winning David Klass’ contest. A more detailed post about my design aesthetic wrapped up March. But that wasn’t all! I also started a TGP Twitter account, and my 3rd ring prototype was completed, and the 4th one put into production.

April 2015
Since diamond is the birthstone for April, and also my birthstone, I decided to dedicate almost the entire month of posts to diamonds. Until recently I wasn’t a diamond lover, so I blogged about diamonds that really captured my imagination, including rose cut diamonds, a yellow diamond trillion, and a pinkish brown diamond. But I didn’t post entirely about diamonds – I added in a post with the end product of my David Klass contest band. My 4th prototype was completed too, and the 5th prototype was put into production! I also got a gem back from AGL as certified unheated. The event that took place that I was most excited about was a sapphire purchased from my shop being used as an engagement ring!

May 2015
Of course I would have to do an emerald Gem Blast for May, since it is the birthstone for the month and that seems to be the trend I picked up on! May was an incredibly busy month for me with JCK at the end, and preceding where to find me on social media, and a post about how I would be posting to instagram and twitter from JCK. I also finally posted a post I had made on sexism and gender issues within jewelry marketing and the jewelry trade. I also included a Gem Blast of the AGL certified violet sapphire. 5th ring prototype was completed!

June 2015
June did not get a birthstone post! Instead, I did a post about my jewelry line updates, a post on blue-green tourmalines, THREE posts on my experiences at JCK, including meeting lots of colored stone celebrities. I also did a post on metal color and how I prefer color flow to contrast, and how I like colors to work together. I also did a post about imitation and inspiration that had been writing itself on my phone for months prior. I finished the month with a Gem Blast on a stunning tanzanite from Precision Gems.

July 2015
July kicked off with a post about sending a sapphire to AGL and getting it tested. I then had a bit of an artistic funk and found myself writing about art of other mediums – Angie Crabtree and some chefs made some brief appearances and helped lift my spirits and inspired me further. I also got to the final stages of a big custom project, and took a fantastic mini vacation down to San Diego at the Vineyard Hacienda, which also helped get the creative juices flowing. I published a “living document” I had been writing about gemstone terms and vocabulary, and hopefully that will still be added to continuously. I finished off July with a couple of Gem Blasts – moving across state lines does not make for a lot of blogging time!

August 2015
August has only just begun again, but already this one holds a special meaning to me – I have never been good at continuing things – I have started so many blogs and stopped writing after a couple months, or lost interest, or whatever, so to reach and celebrate a year of posts, and all of the incredible things and wonderful people I have met – it truly is a remarkable milestone for me. So far into August, I have posted only one blog, but it has been one of the most important and edited (18 times! Two different highly educated editors!) items I have ever written – Gender Inequality and the Jewelry Trade. Oh, and I also moved across the country, a thousand miles to the north counts, right?

Here is to the future and everything it may bring!

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Gender Inequality and the Jewelry Trade

I’ve been writing this post and it’s companion piece over a period of time. If you’ve read through my about me post you know that I have a bachelor’s degree in psychology, but what I haven’t mentioned is that my minor was sociology, and in both my major and minor, I concentrated in classes related to relationships, which included several classes on gender. In my studies I also took elective classes on both Social Control and Consumer Psychology, both of which have served me well and opened my eyes to thinking critically about the world around me, and specifically the world of jewelry.

This blog post is a continuation of the blog post I wrote that was an adaptation of a research paper written about diamonds and jewelry marketing for my Social Control class back in college. This one will feature more anecdotal personal experience. Rightfully so, this is a topic of which I am very invested in and very passionate about.

As a woman, every time I walk into a jewelry store, I watch the salespeople’s body language and how they react to me. Men see me as dollar signs, and don’t consider that I may have technical knowledge about jewelry. I talk to a man in a jewelry store and I feel like I am expected to say, “Oooo pretty sparklies! How much? Let me get my husband!” It is not unlike walking into a car dealership where I am treated as though I have no idea how a car works, or like I care what is under the hood.

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This dude looks so creepy.

Not long ago my family and I went shopping for a car, and almost every salesman (car salespeople are almost always men, interestingly) talking to me about the amenities, the leather seats, the colors, etc, and directed technical specifications at my husband. This was endlessly irritating because I’m the car “guy” in my house. So to shove them in their place, when my husband would ask a question of the sales person, if I knew an answer, I’d cut them off and answer the question. Now, I’m off on a little bit of a tangent, but I’m also the “jewelry guy” in a jewelry store. I don’t care about “Pretty sparklies!”, I want to know the technical specifications, origins, cut angles, treatment levels, lab reports, manufacturing types, etc. So, when I walk into a jewelry store with my husband, it’s like we won the lottery with how much attention we get. And they direct their attention to showing me the happy pretty sparklies, but direct the pricing information and technical specs at him. Which makes sense based on the traditional gender roles the industry has built it’s foundation on. But does it make sense for the reality of the equality in today’s market, and for the targeted marketing audience?

Antique jewelry ad
Oh, how romantic!

Let me say a couple of things here. I have worked in sales. I have worked waiting tables. If you work in an industry that deals directly with the public, you learn eventually that you absolutely cannot judge a book by it’s cover. You will inevitably get screwed when a wealthy person looking to drop big bucks comes into your establishment looking like a homeless person, and you treat them like a homeless person. “But this is our most expensive model!” “Yes, and I want your most expensive model. Only now I want it from your biggest competitor.” But that’s just generalized basic customer service. I would like to target the jewelry industry a little bit more specifically.

jetpack-jewelry
Are they trying to be facetious?

I recently spent some time in downtown Los Angeles, specifically in the diamond district there. A couple years ago I also spent some time in the diamond district in New York City. There were a few major similarities and a few major differences. The most obvious, and innocuous difference was the style of dress with LA being far more casual with most men wearing casual pants and short sleeved shirts, and NYC being definitely more formal, most men walking around in suits, despite the summer heat. The biggest similarity was the quantity of men. I visited stone setters, colored gem dealers, diamond dealers, and had numerous other men in the business coming by to chat or broker deals in DTLA. Out of everyone that I talked to and visited in DTLA, probably about 25 people, there were only three women behind the counters, and that included my tour guide. In the DD in NYC, I remember seeing four women behind the counter, and all of them deferred to the men they were working under at least once.

Why is the retail jewelry world dominated by men when the vast majority of the customer base is women? As I discussed in my previous blog post,  jewelry industry is built around and directly targeting women.

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Seriously? Sex sells, but ew.

“It’s a boy’s club.”

I’m here to tell you, dear readers, that it is, in fact, a boy’s club. It was only in April that JCK published their “Power Base List 2015” made up of 50 individuals and there were only 13 women on that list. 26%. That’s not even a third of the list. One of those people was Lupita Nyong’o, who has no direct ties to the jewelry industry as an actress, but affects the jewelry industry as a “tastemaker”.

It really gets to me when I hear stories about the industry, and in particular about women who are small business owners/operators/benches/designers/cutters who go to an industry show/convention/etc and are given little to no respect by the boys of the diamond boy’s club with lines such as, “Come back with your husband.” How extraordinarily insulting. When I heard that that line was directed at a dear friend, I seethed and was spitting mad. My wonderful savvy friend gave that man her thoughts right then and there, and proved to him that she didn’t need her husband to make a large financial decision.

Antique jewelry ad2
Ugh. Really?

The really sad thing is, this sexism isn’t limited to certain roles within the trade. In fact, a class action lawsuit was recently brought up against Sterling Jewelers (more commonly known as Jared: The Galleria of Jewels & Kay Jewelers) for women being paid less and passed over for promotion. The problem there, which is more of a read-between-the-lines issue, is that these were in sales and retail management, not in fabrication or executive control, where the lines of gender inequality are even more pronounced.

Google image search: Jeweler
Jeweler

Google image search: woman jeweler
woman jeweler

Data for jewelry workers is very difficult to put together because so many of it’s job descriptions fall within a larger designation, for example, “retail” and “fashion”. Another troublesome error is that some of these big name fashion designers, Vera Wang for example, are creating jewelry lines to capitalize on their name. So you come across a “fashion employee for Vera Wang” but unless you get specific, that person could be a dress maker, fashion model or a jewelry fabricator.

I was given 5 years of monthly Current Population Survey data (random sample data, thought to be representative, compiled by the Census). This is what I learned. Out of a total of 6,835,528 people surveyed only 1,184 were “Jewelers and Precious Stone and Metal Workers”, which is an incredibly small number, making the aforementioned laborers rare indeed at .017% of the population*. Now, what I’m really interested in is where the gender divide is. Surprisingly, 54.1% were women, 45.9% are men. Now, this number doesn’t give any information about what type of jewelers we are talking about, and my gut feeling is that the vast majority of these workers are beaders, precious metal clay workers, and artisans that are crafting and selling their own items on a small scale. The problem there is that those people would be considered “crafters” and not “fine jewelry manufacturers” and little credibility is given to these members of the trade.

Aujourd'hui encore, les campagnes publicitaires de la De Beers pour les diamants taillés sont signées du slogan 'A diamond is forever'.
Oh DeBeers…

Have you ever noticed that a majority of jewelry sales people are women? And a vast majority of the jewelry benches are men? Jewelry designers, pawn brokers, diamond brokers, diamond dealers, gemstone dealers, owners, diamond cutters, gemstone cutters, CAD artists, appraisers, CEOs of large companies, etc are almost always men. So my question becomes, if women are the target market for a vast majority of the jewelry that’s out there, why is the majority of the trade made up of men? Why are men directing an entire luxury industry whose target market is almost exclusively women? The marketing strategies mentioned in my first post target men as the actual active buyers of the products, while women end up being the passive consumers.

As society seems to be shifting, with more emphasis on making educated purchases, the jewelry industry is likely going to find itself in a bit of a rut.  Social norms are changing, there is less societal pressure to get married, and a less traditional view on gender norms, which has already started to reflect in jewelry trends. I have noticed that there has been a bit of a quiet uproar in the jewelry world, with numbers of people starting to buy gemstone engagement rings, and educating themselves on jewelry, where it comes from, who is making it. Women make up half of the world, and it’s an industry built for women. I think that women are educating themselves and liberating themselves from the traditional roles that the jewelry industry perpetuates. I know I’m not alone in my perspective, I see so many women who are in the jewelry trade and trying so hard to try to change it from the inside out.

CAD

The jewelry industry itself is not stuck in the 1950s. With diamond imaging technology, CAD programs, 3D printers, diamond optics tools, and more, jewelry has made some amazing technological advances that it has become reliant on. So why does the industry as a whole insist on traditional gendered values within the industry, as well as catering to the traditional roles through the target market? This is an industry that is aimed at women, that is fed by women, and it is currently run by men. I want that to change. I want to support women in small business so that they may grow to be women in big business and change the traditional, sexist values in this industry. There shouldn’t be such a strict gender divide, especially in an industry where women, even as passive consumers, control the market.

I’m not complaining that the jewelry industry is aimed at women. I’m a woman, and I love gemstones and jewelry. I think it is a big mistake that there are so few jewelry leaders who are female. I also think that the jewelry industry needs to rethink how gender biased it is. I see more and more women who are taking the bull by the horns and looking to change the industry slowly, by themselves. In general, this industry is finally starting to critically examine the business structure and finding that women can lead companies too, especially companies making products that are marketed directly at women.

What I don’t see, is enough of an uproar to start making a significant difference.

Proposal

* – Special thank you to my husband the social scientist for helping me find and make sense of the data. And another special thank you to a good friend, who happens to be a Sociology of Gender scholar, for giving me some great insight and helping put my thoughts into words.

Disclaimer: None of the photos viewed in this blog entry belong to me. All ownership rights belong to their respective owners.