The Résilient in Photographs

I’m doing a photo heavy and commentary light post because I have too much on my to do list, but I still wanted to share the beauty of this ring with you, and I haven’t been able to put a blog out about it yet.

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The center stone is a Amora Moissanite cut into the OEC pattern, and all of the other stones are diamonds. The Amora Moissanite has been discontinued, which, after seeing it in person, is a real shame. They have replaced it with the Forever One Moissanite, and the OEC cutting is also nowhere to be found.

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Sometimes, through great times of turmoil, comes great beauty.

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New York, New York

A touch over two years ago I posted a blog entry about a planning a specific project:

https://thegemstoneproject.com/2014/11/28/new-york-city-inspired-ring/

Well, it evolved. I will get to that in a second.

Grand Central Terminal
Grand Central Terminal

The first time I ever went to New York City was when I was 18 years old with my parents for a business trip for my dad. I remember walking the streets wearing furry Steve Madden shoes and having a doorman compliment them. I fell in love with the city in that trip, between the Empire State Building, the flagship stores, the food, the energy and life of the city. I didn’t know it at the time, but only a few short years later, I would be going to school slightly upstate from the city.

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It wouldn’t be until I went to NYC via train from upstate that I would first experience Grand Central Terminal in all of it’s glory, between the Oyster Bar, the marble floors, the tile ceilings, and the glorious teal ceiling bedecked with celestial gold in the main hall. For me, with the Grand Central ceiling, it was love at first sight. Every time I would take a trip to the city via MTA, I would be delighted to experience it’s beauty once again, and I would look forward to seeing that ceiling every time.

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So, since I don’t get to do that regularly anymore, I had to base a piece of jewelry around it.

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My starting point, as is often the case, was color. I had a copper bearing precision cut teal tourmaline from Barry Bridgestock that was absolutely the color of the ceiling.  I knew from very early on that I had to have yellow gold, as the zodiac symbols all over are painted in a golden color. It was only later that I would decide that the piece would need to have white gold as well, which was a difficult conclusion for me as I’m typically not a fan of mixed metals.

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In planning the rest of the elements of the design, I took into account an incredible number of details from around GCT, from the arches of the hallways, to the color of the walls and the floors, to the incredible iconic pendant chandeliers. I evaluated every single one of the zodiac symbols, the detail of the arches, the Tiffany glass of the clock, the golden clock in the middle of the terminal, the detail of the windows. Essentially, the entire building is one very large piece of functional art, each detail has had painstaking work put into it by artisans of years past. There is some sad irony in the fact that most people who witness it never take the opportunity to enjoy those details.

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I started out thinking that it would be a ring. I soon found out that between the stone size, the ring size and the sheer scope of my vision for it, a ring that size would be essentially unwearable on a regular basis.  So I ended up changing it to a necklace. And of course I took the opportunity to use a stone that I have an infatuation with – a rose cut diamond. This time around, I decided that it should be prong set with a hexagonal surround, to echo the geometry of the iconic graphic feel of the Art Deco era.

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For a while I considered something that had to do with my zodiac sign, my husband’s zodiac sign and my daughter’s zodiac sign, but that became too complicated and didn’t end up making any sense design wise. So I simplified,

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I considered adding a detail from the arches (also seen on SNL’s GCT set) to the eventual outer halo, but nixed that idea as it became too busy. I also considered having no negative space, with just the contrast of diamonds and metal color to guide the design, but again, cited the busy-ness of the design for utilizing negative space rather than adding more to an already complex concept.

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I ended up with just a thin outer diamond halo to provide some structure for the centerpiece of the piece, and I chose a octagonal shape for it inspired by the octagonal frames around the medallion detail on the large arches on either end of the building. (Bottom left corner in the below image.)

Grand Central Terminal Ceiling
Grand Central Terminal Ceiling

I originally designed the star’s diagonal points to stretch all of the way to the halo, but after thinking, and evaluating the actual stars of the GCT ceiling, as well as looking at the Art Deco stars, I realized that while it may be less stable, shortening the diagonal points would be better for the over all aesthetic, and echoed the compass like shape of the actual GCT stars.

Grand Central Terminal Taurus Detail
Grand Central Terminal Taurus Detail

Elevating the star and the stone just a touch was the finishing detail. I used fancy yellow diamonds on the yellow gold and single cut white diamonds on the outside halo, in keeping with the Art Deco era.

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It is not very often that I create jewelry for myself anymore. This isn’t a piece that I will probably wear often, but it is a small, sparkly tribute to a city that I love, and the Art Deco masterpiece that lies within it.

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The Vivant Ring

One thing I sometimes struggle with is keeping it simple. Sometimes I find myself adding details and thinking, “This is perfect!” and then going back and thinking, “Why did I add so much?!” I always try to remember that Coco Chanel quote:

“Before you leave the house, look in the mirror and take one thing off.”

Wise words from an impeccably fashionable woman. So while the Vivant necklace is a modern take with Art Deco appeal, I decided to keep the Vivant ring an echo of some of the details from the necklace, and lend towards classic simplicity.

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The stones chosen for this setting were chosen to add a little bit of drama via color, with a neon pink Mahenge spinel, and two antique Old Mine Cut cushions (because antique cuts in diamonds are my favorites!) as the perfect classic accents.

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Typically one of my favorite views, because it shows off so many details of a ring setting, and how they flow together. 

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The ring ends up at 2.64ctw of diamonds (antiques are .99ctw, melee are .10ctw) and spinel (1.55ct) and was made of 18kt white gold. This setting will be available (and tremendously adaptable!) for your own stone or stones, of any shape and size. I am also able to source stones, because pairs are not exactly easy to find sometimes!

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And ending with the fluidity of the shank, and the slight split shank transition.

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Viva Las Vegas! JCK 2015 Part 1!

I don’t even know where to start because I did so much while I was in Las Vegas, so I guess I’ll just go in chronological order and give an abbreviated look into three of the most intense days of my life.

Thursday

So, I’m lucky enough to live relatively close to Las Vegas. As a result, I decided to drive across the Mojave (which is not a decision to be taken lightly!) and save a bit on airfare. Well, just as I had pulled off the freeway to stop at an ATM, and was stopped at a stoplight, I picked up my phone to check the map, and a cop pulled me over for using my phone while driving. Apparently I need to start using paper maps rather than my phone as a map. That did not start my trip off well. In addition to that rough start, my lovely bling friend who was rooming with me, her flight was not only delayed, but she was moved to another flight, that would have her arrive ten hours after she had originally been scheduled.

Not a good start to what was supposed to be a fun weekend.

So, at that point, alone and grouchy, I checked in, got some free drink vouchers (bless the woman at the check in counter!) I unpacked everything, and decided to check my messages, where my delayed roommate had mentioned a potential dinner date with Roger Dery. Seeing as how I hadn’t eaten anything all day, I figured I should probably put something in my stomach. So I text Roger and arranged to meet him at a restaurant a block from his hotel.

Dinner with Roger Dery

Let me start out by saying that Roger is wonderful. I’m not just saying that because I know he’ll read this either! I don’t want to talk too much about dinner because we talked about a lot of gemstone stuff, my plans for the future, his history with gemstones, posting on Pricescope (we both typically refrain unless we think very carefully about what we’re going to say before we say it), the increase in interest in gray spinel, mining, etc. You get the picture, I basically got as much information out of him as I possibly could over a couple of hours.

Gemstone showing with Roger

After we finished dinner, Roger invited me to view the gemstones he had with him, and of course I jumped at the opportunity! Who wouldn’t?! Here are some of the pictures I took of some of his gems.

Chrysoberyl
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Orange sapphire. Just a tiny bit more brown than a fine orange garnet. This picture does not do it justice.
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A large blue sapphire
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My favorite stone of the night, a 2.03ct blue sapphire
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Iolite cabochon. A wonderful violet color. 
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One of many kiwi garnets.
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Another kiwi garnet.
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A fine spessartite, as usual, this picture does it no justice. 
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The amazing crown on a red garnet.
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A gorgeous burnt orange garnet that has a tinge of pink to it; another favorite of the night.
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Admiring the chrysoberyl.
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I took pictures of every single gem he brought with him, but some of them came out terribly, so I won’t post those! Roger gave me some helpful hints about the business and made some great suggestions as to next steps I should take. Not long afterward I finished looking at the gems, Jason Brim, Ryan Quantz and some other gemstone afflicted came by to go through Roger’s gems, and talk about gems. We also talked at length about Sharing the Rough, which I was able to see at the Newport Beach Film Festival. But more on the film later!

Back to the Bling Room

At this point, it was midnight and my roommate had finally made it to our hotel, so I decided it was time to head back….and look at more bling.

Colombian emerald cut by Lisa Elser.
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6+ct violet sapphire from Gene Flanigan at Precision Gems.
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Electric blue zircon from Roger Dery, customized Gabriel & Co setting.
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A red flame spinel in a custom Bez Ambar setting with Blaze diamonds
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A special transitional diamond from Love Affair Diamonds. This diamond comes with a story! 
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Violet sapphire from Natural Sapphire Company, setting from Jeff Davies.
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Shoulder views of Gabriel & Co setting and Julia B Jewelry setting with a Prima Gems red Mahenge spinel. 
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I finally passed out around 3am, already feeling a bit overwhelmed. This is what a colored stone lover’s nightstand looks like when we have a bling weekend.

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Part 2 with the lowdown on Friday’s insanity coming tomorrow!

Hint: it involved a lot of time with Prima Gems, and a limo ride. Not related to each other!

Feature: Lang Antique & Estate Jewelry Inside

The Lang interior consists of about 3 larger cases of diamond rings. When we finally got inside, they were full of customers, so we waited our turn while chatting with the salesperson assigned to us. She told us that they will be moving just down the street to a new larger location, but that they don’t know when construction will be finished. She also told us that lately they haven’t been able to keep any blue zircons in the cases. We hypothesized that it may be due to the popularity of Paraiba tourmaline and teal colors in general being very popular right now. I wonder if buyers are educating themselves more and discovering that zircon is not the same thing as cubic zirconia.

Anyway, we tried on some diamonds, and my friend particularly fell in love with this cushion. I think her boyfriend might be getting a link or two in his email…

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We were on the side with the larger diamonds, but nothing quite like the honkers in the store windows.

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This was only part of one case.

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Beautiful profile view of a ring. The dark stones are actually bright blue sapphires. My white balance got screwed up when I was snapping the picture, but the other pictures were blurry.

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A beautifully patterned OEC ring.

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A massive ball of step cuts. even though I love step cuts, this one didn’t really do anything for me. I think the proportions of the sidestones bothered me. I like to have more of an extreme taper. I think the trapezoids compete with the center stone.

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A large marquise cut stone, the profile was gorgeous, and looked a bit like a boat.

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Both my friend and the salesperson really liked this ring on me, but I always see an eyeball when I see rings like this.  I can’t help it!

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I don’t particularly like fishtail prongs, but between the beautiful center stone and the french cut sides, this ring really wanted to come home with me.

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I have to say though, I was disappointed to hear that they will not sell any stones loose. Nor do they sell settings separately. Also, the prices are astronomical, compared to other retailers of fine antique jewelry.

That about sums it up for the visit to Lang. I’m so glad I got to go! I saw so many beautiful jewels, and had a fantastic time with a very good friend! I wish we had been able to spend more time looking around and trying things on, but their little store was completely packed and neither of us was going to be buying that day. It was really fun to see what different size diamonds look like, and to judge the cut quality on so many different stones at once. I would highly recommend it if you’re going to be visiting San Francisco and want to get a good antique jewelry fix!