The North Way Studio

I just want to give a huge shout out to my friend and colleague, Maria Bray of The North Way Studio! Her work was featured in a Buzzfeed article and I’m incredibly proud of her and always stunned by her amazing work!

The North Way Studio on Buzzfeed

Congratulations my dear! I’m so delighted that you are getting the recognition you deserve!

Maria from The North Way Studio
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The Résilient in Photographs

I’m doing a photo heavy and commentary light post because I have too much on my to do list, but I still wanted to share the beauty of this ring with you, and I haven’t been able to put a blog out about it yet.

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The center stone is a Amora Moissanite cut into the OEC pattern, and all of the other stones are diamonds. The Amora Moissanite has been discontinued, which, after seeing it in person, is a real shame. They have replaced it with the Forever One Moissanite, and the OEC cutting is also nowhere to be found.

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Sometimes, through great times of turmoil, comes great beauty.

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New York, New York

A touch over two years ago I posted a blog entry about a planning a specific project:

https://thegemstoneproject.com/2014/11/28/new-york-city-inspired-ring/

Well, it evolved. I will get to that in a second.

Grand Central Terminal
Grand Central Terminal

The first time I ever went to New York City was when I was 18 years old with my parents for a business trip for my dad. I remember walking the streets wearing furry Steve Madden shoes and having a doorman compliment them. I fell in love with the city in that trip, between the Empire State Building, the flagship stores, the food, the energy and life of the city. I didn’t know it at the time, but only a few short years later, I would be going to school slightly upstate from the city.

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It wouldn’t be until I went to NYC via train from upstate that I would first experience Grand Central Terminal in all of it’s glory, between the Oyster Bar, the marble floors, the tile ceilings, and the glorious teal ceiling bedecked with celestial gold in the main hall. For me, with the Grand Central ceiling, it was love at first sight. Every time I would take a trip to the city via MTA, I would be delighted to experience it’s beauty once again, and I would look forward to seeing that ceiling every time.

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So, since I don’t get to do that regularly anymore, I had to base a piece of jewelry around it.

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My starting point, as is often the case, was color. I had a copper bearing precision cut teal tourmaline from Barry Bridgestock that was absolutely the color of the ceiling.  I knew from very early on that I had to have yellow gold, as the zodiac symbols all over are painted in a golden color. It was only later that I would decide that the piece would need to have white gold as well, which was a difficult conclusion for me as I’m typically not a fan of mixed metals.

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In planning the rest of the elements of the design, I took into account an incredible number of details from around GCT, from the arches of the hallways, to the color of the walls and the floors, to the incredible iconic pendant chandeliers. I evaluated every single one of the zodiac symbols, the detail of the arches, the Tiffany glass of the clock, the golden clock in the middle of the terminal, the detail of the windows. Essentially, the entire building is one very large piece of functional art, each detail has had painstaking work put into it by artisans of years past. There is some sad irony in the fact that most people who witness it never take the opportunity to enjoy those details.

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I started out thinking that it would be a ring. I soon found out that between the stone size, the ring size and the sheer scope of my vision for it, a ring that size would be essentially unwearable on a regular basis.  So I ended up changing it to a necklace. And of course I took the opportunity to use a stone that I have an infatuation with – a rose cut diamond. This time around, I decided that it should be prong set with a hexagonal surround, to echo the geometry of the iconic graphic feel of the Art Deco era.

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For a while I considered something that had to do with my zodiac sign, my husband’s zodiac sign and my daughter’s zodiac sign, but that became too complicated and didn’t end up making any sense design wise. So I simplified,

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I considered adding a detail from the arches (also seen on SNL’s GCT set) to the eventual outer halo, but nixed that idea as it became too busy. I also considered having no negative space, with just the contrast of diamonds and metal color to guide the design, but again, cited the busy-ness of the design for utilizing negative space rather than adding more to an already complex concept.

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I ended up with just a thin outer diamond halo to provide some structure for the centerpiece of the piece, and I chose a octagonal shape for it inspired by the octagonal frames around the medallion detail on the large arches on either end of the building. (Bottom left corner in the below image.)

Grand Central Terminal Ceiling
Grand Central Terminal Ceiling

I originally designed the star’s diagonal points to stretch all of the way to the halo, but after thinking, and evaluating the actual stars of the GCT ceiling, as well as looking at the Art Deco stars, I realized that while it may be less stable, shortening the diagonal points would be better for the over all aesthetic, and echoed the compass like shape of the actual GCT stars.

Grand Central Terminal Taurus Detail
Grand Central Terminal Taurus Detail

Elevating the star and the stone just a touch was the finishing detail. I used fancy yellow diamonds on the yellow gold and single cut white diamonds on the outside halo, in keeping with the Art Deco era.

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It is not very often that I create jewelry for myself anymore. This isn’t a piece that I will probably wear often, but it is a small, sparkly tribute to a city that I love, and the Art Deco masterpiece that lies within it.

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TGP Updates

It has been far too long since I managed to get a post up! In the last few weeks, I’ve had a family emergency, found myself terribly sick and even had a birthday.

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Bright Yellow Sapphire

In more jewelry related news, I managed to get some new gems up on etsy, got a few custom projects underway, and am anxiously waiting for a few items in production.

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Pastel Green Aquamarine

I’m really sad that I haven’t been able to get more jewelry into production so far this year, but things have been distracting me, and I am hoping that as soon as I get moved into the new studio, things will take a turn for the better. I have a bunch of custom projects in the works, including a step cut halo, some cluster type rings, another halo, and some others including a fancy colored diamond ring.

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Medium Gray Spinel Pair

Speaking of the studio, I have a new drafting table, and I’m so excited to be able to draw without getting instant neck strain! I also have a big south facing window with incredible natural light (except during those pesky storms that make it over the Cascades from Seattle) that has been working quite well for photographing stones and jewelry. I didn’t realize when I started planning this new space just how many functions I need it for – drawing, photography, computer, writing, storage, shipping, etc. And all of those tasks need different lighting (say, for instance, color shifting stones!) and suddenly office planning is incredibly complicated.

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Lavender Spinel

Now, as for decorating the studio, I already have one print up from Angie Crabtree – the Elle modern asscher, and my wonderful husband surprised me with a new print for my birthday – the Dominique antique pear! This complicates things though – I had just figured out my wall configuration with the decor, so I will have to redo it once it is framed.

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Barry Bridgestock Tourmaline

I hope that you have taken the opportunity to take a minute to check out my Repertoire page – I have many of the items I have designed up there, both stock items as well as custom items. I am going to be writing another Inside The Industry blog coming up soon – I just need to be able to spend some time writing, instead of spending it on random non-jewelry related items. And I will be sharing a couple new items to go with the Vivant necklace as well – they should be coming out of production very shortly!

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Peter Torraca Tourmaline

In other updates, I have stones at AGL for certification/testing, and I will have a new small padparadscha sapphire as well as a gorgeous blue sapphire here soon as well!

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Gem Blast: Boutique Gems

So, I’ve mentioned before how many photos I take in any given photography session. These were taken in the last photography session I had before the sun went away for a week. I think I ended up taking about 400 photos in this particular session and I wanted to share them because I rarely use so many of the photos that I take.

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Most of these have two of the spinels I recently listed for sale in the boutique, because they are so easy to compare color wise, and because it’s so rare to have two incredibly well cut nicely colored specimens, especially in this color family.

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Sometimes I will take photos of the stones with the goal of just capturing something special, rather than trying to make the stones look their best, or trying to create a good composition.

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One of the best things spinel does well is play in the light.

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Then we get to the hardest and sometimes most tedious part, capturing the body color and cut of the gem. The first one shows a bit more darkness than I prefer, but with the macro lens and how the gems reflect what they “see”, it makes capturing an accurate view of the gem difficult. When they are worn, they typically aren’t 1-2 inches away from something that’s blocking the light.

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Unfortunately precision cut gems tend to reflect more darkness, it’s the nature of the well-cut beast.

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The lighting and camera’s white sensor did some funky stuff here, turning the background pinkish, and as a result, the tsavorite looks abysmal – it’s very rare that the camera captures it accurately, and this is NOT one of those times, but I felt it was important to show it anyway. You can see how much more pink the spinel looks in this photo compared to the ones with the blue-lavender spinel. Very different!

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One of the more staged photos, trying to capture a good variety of colors for a shot for the site. The resolution is horrible, and very blurry, but I love the colors of the gems.

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The oval spinel is one that I refuse to part with – too much history and such a rare color, and cut perfectly by Barry Bridgestock. The color play with the lavender is so interesting and the fact that they are both so well cut makes them a rarity, and fun to compare in photos.

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Hopefully the sun will come out again in the next week or so and I can stop looking at a sea of gray. I am new to this “low-hanging cloud” phenomenon and not exactly sure if I’m a fan yet or not. It’s not even officially winter yet!

Lessons in Gemstone Buying

Back in January, I had posted about what to look for in looking to buy a gemstone.  This is kind of an addendum to that.

– Don’t be afraid to ask too many good questions. One of the problems I often come across is that people are asking questions, but don’t understand the answers they are getting. If you don’t understand something, you should ask the vendor. I often will take massive amounts of time explaining things, so that even if a person walks away without buying something from me, they are more educated. A lot of vendors aren’t willing to do that, so you should take advantage of a person who is willing to share their knowledge. I’m a firm believer in “Leaving a place better than how I found it” which means if you ask me a question, I’ll do my best to educate you even further than just answering the question you’ve asked. Get educated about your purchases! You’ll make better, more informed purchases and likely save yourself time and money!

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Treatment. Size. Clarity. Origin. Modifiers. Things like that.

– A better understanding of general colored stone terms (as opposed to diamond terms) and terms when describing rings and pendants. Again, and I can’t reiterate this enough, ask questions. If you don’t know what something means, ask! If they don’t know the answers to your questions, walk away until you find someone who does.

– Not verifying the return policy because sometimes what’s online isn’t current or detailed enough. You should always verify the return policy before you make a purchase.

– Not seeing the gem in various lighting conditions. Different light temperatures are going to make the stone look different. You need to make sure that you are happy with all of the stone’s different looks. Or, if not all of the looks, at least most of them. A stone isn’t going to look nice in a pitch black room if you can even see it at all!

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Incandescent.

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Diffused daylight.

– Always put something on hold before discussing it publicly. There are people out there who might see what you are looking at, and buy it out from under you. Most vendors work on a “first come, first served” basis. If you don’t put something on hold, and then post about it publicly it might just sell out from under you.

– Expecting flawless or loupe clean clarity, especially in gems such as spinel, emerald, ruby and sapphire. If you want one of those to be flawless, buy synthetic.

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Not flawless, but it is eyeclean. Green Garnet.

– Don’t go to multiple sources looking for the same stone. This industry is very small. It is nothing but frustrating if you ask multiple people for the same thing, and they happen to start talking, and discover that they are looking for the same stone for the same client. Often, they will both give up on the search.

– Depending on the type of gem box that your vendor uses, you will probably want to open them upside down, above a soft surface, such as a low pile carpet, or best, on top of a made bed.

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I know of too many people who have opened a box outside, and the gem falls into the grass or through slats in a deck, never to be seen again. Also, use something thin and flat to open the gem box.

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I typically grab whatever is available, in this case, a ruler.

They put little slots on the sides to slide something in, and twist it to open.

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Little twist of the ruler and it pops right off!

The end of the gem tweezers are best, but you can use thing like paper clips just as easily.

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These spinels are safe and sound, in the lid of their box.

– You should look at a gemstone on your hand. I don’t have any gemholders, and I don’t suggest that people use them either. The spring type (the ones that look sort of like a ring) can very easily and very badly damage a stone.

I know that there are more tips and tricks for gemstone buying, but these are a good start. The absolute best tip I can give though is to buy what you like, and don’t be swayed by the “trade ideal”. If you don’t like what the trade finds to be ideal, you’re more likely to get a better deal on what you do buy.

Random note! Since I’ve been getting a ton of inquiries about the coupon code for my etsy store I decided to post it again, so here it is: “AUTUMN2015” (no quotes). It is good for 15% off purchases of $100 or more until November 1.

Next week is going to be all about the new line! By next Monday, all of the pages should be up for six of the rings, so make sure and keep your eyes peeled this week – Aurore, Exaltée and Feuilles Dorées will make their online debut!

A Year in Review

Happy first birthday to The Gemstone Project!

Lets see, the past year has been chock full of wonderful craziness.

August 2014
The first month started out with a lot of posts about various gemstones, including a colorless garnet, and gray spinel. It included an unheated Umba color shifting sapphire in a Harry Winston inspired halo that I helped put together for a friend. I posted a bit about myself and some about my photography. And I topped off the month with my first Gem Blast.

September 2014
September started out with a visit to Lang Antiques in San Francisco that took up three posts. September included three Gem Blasts, including one about considering gemstone recuts. I concluded September with my handy guide “Scale of Gray” for seeking out gray spinels.

October 2014
October gave way to talk about birthstones, including two antique birthstone rings, tourmaline & opal. I touched on gemstone cutting flaws and what to keep an eye out for. I posted a design I used for my first jewelry design contest with David Klass. I included posts about tsavorites, Mahenge spinels, and an evaluation I did for a friend on a red spinel. Two designs were posted, including a breast cancer awareness ring and a red spinel inspired by the Art Deco period. October only had one Gem Blast – sapphires and moonstones.

November 2014
I created a Facebook page in November! I posted my drawing process for my solitaire setting entry for another of David Klass’ contests, this time winning. I also featured willajunejewelry. A Gem Blast about diamonds, some rough ideas for a NYC ring, plus some random thoughts flowed through November.

December 2014
A feature on Jewels by Grace brought December in with bang! Though the rest of the month I stayed a bit quieter due to the holidays, I still had a range of topics to cover. I wrote about design ideas and inspiration for my pad sapphire ring. A Gem Blast on Merelani Mint Garnets, my thoughts on what the New Year would bring, and a post about lapidaries fleshed out the end of the year.

January 2015
I brought in January with my own type of confetti: red spinel melee. A reader had suggested posting about a guide of what to look for in a gem. I announced that I was starting to design my own line of jewelry, posted a Gem Blast on the many gems at my beloved gem store and another Gem Blast celebrating January’s birthstone, several varieties of garnets. Then January closed with my declaration of opening an etsy store.

February 2015
February started with me changing to trade status on Pricescope and picking up a new username, and a post about fantasy cut gemstones. Pantone had announced their color of the year to be Marsala, and I have a few things to say about that. Sticking with the birthstone idea, I posted a Gem Blast about amethysts. I added a simple diamond pendant design, and a post about my most memorable Oscar jewelry.

March 2015
I brought in March with a post about a green beryl/aquamarine, another birthstone post. Some discussion about current jewelry trends took place, as well as a post about red spinel. I finally posted the finished product from winning David Klass’ contest. A more detailed post about my design aesthetic wrapped up March. But that wasn’t all! I also started a TGP Twitter account, and my 3rd ring prototype was completed, and the 4th one put into production.

April 2015
Since diamond is the birthstone for April, and also my birthstone, I decided to dedicate almost the entire month of posts to diamonds. Until recently I wasn’t a diamond lover, so I blogged about diamonds that really captured my imagination, including rose cut diamonds, a yellow diamond trillion, and a pinkish brown diamond. But I didn’t post entirely about diamonds – I added in a post with the end product of my David Klass contest band. My 4th prototype was completed too, and the 5th prototype was put into production! I also got a gem back from AGL as certified unheated. The event that took place that I was most excited about was a sapphire purchased from my shop being used as an engagement ring!

May 2015
Of course I would have to do an emerald Gem Blast for May, since it is the birthstone for the month and that seems to be the trend I picked up on! May was an incredibly busy month for me with JCK at the end, and preceding where to find me on social media, and a post about how I would be posting to instagram and twitter from JCK. I also finally posted a post I had made on sexism and gender issues within jewelry marketing and the jewelry trade. I also included a Gem Blast of the AGL certified violet sapphire. 5th ring prototype was completed!

June 2015
June did not get a birthstone post! Instead, I did a post about my jewelry line updates, a post on blue-green tourmalines, THREE posts on my experiences at JCK, including meeting lots of colored stone celebrities. I also did a post on metal color and how I prefer color flow to contrast, and how I like colors to work together. I also did a post about imitation and inspiration that had been writing itself on my phone for months prior. I finished the month with a Gem Blast on a stunning tanzanite from Precision Gems.

July 2015
July kicked off with a post about sending a sapphire to AGL and getting it tested. I then had a bit of an artistic funk and found myself writing about art of other mediums – Angie Crabtree and some chefs made some brief appearances and helped lift my spirits and inspired me further. I also got to the final stages of a big custom project, and took a fantastic mini vacation down to San Diego at the Vineyard Hacienda, which also helped get the creative juices flowing. I published a “living document” I had been writing about gemstone terms and vocabulary, and hopefully that will still be added to continuously. I finished off July with a couple of Gem Blasts – moving across state lines does not make for a lot of blogging time!

August 2015
August has only just begun again, but already this one holds a special meaning to me – I have never been good at continuing things – I have started so many blogs and stopped writing after a couple months, or lost interest, or whatever, so to reach and celebrate a year of posts, and all of the incredible things and wonderful people I have met – it truly is a remarkable milestone for me. So far into August, I have posted only one blog, but it has been one of the most important and edited (18 times! Two different highly educated editors!) items I have ever written – Gender Inequality and the Jewelry Trade. Oh, and I also moved across the country, a thousand miles to the north counts, right?

Here is to the future and everything it may bring!

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