Evolution

Roughly ten years ago I started to take my obsession with jewelry and gemstones a bit more seriously by starting to actively research and reading everything I could find online.  It turns out that over ten years, things can evolve and change quite a bit.

I had a guest blogger who wrote about her collection and how it evolved over time, but I have not really addressed those kinds of questions myself, even though they keep coming up. So here are some answers to questions I get regularly!

What do you keep?
I keep almost exclusively sentimental pieces. At this point in my life, a stone has to be really outstanding to catch my eye, much less make me want to keep it in my personal collection. I have cultivated almost a rainbow of rings with pinks, peach, green, blue, violet and purple playing the major roles.

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A padparadscha sapphire in the Aurore, an anniversary gift from my husband. 

What you sell and why?
I usually do not sell anything from my personal collection. The only time I might sell something from my personal collection is if something else is replacing it. Also, if I’m selling something from my personal collection, you can bet that it doesn’t have any sentimental value attached to it. If my husband or daughter had any input in it, it’s going to stay in my personal collection. The pink spinel Vivant ring is the perfect example – the diamond sides were originally purchased as my first pair of diamond studs by my husband. They were used in another ring before being set into this ring. I cannot count how many times I’ve been asked to sell that ring, but I won’t!

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These diamonds were an anniversary gift from my husband. 

Do you buy less expensive things as time goes on?
No. If anything, I’ve bought more expensive things. I will pick up things here and there if I find them to be a good deal, but if I’m adding it to my personal collection, at this point, it’s got to be larger or “better” in some way than what I have already. Since many of those items were bought quite some time ago, odds are very good that the market has gone up since then, almost universally.

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This flawless Mint Merelani Garnet was given to me as a 30th birthday present. 

Or fewer, more expensive pieces?
What is kind of interesting is that I’ve been able to make more items that could potentially stay in my personal collection as prototypes than I was previously able to. At some point, I have to make a decision as to whether I am ok with selling them or keeping them in my collection. So I’ve been making more pieces, and they end up being more expensive. I think though, if I wasn’t designing jewelry and therefore unable to justify them as prototypes, I’d be putting together fewer, more expensive pieces.

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The blue spinel in the Petiller was a wedding gift from my father, and every diamond in the Privé band was from a different occasion – Valentine’s Day, Mother’s Day, birthday, etc. 

Or some other philosophy?
I guess I kind of collect everything now! 

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A collection picture from 2013, before I started designing everything.

How your settings have changed?
I started out being totally adverse to diamonds. As you’ll see in the settings that are coming up, diamonds play a pretty big part in it. So I’ve totally reversed my position on that end of things! But while there has been the addition of diamond accents, I’ve make an effort to simplify some of the blingier settings. That has not held true in every situation, as you’ll soon see when my next settings come out!

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This Colombian emerald was the last gem that really caught my attention. I couldn’t resist that color!

Have you gotten more subtle with age or more blingy?
Both. I think that both have a place in any collection. I have plain solitaires, and plain bands with no accents, and then I have settings that are crusted with diamonds.  Different moods call for different types of jewelry and I like that my jewelry box can accommodate just about any occasion.

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This Accolade band was made with spinels that my husband helped me pick out when he was just my boyfriend. 

What has changed the most in your collection?
I’ve actually tasted a little bit of antique jewelry. My most recent addition to my personal collection was an onyx, diamond, platinum and gold French ring from 1910, and I’m totally enamored with the craftsmanship and the detail work. Before, I never would have given most antique jewelry a second glance!

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An anniversary gift from my husband.
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Updates and an Announcement

I feel like it’s been a while since I blogged. And there are a lot of good reasons for that. But I’ll get to that in a bit.

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I recently nabbed a trio of gray spinel asschers. I’m thinking about making a three stone with them, if they match well enough and look good together. I will see once they arrive! If I don’t love them together, they will probably go into the etsy shop.

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I did several earring design sketches for a client, and I’m considering turning some of the unused ones into designs to go into the etsy shop. Especially since I have a ton of green garnets that really should be used for something fabulous.

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Upcoming projects: a necklace for a friend, a Rubellite ring, a smattering of three stone rings, a five stone ring, a couple of fancy halos, and a handful of solitaire rings. Plus who knows what else will pop up in the next few weeks.  I have several ideas for necklaces that I’d like to make, but those may take a while to bring into fruition.

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The biggest announcement is that I have taken an outside opportunity, and as a result, I won’t be able to devote as much time as I have been to my own jewelry design.  There won’t be a ton of changes that stem from this change, my website will stay the same, my stock designs will remain available, the Etsy shop will remain open, and I will still be available to do custom design.

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The big changes are going to be: I won’t be able to devote as much time to hunting down gemstones and I’m going to have to be stricter about custom projects that I take on. I will still have accounts with Gem2000, Mayer & Watt and Pala International/Gems, and their stones will be available for purchase through me. Shipping will only happen once a week, probably Mondays or Tuesdays. Unfortunately, blogging will have to take more of a backseat, and will likely turn into a once a month occurrence. I will still try to respond to emails within 24 hours, but I may not be as swift as I was before.
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Gem Blast: Holiday Edition

It has been a crazy week, with a family birthday plus Thanksgiving and then ten completed projects when I was expecting 5, plus a bunch of gems.  I have more on the way, and with the holidays gearing up, things are just bound to get crazier!

So this week, I’m just going to post a handful of my favorite pictures that I’ve been taking in the past couple of weeks! Some of this will be a preview for new items to come – some will probably hit etsy before they get to the website, due to holiday shopping demands

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Be on the lookout for new things to come! For additional pictures of some of these pieces, check out my Repertoire page.  And don’t forget to check out Facebook for all of my etsy promo codes.(Hint: there is one for today! After all, it’s Cyber Monday!)

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Hand Forging vs. CAD and Cast

 I feel like the topic of different ways to manufacture jewelry has been coming up more and more lately in email conversations with clients, so I figured I’d write a little bit about it.
*Please note, I’m not going to discuss die struck jewelry in this post!
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I think it’s Mark Morrell that was a touch snarky about answering the question of “are your items handforged?” I believe his answer is along the lines of “I use the best manufacturing method for the job at hand.” Which, to me, says loads – it says that he thinks the question is hogwash, he uses both “methods”, and isn’t going to waste a lot of time molding metal to make a ring that could be manufactured easier and quicker through other means.
In reality, all jewelry is made by jewelers manipulating a variety of tools through a variety of techniques to get the desired result.
It seems to me that there has been a big fuss about what tools and techniques are used to achieve those results.
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Now, there are obvious differences in production, but there is very little that can be produced “better” via “hand forging” vs CAD and cast. CAD and cast is easier, it’s cheaper, and the time savings is tremendous as far as labor goes. CAD and cast are also typically going to be more precise and symmetric. A computer and a machine just aren’t going to make the mistakes that a human would. The differences boil down to how the parts of the jewelry were created. Otherwise, there is a ton of overlap in the methods. Hand forged items, if you’ve watched videos, have been brought into their shapes with tools and a person guiding those tools. No matter what, the pieces are all soldered on the same way, they are all polished the same way, the seats for the stones are all cut the same way. Engraving is done the same way. You get the idea.
Feel free to mute your sound should you choose to watch the video!
I have a Mark Morrell piece in my personal collection, and what I can tell from it is that his finishing is impeccable. You can tell that he goes over every millimeter until it’s to his standards. The ring is CAD and cast, though I have no doubts that he uses hand forging methods when necessary. I have played with a 100% hand forged piece and I can see solder where the band was put together, the prongs on the center stones are all different lengths and widths, and one doesn’t quite touch the stone correctly, causing it to catch on things and have constant chunks of fuzz under it.
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Mark Morrell set with a colorless spinel
For me, it becomes a question of, “Do I want this cheaper, quicker and easy to replicate? Or do I want this to cost 5x as much, imperfect, longer manufacturing times, and not easily replicated?”
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My Pétiller ring is one that’s good to think about because it’s quite simple in execution, and was cast. The cast pieces were assembled by hand, and then the seats were hand carved out of the solid metal for each diamond. The only difference in making that ring via hand forging vs CAD and cast is that the methods would be different to get the solid shank, and the bezels that make up the support structure between them. Otherwise, the methods to put it together are exactly the same.
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My stance is that I prefer CAD and cast over hand forging. Much of the manufacturing methods are the same, it’s just a question of how the metal came to be the finished shape before things like setting stones and other finishing techniques take place. CAD and cast is much easier, especially when it comes to online orders – the client gets to see what it’s going to look like before it’s produced, rather than just hoping it will come out how it’s been envisioned, and seeing it when it’s finished.
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So much of the jewelry world is incredibly secretive. I don’t think that most jewelry people like to take time out to explain the differences to laypeople, especially when it’s hard to gauge the audience – are they really wanting to know the specifics behind the manufacturing methods or is it just a question being asked to make small talk? And sadly, most sales people in the retail world have no idea about manufacturing methods at all.
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Proportions & Balance

I started writing this blog a year ago.  The reason I haven’t completed the entry until now is because it’s incredibly difficult to put something that comes as instinct into words.  I cannot talk about exclusively proportions while leaving out the rest of the elements that could create conflict even within the correct proportions. So here is my attempt at it!

Typically I will design a piece of jewelry by being inspired by one or more of four things:

  1. A specific gemstone.
  2. A design concept, or inspiration piece.
  3. A shape.
  4. A color combination.

Note that size is not one of them!

I feel as though most designs are made as a frame for the center stone, which is why we see so many plain diamond halos for a variety of colored stones and diamonds.  They are popular, but not particularly interesting or unusual, and designed to basically be background noise for the center stone.

Proportion is the word for the relationship between sizes of one element to another element.

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A vintage ring that had wonderful proportions, with the size and shape of the side stones impeccably enhancing the center stone.

So I think about the piece of jewelry as a piece of art. That means choosing a focal point, and building everything else around that.  The background shouldn’t overpower the focal point, and the entire piece needs to have balance and cohesion. This is most obvious with 3, 5, and 7 stone jewelry, but can be applied to haloed items as well.

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Now, the key with the proportion is to ensure as to not overpower the main stone or the main focal point with the details. With a multi stone ring (3,5,7 stones traditionally) the idea is to make the stones uniform, or to create a flow or pattern to enhance the center stone or to create it’s own unit. The ideal is to create harmony between elements, and stick to having one main focal point. I have attempted pieces before that failed at this for one reason or another, and luckily I was able to learn from them. The Art Deco period of jewelry was particularly adept at creating jewelry with many small background elements enhancing a strong central element.

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The Resistance ring with diamond side stones becoming the background and a vivid emerald center stone taking center stage.

A problem that I see pretty often is that an item of jewelry will have multiple focal points, or multiple elements that prevent a cohesive unit, either with sizes, shape or color.

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As far as size goes, I always look towards math. Typically if you pair side stones with a center stone, they should follow a mathematical pattern. For instance, I have a drawing of a 5 stone with three rounds and two pears as my current Facebook default picture (seen above). The center stone is 8mm, the side rounds are 4mm, and the pears are 2mm wide.  Often, working from a center stone down to sides, is best to figure out what kind of proportion you want. Half is a typically safe size, with a third being pretty standard as well.

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This version of the Ingénue holds a 3.5mm rose cut and a 7mm spinel. 

A deft hand must be used to have a sense of how color, proportion and size work together and create unity with all elements, or balanced design. Creating a ring that has multiple colors is always going to be a bit tricky, which is often why using a lot of restraint is key. Sometimes things that seem like an obvious pairing look horrible together if any element doesn’t harmonize with the rest of the elements.

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So, I would advise that when you are considering putting jewelry together, ask yourself a series of questions:

  1. What is my focal point?
  2. Does this enhance or detract from my focal point?
  3. Are these the right proportions? Should they be larger or smaller?
  4. What does the negative space look like?
  5. Is this balanced?

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Incoming Gemstones

Whoa! Gemstones ahoy!

I got a couple of packages from a couple of collectors looking to consign items, and there are some really awesome gems, and a couple of finished jewelry pieces.

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Some of the stand outs include:

40+ carats of green garnets: tsavorite, demantoid, mint, including melee!
2+ carat blue spinel pear
1.89 carat neon pink spinel
Green zircon
6+ carat blue zircon
Light teal-blue tourmaline
Pink Vietnamese spinel
Ruby studs
Handful of diamonds, rounds and cushions
Precision cut Mahenge garnets
Lavender tourmaline

Plus more!

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Also expected this week, a precision cut gray spinel antique cushion with a certification from AGL.

And I still have more incoming in the next couple weeks!

All of these will be listed to my etsy shop in the coming weeks, while I’m hoping to have everything up by Thanksgiving, but that just depends on how things go, and how much sun I get for photographs! If you are looking for anything in particular or if any of the above sound interesting, please reach out to be added to the interest list!

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If you haven’t found my coupon code on my Facebook page yet, you should go check it out because it expires October 31!

Also I have accounts with some wholesale dealers, so if you’re looking for anything in particular, let me know!

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We are getting very close to the holiday season. I will be releasing deadlines for holiday ordering within the next week – where has this year gone?! I cannot believe the holiday season is upon us!

So many custom projects going into production right now, I am so excited to see them come to fruition!

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TGP: Year Two

A lot has happened over the last year, and certainly in the last two!

On a more personal note, I have moved from just outside of the Mojave desert where water is scarce to a 1800s farmhouse in the middle of thousands of acres of the incredible rolling hills of the Palouse, and finally to a fixer upper in Pullman with an actual dedicated space for a studio with southern exposure.

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Professionally I have created some incredible new designs, some of my favorite being the most challenging – a double haloed Paraiba Tourmaline, a haloed Burmese red spinel, a scalloped halo for an antique pear diamond, a violet spinel three stone ring, and a stunner of a 6 carat violet sapphire ring and so many more!

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I have created some really amazing engagement rings – a marquise in the Papillon setting, and a three stone spinel ring, not to mention stones found for engagement rings. I am always so excited and feel so blessed to play a small part of someone’s engagement!

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I have added to and built up the retail portion of my website, adding a boutique, and adding multiple designs to the Elle Collection. I have also made new contacts and been able to see some incredible gems!

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As far as gemstones go, I got an untreated Colombian Emerald back from AGL – I always knew this stone was special, and now I know how special and rare it really is. I received a glowy red spinel cut by Jeff White, and while I considered keeping it for a while, I ended up letting it go. Very reluctantly! I have gotten a ton of gray spinels, and continue being on the lookout for more. I am always on the hunt for gray spinels, especially now that their prices have skyrocketed.

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One thing that also happened this year is that AGTA and JA declared spinel to be a birthstone for August. If you’ve followed my blog, etsy, website or Instagram for any period of time, you know how much I love spinels. So while I think this is wonderful that spinel can finally get some recognition it deserves, it’s really terrible because that means that the prices of spinels are going to go crazy for a while, and probably will never come down again.

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So many things are in the works for the next year, especially the next couple of months. I have a bunch of goals, including entering a design or two into competition, and working towards more earrings and necklace designs. At some point I would like to have a trunk show event at a local jewelry store because I think that would be a lot of fun!

Here is to my third year! I only hope that it is as wonderful as the past two years!

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Gem Blast: Imperial Garnet Voeu

Oh Voeu…one of my first stock designs, the Voeu is always going to have a special role in my life.

You’ve seen the padparadascha sapphire version already, and if you’re following me on social media, you might have seen a hint of another one that came into my life recently.

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In case you haven’t seen it before, here is a quick refresher course – stunning in white gold with rose gold accents, the center sapphire shines as the centerpiece of a composition.

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While I originally thought that this stone wasn’t terribly different from the padparadscha sapphire in color, boy was I wrong! The color of the stone is almost the same as rose gold, and as a result, I decided I wanted to contrast it just a bit with the metal color while still keeping the warmth of colored gold.

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18kt yellow gold can appear brassy sometimes, and I felt like it had the potential to overwhelm the delicate balance of brown and peach in the garnet, so instead I chose to go with 14kt yellow gold – something a bit more subtle.

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And of course I had to keep up with my unexpected touches – a surprise diamond hidden on either side of the gallery of the setting.

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Look at the warmth of that gold with the light shining through it! Reminds me of sunshine…

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Inside the Industry: Engagement Rings

I originally was thinking of the “Real Housewives of _____” series when I had this idea for the blog. I’ve never actually watched even an episode of any of the shows, but their jewelry seems to have a prominent presence in the show, as I will occasionally hear about various huge diamond engagement rings from news outlets.

Engagement rings are deeply personal items, sometimes they have hidden messages, birthstones, special secrets that just the couple knows about. Every engagement ring is a promise and a symbol of a union, and are often the most important piece of jewelry a couple will share.

So I decided to reach out to some gem cutters and dealers to see what people wear who are surrounded by stunning gems and jewelry all of the time.

All photography within this post is the property of person whose ring it is, and their images and stories are being used with permission.


Dan and Cynthia Stair of Custom Gemstones met when Cynthia started collecting the gemstones that Dan was cutting.

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What is Cindi’s engagement ring?
About a four carat pink sapphire in a platinum and diamond halo. The funny thing is, I bought the ring to take the stone out and recut it, but was told “no”. I figure if it ever gets a little scuffed, I’ll “fix” it.


Roger and Ginger Dery of Spectral Gems

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What is Ginger’s engagement ring?
Blue sapphire, Sri Lankan, a piece I reconditioned with a final weight of 6.33ct. It is heated, and has an AGL report, of course.


Geoffrey and Alexandra Watt of Mayer & Watt

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What is Alexandra’s engagement ring?
3.50cts 8.5mm square cushion peach no heat Padparadscha Ceylon sapphire with white gold shank … Rose gold head … Platinum filigree down the side with 3mm round Alex’s. Her anniversary band is rose gold with diamonds, and the ring was designed so the band would fit inside it.

Why Alexandrites?
Well I love Alexandrites and so my wife by default likes them too, and wanted a big one but we can’t afford it! So I promised she would eventually get one…and I put them secretly in her ring. She designed it but I snuck them in. Plus her name is Alexandra, so it has double meaning behind it being in her ring.

Jaimeen and Nattalie Shah of Prima Gems

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What is Nattalie’s engagement ring?
A 1.5ct round tsavorite and diamond ring. The center measures 6.6mm.

Nattalie and Jaimeen’s engagement ring story is so wonderful, I just had to let her share it in her own words:
Almost six years ago, my husband (who was obviously my boyfriend at the time) called his mother in India and asked her to design and make a ring for me. He asked her to make a ring with a Tsavorite because this stone holds a lot of significance to him. He knew that I had teased him that I would love any engagement ring as long as it wouldn’t turn my finger green (haha). I love my engagement ring and I really feel that it’s so special to know that this ring was made just for me.


If you’re in the business and would like me to share a photo of your/your partner’s engagement ring please reach out to me!

Thank you so much to all of you for sharing such a special piece of your history together!

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What’s in a Name?

What’s in a name?

I get a lot of questions about why I name jewelry what I do, so I thought I should explain a bit more as to how I came to the defining theme in the names of my collection.

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Vivant – Vivacious

I feel like so many designers out there have chosen names that are ladies given names, and I really wanted to express concepts that would mean something to me, that represented something that I felt, or something that inspired me while I was working on a piece, whether that be something descriptive of the actual piece itself (there could not be another name for Feuilles Dorées) or a name that had some quality that I felt the piece represented. I also try to keep each item upbeat, often thinking of qualities I would like my daughter to possess, or traits that inspirational women in my life embody. Every once in a while I even let a client name a piece themselves.

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Résistance – Strength

I actually put a lot of time into picking a name for each piece, taking into account every element of the item and every thought, word and feeling that ended up becoming that item. Unless inspiration hits and I fully flesh out an item within a few minutes, many hours of brainstorming, writing down words, drawing, thinking and sometimes staring at a blank piece of paper goes into each item. Often the name for a piece shows up somewhere from the beginning, as one of the defining concepts or an errant thought I have while trying to put a vision into words.

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Aurore – Dawn

Now, I chose French because of my background in pastry and culinary arts. French is basically the unofficial language of fine dining restaurants (though it could be debated that it should be Spanish) and as a result, I have a decent repertoire of French vocabulary terms floating around in my brain, though they are mostly related to cooking and food! No, I am not French (as far as I know), but I have two close friends that speak it fluently, and when I have questions about correct and accurate language usage, I have people to ask. Besides, French is the language of love, and while it may sound somewhat cliche, I love what I do.

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Papillon – Butterfly

French is not a super popular language within the United States, I realize that people may struggle with pronunciation, which is why I added what the English translation alongside the French on each piece’s page.  Please don’t feel bad about not being able to pronounce the names – I have struggled with languages my entire life (lets not talk about how I have had years and years of formal Spanish education and can barely speak any of it) and still mangle words at times!

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Voeu – Wish

So if you have ever wondered, that’s why I have a bunch of French words as the names of my jewelry!

As is par for the course, renovations are not done yet, though there is light at the end of the tunnel! Painting is getting closer and closer to being done, and I should have a new studio by March 1!

In the meantime, I’m working on some custom projects, including some more pear shapes, one of the most challenging but interesting shapes, in my humble opinion. Also included in that is a large project, or parcel of projects that has so many stones, I have been having a hard time figuring out where to start!

I’ve received requests for a new page to be added to my website, one page that has all of my custom work and designs together. Hopefully soon I can put some time into adding that. I will also put another jewelry item to the site in the next couple weeks – the Espoir ring.

New items were added to the etsy shop this past week – a yellow diamond ring and a red spinel and diamond ring among them!