Ombré du Soleil

They just wanted to be made. – Elle

I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.

detail3

A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.

My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.

2

Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.

studs2

Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.

light2

About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré  color scheme I had dreamed up.  I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.

garnets-and-sapphires

As soon as I had all of the stones collected, I sent the picture to a friend.
all-stones
And a couple months later, she asked me when I was going to make the earrings? Why hadn’t I made them already? I had all of these beautiful stones, why not make use of them already? So I turned around that week, and sent them off to the jeweler, along with a picture of the sketch.
sketch
As I mentioned before, the sketch went through a couple of revisions. The final version ended up being so large that the entire thing wouldn’t fit on one page of my sketch book, so I had to improvise a little bit, and drew the stud separately from the rest of the earring. A quick note: I draw everything at 5x scale.
stud-sketch
middle-part-sketch
bottom-part-sketch
 So, lets talk specifics of the finished product.
all-stones2
The bottom 5 stones are spessartites, the top three in the bottom section are sapphires. The top stone (the stud) is a spessartite and then the rest (second stone in the stud and then the little connecting section) are all fancy yellow diamonds.
detail
detail9
These are definitely more hefty than I usually make, but the one thing I wanted out of these is that I wanted to have that heft, and I didn’t want them to feel cheap. I feel like they easily could have gone the costume jewelry route, but the setter managed to avoid it, keeping the walls between the stones quite thin, and the edges from stone to outside rim thin in most areas . The largest stones are 7mm and very deep so we really had to have a lot of metal to hold them all in place.
detail15
The settings are open in the back to let in a ton of light, even though they are bezeled. The emphasis for this project was really on the stones, the ombré effect and the concept of light. Seeing as how it took about two years to find the right stones in the right sizes, tones and saturation to I really wanted to not detract from the concept as a whole and keep the ombré effect in the metal that’s holding the stones together. As you will see in the images below, the color of the stones change from one image to another – the most accurate devices for color viewing are Apple products, iphone, ipad, Mac computers, and images with the brightest colors and least amount of brown are the closest to real life.
detail7
done7
done11
done

14 grams of 18kt yellow gold

.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets

14.7 total carats

They measure just over 2.5 inches long.

done6
done10
done14 earshot

Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”

At the moment, I don’t know what the future holds for them. But absolutely something bright.

Elle signature

Advertisement

Gem Blast: Imperial Garnet Voeu

Oh Voeu…one of my first stock designs, the Voeu is always going to have a special role in my life.

You’ve seen the padparadascha sapphire version already, and if you’re following me on social media, you might have seen a hint of another one that came into my life recently.

IMG_7581 IMG_7582

In case you haven’t seen it before, here is a quick refresher course – stunning in white gold with rose gold accents, the center sapphire shines as the centerpiece of a composition.

IMG_7583

IMG_8066

While I originally thought that this stone wasn’t terribly different from the padparadscha sapphire in color, boy was I wrong! The color of the stone is almost the same as rose gold, and as a result, I decided I wanted to contrast it just a bit with the metal color while still keeping the warmth of colored gold.

3

18kt yellow gold can appear brassy sometimes, and I felt like it had the potential to overwhelm the delicate balance of brown and peach in the garnet, so instead I chose to go with 14kt yellow gold – something a bit more subtle.

5

And of course I had to keep up with my unexpected touches – a surprise diamond hidden on either side of the gallery of the setting.

gallery

Look at the warmth of that gold with the light shining through it! Reminds me of sunshine…

Elle signature

Gem Blast: Boutique Gems

So, I’ve mentioned before how many photos I take in any given photography session. These were taken in the last photography session I had before the sun went away for a week. I think I ended up taking about 400 photos in this particular session and I wanted to share them because I rarely use so many of the photos that I take.

1

Most of these have two of the spinels I recently listed for sale in the boutique, because they are so easy to compare color wise, and because it’s so rare to have two incredibly well cut nicely colored specimens, especially in this color family.

2

Sometimes I will take photos of the stones with the goal of just capturing something special, rather than trying to make the stones look their best, or trying to create a good composition.

4

One of the best things spinel does well is play in the light.

5

Then we get to the hardest and sometimes most tedious part, capturing the body color and cut of the gem. The first one shows a bit more darkness than I prefer, but with the macro lens and how the gems reflect what they “see”, it makes capturing an accurate view of the gem difficult. When they are worn, they typically aren’t 1-2 inches away from something that’s blocking the light.

7

8

Unfortunately precision cut gems tend to reflect more darkness, it’s the nature of the well-cut beast.

9

The lighting and camera’s white sensor did some funky stuff here, turning the background pinkish, and as a result, the tsavorite looks abysmal – it’s very rare that the camera captures it accurately, and this is NOT one of those times, but I felt it was important to show it anyway. You can see how much more pink the spinel looks in this photo compared to the ones with the blue-lavender spinel. Very different!

12

One of the more staged photos, trying to capture a good variety of colors for a shot for the site. The resolution is horrible, and very blurry, but I love the colors of the gems.

13

The oval spinel is one that I refuse to part with – too much history and such a rare color, and cut perfectly by Barry Bridgestock. The color play with the lavender is so interesting and the fact that they are both so well cut makes them a rarity, and fun to compare in photos.

3

Hopefully the sun will come out again in the next week or so and I can stop looking at a sea of gray. I am new to this “low-hanging cloud” phenomenon and not exactly sure if I’m a fan yet or not. It’s not even officially winter yet!