In reality, all jewelry is made by jewelers manipulating a variety of tools through a variety of techniques to get the desired result.
They just wanted to be made. – Elle
I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.
A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.
My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.
Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.
Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.
About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré color scheme I had dreamed up. I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.
14 grams of 18kt yellow gold
.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets
14.7 total carats
They measure just over 2.5 inches long.
Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”
At the moment, I don’t know what the future holds for them. But absolutely something bright.
I started writing this blog a year ago. The reason I haven’t completed the entry until now is because it’s incredibly difficult to put something that comes as instinct into words. I cannot talk about exclusively proportions while leaving out the rest of the elements that could create conflict even within the correct proportions. So here is my attempt at it!
Typically I will design a piece of jewelry by being inspired by one or more of four things:
- A specific gemstone.
- A design concept, or inspiration piece.
- A shape.
- A color combination.
Note that size is not one of them!
I feel as though most designs are made as a frame for the center stone, which is why we see so many plain diamond halos for a variety of colored stones and diamonds. They are popular, but not particularly interesting or unusual, and designed to basically be background noise for the center stone.
Proportion is the word for the relationship between sizes of one element to another element.
A vintage ring that had wonderful proportions, with the size and shape of the side stones impeccably enhancing the center stone.
So I think about the piece of jewelry as a piece of art. That means choosing a focal point, and building everything else around that. The background shouldn’t overpower the focal point, and the entire piece needs to have balance and cohesion. This is most obvious with 3, 5, and 7 stone jewelry, but can be applied to haloed items as well.
Now, the key with the proportion is to ensure as to not overpower the main stone or the main focal point with the details. With a multi stone ring (3,5,7 stones traditionally) the idea is to make the stones uniform, or to create a flow or pattern to enhance the center stone or to create it’s own unit. The ideal is to create harmony between elements, and stick to having one main focal point. I have attempted pieces before that failed at this for one reason or another, and luckily I was able to learn from them. The Art Deco period of jewelry was particularly adept at creating jewelry with many small background elements enhancing a strong central element.
The Resistance ring with diamond side stones becoming the background and a vivid emerald center stone taking center stage.
A problem that I see pretty often is that an item of jewelry will have multiple focal points, or multiple elements that prevent a cohesive unit, either with sizes, shape or color.
As far as size goes, I always look towards math. Typically if you pair side stones with a center stone, they should follow a mathematical pattern. For instance, I have a drawing of a 5 stone with three rounds and two pears as my current Facebook default picture (seen above). The center stone is 8mm, the side rounds are 4mm, and the pears are 2mm wide. Often, working from a center stone down to sides, is best to figure out what kind of proportion you want. Half is a typically safe size, with a third being pretty standard as well.
This version of the Ingénue holds a 3.5mm rose cut and a 7mm spinel.
A deft hand must be used to have a sense of how color, proportion and size work together and create unity with all elements, or balanced design. Creating a ring that has multiple colors is always going to be a bit tricky, which is often why using a lot of restraint is key. Sometimes things that seem like an obvious pairing look horrible together if any element doesn’t harmonize with the rest of the elements.
So, I would advise that when you are considering putting jewelry together, ask yourself a series of questions:
- What is my focal point?
- Does this enhance or detract from my focal point?
- Are these the right proportions? Should they be larger or smaller?
- What does the negative space look like?
- Is this balanced?
Just a sample of some of the questions I ask myself while working on a project.
Does it have purpose?
What does it make you feel?
Is it risky?
Is it beautiful?
Does it flow with the other elements?
Is it functional?
Is this element both beautiful and functional?
Does it look like something I’ve seen somewhere else?
Is there a structural entity that could be more attractive?
Does this need to be here?
Does it need more structure to withstand time and wear?
Is the wearable/comfortable?
Could someone wear this every day? Or is it an occasional wear item?
Where would the wearer wear this?
How does this interact with the wearer?
Does it move?
Could it move?
Should it move?
How should/could it move?
What are the stones? Are they especially fragile?
What kind of hazards would this likely come into contact with? Is there anything to be done design wise that would better protect it?
What color metal looks best with the stone?
What color metal looks best with the design?
Would this design work for other stones?
Would this design work for other shapes? How?
Does this stone have any special issues I should try to compensate for or enhance?
Is this idea too fantastical?
Is this idea too boring?
Is this idea classic?
Will it stand the test of time? Or is it trendy?
What kind of surprise elements can I add that the average observer wouldn’t notice, but would make the piece special, and still keep with the feeling of the piece as a whole?
If you have been following me for a while, you will have noted that I dropped the ball for a while and didn’t blog or have many jewelry updates. Well, that was due to the fact that I was moving offices. For some time we were about 30 minutes outside of town, and this spring, we finally finished renovations. I don’t know that my office will ever be actually finished, per se, but I feel like it’s a good start and definitely functional! I consider my office to be a very personal space and I’ve been a bit reluctant to share a space that I’ve spent so much time creating and creating in. But people ask, so I thought I’d share a bit about it, with pictures of some of the details.
Catching rainbow inclusions in my amethyst paperweight, macro.
I have no fewer than 5 parts to my desk. There is no way that I could manage with a traditional desk, because I really like to have everything in plain sight when I work. I also have multiple jobs that I have to fulfill, and my desk set up has to reflect that. Each desk has a primary function, and other secondary and tertiary functions. I have an antique desk for photography and storage, a drafting table, a shelving unit, an antique table for miscellaneous items (typically items being shipped out or notebooks and paperwork), and a desk for my laptop and photography. This doesn’t include another shelf that stores books and items that aren’t necessarily used every day or a small silver table that is home to a cobalt blue lamp.
Of course I had to choose the color of my walls carefully. Since most of the surfaces of my office area are dark wood, I had to keep it light and airy. The walls are two different shades of a light cornflower blue, one color is so light that it almost appears white depending on the sun’s position, while the other is a couple shades darker. The curtains are a medium silvery gray – reminiscent of brushed white metal. Silver accents abound! Two silver tables, a chrome and black leather chair, silver frames for almost every picture, and a eclectic mix of modernity and antiquity.
My office has one large window that looks out to roses, flowers and fruit trees. It is also, most importantly, south facing. So no matter what, unless it’s rainy and cloudy, my office is completely flooded with natural light. When picking the space, this was absolutely crucial considering how many photos I can take on an average day. However, I also have several lamps – a couple decorative lamps with incandescent lightbulbs, an Anker Lumos LED lamp (which is awesome because it has several different colors of lights that it displays), as well as a magnifying fluorescent lamp, and thats not even counting the actual ceiling lights!
Of course I wanted to surround myself with items that are not only beautiful but also calming, inspiring, functional and of things I love – family, friends, and deeply sentimental items. I have a Pricescope “diamond” paperweight that I got from a JCK event, an amethyst crystal paperweight that was a gift from my husband, and a paperweight that was a gift from my dad when I got my first job out of college. I have a “Diamond Terrarium” in copper from Lonesome Hobo, that sits on my antique desk that is beautiful and functional – I use it to store rings for short periods, as a photography backdrop, and as a object to stare at sometimes.
Picture frames with loved ones are all over, as well as two Angie Crabtree prints – the “Dominique” and “Elle” and the centerpiece of the decor is an antique mirror that my mother once designed an entire luxe bathroom around (it had this incredible beeswax Venetian plaster on the walls, among other things.) I have a “wall of women” – it holds both of my diplomas, a stunning photograph of my grandmother with her hair grazing her derriere sitting at a dressing table and a picture of my mother’s family – she was the youngest of ten. I also store pens, pencils and markers in a piñon wood bowl that has inlaid turquoise – a gift from an old boss, that represents so much and is a good reminder of home, New Mexico.
I hope you enjoyed seeing some of the details that I look at every day!
Have you ever wondered what a day looks like in my life? Today is the day to find out!
7:00-7:15am Do a preliminary check of my email and social media to see what might be coming my way for the day.
7:15am Get my daughter dressed, fed and ready for the day. I’ve recently weaned myself off coffee, and it’s been absolutely brutal.
8:00am See my husband and daughter off to work and school/camp.
8:15am A thorough check of emails, start planning the day. If it’s a Monday, I write a bit on Facebook for the blog post, mentioning any big things that have been going on, designs I’m working on, sales etc.
9:00am Take photographs of gems and jewelry, depending on what the sun is doing. During the winter months, it’s almost always overcast, so sun is a precious commodity!
10:00am Respond to email. Post to social media, usually instagram.
10:30am Post new items to etsy, edit photography, write descriptions for items while eating lunch – often yogurt, unless I’m feeding my daughter too, which means I will eat something more substantial.
12:00pm Shipments usually arrive around this time. If I’m not expecting anything, I will probably ship items.
1:00pm Work on new designs, or incomplete designs that need to be revised and finished.
4:45pm Stop working on designs, start thinking about family time and dinner.
6:00pm Dinner time! I often recruit my daughter to help me cook, which for a 4 year old means stirring. She is an excellent stirrer!
7:00pm Play time. Sometimes I will try to post to social media here and there, but I usually reserve this time to spend with my family. Often we will go for a walk if it’s light out, or watch something on the Food Network (my daughter’s favorite shows are Chopped and Cutthroat Kitchen because she likes eliminating people), or just play with toys.
8:00pm Get my daughter’s bath time and bedtime routine started.
9:00pm Do a final email check for the day, post to instagram. Tuesday is usually my blog writing night.
9:30pm Watch tv shows or a movie with my husband, I tend to continue checking social media throughout (while he is checking his email!), and might post to SnapChat. Some favorite shows range from Game of Thrones, Better Call Saul (and Breaking Bad!), Homeland, UnREAL, Arrow, Once Upon A Time, among others.
11:30pm Hit the sack. I’m usually lucky to make it to 11:30 without falling asleep. Every once in a while I manage to stay up past midnight, but it has become more rare lately.
I mentioned that I will post to FB about my sales – I am running a sale for the month of August, and you have to check my Facebook posts for the coupon code!
A lot has happened over the last year, and certainly in the last two!
On a more personal note, I have moved from just outside of the Mojave desert where water is scarce to a 1800s farmhouse in the middle of thousands of acres of the incredible rolling hills of the Palouse, and finally to a fixer upper in Pullman with an actual dedicated space for a studio with southern exposure.
Professionally I have created some incredible new designs, some of my favorite being the most challenging – a double haloed Paraiba Tourmaline, a haloed Burmese red spinel, a scalloped halo for an antique pear diamond, a violet spinel three stone ring, and a stunner of a 6 carat violet sapphire ring and so many more!
I have created some really amazing engagement rings – a marquise in the Papillon setting, and a three stone spinel ring, not to mention stones found for engagement rings. I am always so excited and feel so blessed to play a small part of someone’s engagement!
I have added to and built up the retail portion of my website, adding a boutique, and adding multiple designs to the Elle Collection. I have also made new contacts and been able to see some incredible gems!
As far as gemstones go, I got an untreated Colombian Emerald back from AGL – I always knew this stone was special, and now I know how special and rare it really is. I received a glowy red spinel cut by Jeff White, and while I considered keeping it for a while, I ended up letting it go. Very reluctantly! I have gotten a ton of gray spinels, and continue being on the lookout for more. I am always on the hunt for gray spinels, especially now that their prices have skyrocketed.
One thing that also happened this year is that AGTA and JA declared spinel to be a birthstone for August. If you’ve followed my blog, etsy, website or Instagram for any period of time, you know how much I love spinels. So while I think this is wonderful that spinel can finally get some recognition it deserves, it’s really terrible because that means that the prices of spinels are going to go crazy for a while, and probably will never come down again.
So many things are in the works for the next year, especially the next couple of months. I have a bunch of goals, including entering a design or two into competition, and working towards more earrings and necklace designs. At some point I would like to have a trunk show event at a local jewelry store because I think that would be a lot of fun!
Here is to my third year! I only hope that it is as wonderful as the past two years!
If you follow me on social media, you’ve seen these earrings before. They have been all over Instagram, Facebook, and Snapchat.
Inspired by the Vivant necklace, I got the idea when I found these incredible step cut cushion Mahenge spinels, and had to put them together. I then paired them with a pair of Mahenge round brilliant spinels that I had purchased years ago, tweaked a few details to make the combination of stones work together and elongate the shape to flatter the wearer, and added a post back.
Showing off a bit of their red fluorescence in the sun.
Looking a bit blue, reflecting the sky in the stones.
Some of the finer details:
Mahenge spinel, diamonds and 18kt white gold.
2.40ctw spinels, .30ctw diamonds, 2.70ctw total stone weight.
Finding a pair of spinels is exceedingly difficult because the stones in general are so rare, but to find some that are the same color, size, shape and cut magnifies to difficulty level thousandfold. Finding two pairs that go together and match on color isn’t exactly easy either, and often is a matter of waiting until the right stone or stones comes around.
Now, the next time you see them, they will be a bit different. A client took a liking to them, but wanted them changed just a touch, and asked me to make the alterations. I can’t wait to see them when they are done!
The Papillon was my first official foray into creating a stock jewelry line. I spent so many hours agonizing over slight details and figuring out the best way to make those details come together in a cohesive manner. The Papillon was the result and I am still quite proud of it.
So I wasn’t surprised to get a message asking if I would be amenable to adapting it to a marquise shape and turning it into an engagement ring.
Due to it’s split shank style, it was a simple adaptation from an oval to a marquise, and one that worked out wonderfully.
Yellow gold was chosen and it was just a matter of getting it set.
C & J, I hope that this ring is shared through many incredibly happy years, and that you enjoy it for a long time to come. I am so delighted that you asked me to adapt a design to your stone and so lucky to have shared a small piece of your history together!
I spent the last week in Albuquerque, New Mexico – the place where I was born and raised. Taking almost an entire week completely off from jewelry and getting back to my roots, spending time with family and friends was one of the most refreshing things I could have done at this point and it gave me some new perspective on things that I’d been dwelling on and feeling stagnant on for too long. I guess that standing in the middle of a thunderstorm in the mountains will help do that to you.
One of the things that I enjoy the most about gemstones is that they are all unique and one of a kind. Sure, you can get some that look similar to others, but they will always have unique characteristics, whether it’s in the form of color, inclusions, cut, whatever. No two are identical.
Working with various colored stone vendors has shown me that I’m not alone in loving gems for this very reason – colored stones are always so different, and sometimes they can totally surprise you with what you fall in love with.
So this, my most recent blog, and the first blog in a long time is an ode of sorts to the one of a kind, and an indication on where I am heading creatively. I’m going to take a step back from feeling like I’m treading water coming up with stock designs, and taking a flying leap into the water and swim like my life depends on it – making pieces as unique as the stones they hold.
More to come.