Updates and an Announcement

I feel like it’s been a while since I blogged. And there are a lot of good reasons for that. But I’ll get to that in a bit.

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I recently nabbed a trio of gray spinel asschers. I’m thinking about making a three stone with them, if they match well enough and look good together. I will see once they arrive! If I don’t love them together, they will probably go into the etsy shop.

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I did several earring design sketches for a client, and I’m considering turning some of the unused ones into designs to go into the etsy shop. Especially since I have a ton of green garnets that really should be used for something fabulous.

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Upcoming projects: a necklace for a friend, a Rubellite ring, a smattering of three stone rings, a five stone ring, a couple of fancy halos, and a handful of solitaire rings. Plus who knows what else will pop up in the next few weeks.  I have several ideas for necklaces that I’d like to make, but those may take a while to bring into fruition.

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The biggest announcement is that I have taken an outside opportunity, and as a result, I won’t be able to devote as much time as I have been to my own jewelry design.  There won’t be a ton of changes that stem from this change, my website will stay the same, my stock designs will remain available, the Etsy shop will remain open, and I will still be available to do custom design.

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The big changes are going to be: I won’t be able to devote as much time to hunting down gemstones and I’m going to have to be stricter about custom projects that I take on. I will still have accounts with Gem2000, Mayer & Watt and Pala International/Gems, and their stones will be available for purchase through me. Shipping will only happen once a week, probably Mondays or Tuesdays. Unfortunately, blogging will have to take more of a backseat, and will likely turn into a once a month occurrence. I will still try to respond to emails within 24 hours, but I may not be as swift as I was before.
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Ombré du Soleil

They just wanted to be made. – Elle

I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.

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A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.

My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.

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Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.

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Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.

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About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré  color scheme I had dreamed up.  I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.

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As soon as I had all of the stones collected, I sent the picture to a friend.
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And a couple months later, she asked me when I was going to make the earrings? Why hadn’t I made them already? I had all of these beautiful stones, why not make use of them already? So I turned around that week, and sent them off to the jeweler, along with a picture of the sketch.
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As I mentioned before, the sketch went through a couple of revisions. The final version ended up being so large that the entire thing wouldn’t fit on one page of my sketch book, so I had to improvise a little bit, and drew the stud separately from the rest of the earring. A quick note: I draw everything at 5x scale.
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 So, lets talk specifics of the finished product.
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The bottom 5 stones are spessartites, the top three in the bottom section are sapphires. The top stone (the stud) is a spessartite and then the rest (second stone in the stud and then the little connecting section) are all fancy yellow diamonds.
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These are definitely more hefty than I usually make, but the one thing I wanted out of these is that I wanted to have that heft, and I didn’t want them to feel cheap. I feel like they easily could have gone the costume jewelry route, but the setter managed to avoid it, keeping the walls between the stones quite thin, and the edges from stone to outside rim thin in most areas . The largest stones are 7mm and very deep so we really had to have a lot of metal to hold them all in place.
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The settings are open in the back to let in a ton of light, even though they are bezeled. The emphasis for this project was really on the stones, the ombré effect and the concept of light. Seeing as how it took about two years to find the right stones in the right sizes, tones and saturation to I really wanted to not detract from the concept as a whole and keep the ombré effect in the metal that’s holding the stones together. As you will see in the images below, the color of the stones change from one image to another – the most accurate devices for color viewing are Apple products, iphone, ipad, Mac computers, and images with the brightest colors and least amount of brown are the closest to real life.
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14 grams of 18kt yellow gold

.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets

14.7 total carats

They measure just over 2.5 inches long.

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Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”

At the moment, I don’t know what the future holds for them. But absolutely something bright.

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Proportions & Balance

I started writing this blog a year ago.  The reason I haven’t completed the entry until now is because it’s incredibly difficult to put something that comes as instinct into words.  I cannot talk about exclusively proportions while leaving out the rest of the elements that could create conflict even within the correct proportions. So here is my attempt at it!

Typically I will design a piece of jewelry by being inspired by one or more of four things:

  1. A specific gemstone.
  2. A design concept, or inspiration piece.
  3. A shape.
  4. A color combination.

Note that size is not one of them!

I feel as though most designs are made as a frame for the center stone, which is why we see so many plain diamond halos for a variety of colored stones and diamonds.  They are popular, but not particularly interesting or unusual, and designed to basically be background noise for the center stone.

Proportion is the word for the relationship between sizes of one element to another element.

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A vintage ring that had wonderful proportions, with the size and shape of the side stones impeccably enhancing the center stone.

So I think about the piece of jewelry as a piece of art. That means choosing a focal point, and building everything else around that.  The background shouldn’t overpower the focal point, and the entire piece needs to have balance and cohesion. This is most obvious with 3, 5, and 7 stone jewelry, but can be applied to haloed items as well.

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Now, the key with the proportion is to ensure as to not overpower the main stone or the main focal point with the details. With a multi stone ring (3,5,7 stones traditionally) the idea is to make the stones uniform, or to create a flow or pattern to enhance the center stone or to create it’s own unit. The ideal is to create harmony between elements, and stick to having one main focal point. I have attempted pieces before that failed at this for one reason or another, and luckily I was able to learn from them. The Art Deco period of jewelry was particularly adept at creating jewelry with many small background elements enhancing a strong central element.

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The Resistance ring with diamond side stones becoming the background and a vivid emerald center stone taking center stage.

A problem that I see pretty often is that an item of jewelry will have multiple focal points, or multiple elements that prevent a cohesive unit, either with sizes, shape or color.

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As far as size goes, I always look towards math. Typically if you pair side stones with a center stone, they should follow a mathematical pattern. For instance, I have a drawing of a 5 stone with three rounds and two pears as my current Facebook default picture (seen above). The center stone is 8mm, the side rounds are 4mm, and the pears are 2mm wide.  Often, working from a center stone down to sides, is best to figure out what kind of proportion you want. Half is a typically safe size, with a third being pretty standard as well.

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This version of the Ingénue holds a 3.5mm rose cut and a 7mm spinel. 

A deft hand must be used to have a sense of how color, proportion and size work together and create unity with all elements, or balanced design. Creating a ring that has multiple colors is always going to be a bit tricky, which is often why using a lot of restraint is key. Sometimes things that seem like an obvious pairing look horrible together if any element doesn’t harmonize with the rest of the elements.

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So, I would advise that when you are considering putting jewelry together, ask yourself a series of questions:

  1. What is my focal point?
  2. Does this enhance or detract from my focal point?
  3. Are these the right proportions? Should they be larger or smaller?
  4. What does the negative space look like?
  5. Is this balanced?

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2016 Holiday Deadlines

I posted the holiday deadlines to my Facebook page but I figured they should be posted here as well to make sure that no one misses them!

Custom jewelry: November 1st
Stock design: November 23rd
In store item: December 19th
In store item with expedited shipping: December 21th

I live in a small town, and unfortunately USPS cannot guarantee overnight delivery from where I’m located! I do have access to a UPS office, but no FedEx.

There may be some slight flexibility in these, but that would be on a case by case basis! Please contact us directly for details!

Also, this is the last week for our fall sale (15% off!) in the etsy shop! Don’t miss out! The coupon code can be found on the Facebook page!

And because I can’t stop posting photos of this everywhere, here is the newest version of the Intrepide! My client’s 4.42ct Mahenge Spinel that she has been holding into for 5 years (!) looks fantastic in it’s new home!

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Engaged: 3 Stone Spinel

Sometimes the best projects are the most terrifying. Warning – this post is picture heavy!

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A while back I had a new client come to me and she said, “I don’t know what I want, but really like the Accolade band, and a few other settings. Can you design my engagement ring?” To which I said yes.

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Looking back on it, I think it’s kind of funny because being given full creative control is so so scary, but her engagement ring turned out wonderfully and I couldn’t be happier.

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We had a lot of debate over stones, but once the actual setting idea came into fruition, it all seemed to fall into place.

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It was made using three precision cut spinels – the center is a lavender spinel, and the two side stones are gray spinels.

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Platinum ended up being the metal of choice due to it’s lack of maintenance.  The random polish to smooth out scratches, and it looks as good as new again!

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The angled shoulder view is often my favorite on any ring, but on this ring, it’s extra special – I love how the prongs and the curves just flow together!

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Last rays of summer sun…

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Once you see the profile, you can clearly see how it was inspired by the Accolade band!

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E, I am absolutely delighted for you and D, and I hope that this ring follows you through many great adventures on your life together!

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Design Thoughts & Questions

Just a sample of some of the questions I ask myself while working on a project.

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Does it have purpose?

What does it make you feel?

Is it risky?

Is it beautiful?

Does it flow with the other elements?

Is it functional?

Is this element both beautiful and functional?

Does it look like something I’ve seen somewhere else?

Is there a structural entity that could be more attractive?

Does this need to be here?

Does it need more structure to withstand time and wear?

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Is the wearable/comfortable?

Could someone wear this every day? Or is it an occasional wear item?

Where would the wearer wear this?

How does this interact with the wearer?

Does it move?

Could it move?

Should it move?

How should/could it move?

What are the stones? Are they especially fragile?

What kind of hazards would this likely come into contact with? Is there anything to be done design wise that would better protect it?

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What color metal looks best with the stone?

What color metal looks best with the design?

Would this design work for other stones?

Would this design work for other shapes? How?

Does this stone have any special issues I should try to compensate for or enhance?

Is this idea too fantastical?

Is this idea too boring?

Is this idea classic?

Will it stand the test of time? Or is it trendy?

What kind of surprise elements can I add that the average observer wouldn’t notice, but would make the piece special, and still keep with the feeling of the piece as a whole?

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A Diamond Papillon

The Papillon was my first official foray into creating a stock jewelry line. I spent so many hours agonizing over slight details and figuring out the best way to make those details come together in a cohesive manner. The Papillon was the result and I am still quite proud of it.

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So I wasn’t surprised to get a message asking if I would be amenable to adapting it to a marquise shape and turning it into an engagement ring.

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Due to it’s split shank style, it was a simple adaptation from an oval to a marquise, and one that worked out wonderfully.

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Yellow gold was chosen and it was just a matter of getting it set.

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C & J, I hope that this ring is shared through many incredibly happy years, and that you enjoy it for a long time to come. I am so delighted that you asked me to adapt a design to your stone and so lucky to have shared a small piece of your history together!

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