Ombré du Soleil

They just wanted to be made. – Elle

I had posted these on instagram the other day, just a small macro shot, and immediately got requests to see more. Well, the thing about that is that these are ridiculously difficult to photograph for one simple fact – they are huge.

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A couple years ago, when we were still in California, I had an overseas collector send me a great number of stones to sell on consignment. That’s the reason my etsy shop was initially opened. There were a handful of stones that I knew immediately that I didn’t want to sell – I wanted to create something with them.

My starting point in this particular project was the largest pair of spessartites. They just glowed, in an almost unearthly way, with this ridiculous neon orange that photos don’t really do justice, as orange is one of the hardest colors to photograph accurately.

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Now, this collector had sent along literally about 40 carats of spessartites, including a handful of smaller round oranges with fantastic color, and a pair of bezeled round spessartite earrings.

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Spessartite, as with most gemstones and colors, goes through bursts here and there of popularity and trendiness. Unfortunately, just as I got this package, spessartite was hitting a slow spot, so most of the loose gems that I had never even hit the market. Instead I started to have big dreams for them, all brought upon by the incredible color of that large pair. I created a sketch of the initial idea, which included using the bezeled studs as is and then later amended it to add a few details, involving a change to the stud.

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About six months ago I went to visit my favorite gem shop and one of the first things on my mind to pick up were gems that would fit the ombré  color scheme I had dreamed up.  I needed to find exactly the right graduation of color and size to match cohesively with the overall concept. Luckily I was able to find that in some sapphires from Madagascar.

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As soon as I had all of the stones collected, I sent the picture to a friend.
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And a couple months later, she asked me when I was going to make the earrings? Why hadn’t I made them already? I had all of these beautiful stones, why not make use of them already? So I turned around that week, and sent them off to the jeweler, along with a picture of the sketch.
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As I mentioned before, the sketch went through a couple of revisions. The final version ended up being so large that the entire thing wouldn’t fit on one page of my sketch book, so I had to improvise a little bit, and drew the stud separately from the rest of the earring. A quick note: I draw everything at 5x scale.
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 So, lets talk specifics of the finished product.
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The bottom 5 stones are spessartites, the top three in the bottom section are sapphires. The top stone (the stud) is a spessartite and then the rest (second stone in the stud and then the little connecting section) are all fancy yellow diamonds.
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These are definitely more hefty than I usually make, but the one thing I wanted out of these is that I wanted to have that heft, and I didn’t want them to feel cheap. I feel like they easily could have gone the costume jewelry route, but the setter managed to avoid it, keeping the walls between the stones quite thin, and the edges from stone to outside rim thin in most areas . The largest stones are 7mm and very deep so we really had to have a lot of metal to hold them all in place.
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The settings are open in the back to let in a ton of light, even though they are bezeled. The emphasis for this project was really on the stones, the ombré effect and the concept of light. Seeing as how it took about two years to find the right stones in the right sizes, tones and saturation to I really wanted to not detract from the concept as a whole and keep the ombré effect in the metal that’s holding the stones together. As you will see in the images below, the color of the stones change from one image to another – the most accurate devices for color viewing are Apple products, iphone, ipad, Mac computers, and images with the brightest colors and least amount of brown are the closest to real life.
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14 grams of 18kt yellow gold

.16 carats of yellow diamonds
.41 carats of yellow sapphires
14.13 carats of orange garnets

14.7 total carats

They measure just over 2.5 inches long.

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Everyone keeps asking me, “why did you make these? Are they for yourself, or to sell?” and my answer has been, “They just wanted to be made.”

At the moment, I don’t know what the future holds for them. But absolutely something bright.

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Creating the Ingénue

Ingénue – Innocent young woman

When this idea came to me, I really wanted to create something that was classic, could be worn with anything, and wasn’t overpowering to either the woman or the gems. I wanted simplicity that was more than just a solitaire. The name of this game was subtlety.  Something quiet. Graceful. Sophisticated.

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I started with a two stone idea. A smaller stone “bale” with a larger stone hanging below.

The first version I pulled out for this idea was with an angular stone. I had a small princess lying around, so I thought that would work well and go with the angular shape of the stone I was considering. But the main stone ended up selling out from under me, so I had to change gears.

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I decided that classic rounds would be the way to go – rounds are the most popular shape, they would always be plentiful and I’d have no problems sourcing some when I was ready to make the design.

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So of course, I always jump at any chance to make something with rose cut diamonds, and in this case, anything else would have been too flashy. I love the way the light floats across the facets of a rose cut – it’s reminiscent of the light from the setting sun hitting the soft waves of a lake. For the rose cut, I decided that a simple bezel with milgrain would do nicely.

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The bottom was harder.  I started playing with the idea of another metal halo style, because I didn’t want diamonds. Since I had already decided I wanted a bezel on top, a bezel seemed to make sense for the bottom. But that would be too predictable. Instead I went in another direction: prongs. It became a metal halo with prongs, much like the Aurore. But how do you make a metal halo interesting? Metalwork. Two rows of milgrain combined with some delicate engraving helps add a little extra detail without being too overwhelming.

Note: I never draw engraving. I cannot do justice to a master engraver’s work. Seriously. So I don’t even try.

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Now the question became, what to do with the back? I always try to get something a little unexpected in my jewelry, and the back, or the underside are the perfect playground. For this I went back to where it began – the rose cut. And I used the rose cut facet pattern that I love so much and brought it to life in the metal.

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The hardest part yet was figuring out what stone to be the star of the show. As I mentioned, I originally was planning on making it with a fancy shaped diamond (this design will work for absolutely any shape!) but that fell through. Then I figured I’d make it with a round diamond, but that seemed predictable – there are so many diamond necklaces out there already! And for a person who loves other gemstones I wanted something that was more interesting and rare. Something that fit the classic look and feel but wasn’t a diamond.

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Which is where Geoffrey Watt of Mayer & Watt steps in. I had asked him to find me a white spinel at JCK 2016, since I wasn’t going to make it this year. He obliged, and I found my main stone. Not long after, the sketch was complete.

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It wasn’t until the necklace was out of production that I realized that I wasn’t feeling the high polish. I tend to try to avoid brushed finishes because they can wear away so quickly, but for a necklace that wouldn’t be coming into contact with anything but skin, it made sense.

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I think I accomplished my goal. Classic, versatile, sophisticated with a vintage feel. Something that be dressed up or down. The Ingénue.

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Engaged: 3 Stone Spinel

Sometimes the best projects are the most terrifying. Warning – this post is picture heavy!

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A while back I had a new client come to me and she said, “I don’t know what I want, but really like the Accolade band, and a few other settings. Can you design my engagement ring?” To which I said yes.

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Looking back on it, I think it’s kind of funny because being given full creative control is so so scary, but her engagement ring turned out wonderfully and I couldn’t be happier.

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We had a lot of debate over stones, but once the actual setting idea came into fruition, it all seemed to fall into place.

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It was made using three precision cut spinels – the center is a lavender spinel, and the two side stones are gray spinels.

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Platinum ended up being the metal of choice due to it’s lack of maintenance.  The random polish to smooth out scratches, and it looks as good as new again!

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The angled shoulder view is often my favorite on any ring, but on this ring, it’s extra special – I love how the prongs and the curves just flow together!

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Last rays of summer sun…

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Once you see the profile, you can clearly see how it was inspired by the Accolade band!

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E, I am absolutely delighted for you and D, and I hope that this ring follows you through many great adventures on your life together!

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Design Thoughts & Questions

Just a sample of some of the questions I ask myself while working on a project.

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Does it have purpose?

What does it make you feel?

Is it risky?

Is it beautiful?

Does it flow with the other elements?

Is it functional?

Is this element both beautiful and functional?

Does it look like something I’ve seen somewhere else?

Is there a structural entity that could be more attractive?

Does this need to be here?

Does it need more structure to withstand time and wear?

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Is the wearable/comfortable?

Could someone wear this every day? Or is it an occasional wear item?

Where would the wearer wear this?

How does this interact with the wearer?

Does it move?

Could it move?

Should it move?

How should/could it move?

What are the stones? Are they especially fragile?

What kind of hazards would this likely come into contact with? Is there anything to be done design wise that would better protect it?

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What color metal looks best with the stone?

What color metal looks best with the design?

Would this design work for other stones?

Would this design work for other shapes? How?

Does this stone have any special issues I should try to compensate for or enhance?

Is this idea too fantastical?

Is this idea too boring?

Is this idea classic?

Will it stand the test of time? Or is it trendy?

What kind of surprise elements can I add that the average observer wouldn’t notice, but would make the piece special, and still keep with the feeling of the piece as a whole?

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Gem Blast: Vivant Earrings

If you follow me on social media, you’ve seen these earrings before. They have been all over Instagram, Facebook, and Snapchat.

Inspired by the Vivant necklace, I got the idea when I found these incredible step cut cushion Mahenge spinels, and had to put them together. I then paired them with a pair of Mahenge round brilliant spinels that I had purchased years ago, tweaked a few details to make the combination of stones work together and elongate the shape to flatter the wearer, and added a post back.

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Showing off a bit of their red fluorescence in the sun.

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Looking a bit blue, reflecting the sky in the stones.

Some of the finer details:

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Mahenge spinel, diamonds and 18kt white gold.
2.40ctw spinels, .30ctw diamonds, 2.70ctw total stone weight.

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Finding a pair of spinels is exceedingly difficult because the stones in general are so rare, but to find some that are the same color, size, shape and cut magnifies to difficulty level thousandfold. Finding two pairs that go together and match on color isn’t exactly easy either, and often is a matter of waiting until the right stone or stones comes around.

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Now, the next time you see them, they will be a bit different. A client took a liking to them, but wanted them changed just a touch, and asked me to make the alterations.  I can’t wait to see them when they are done!
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A Diamond Papillon

The Papillon was my first official foray into creating a stock jewelry line. I spent so many hours agonizing over slight details and figuring out the best way to make those details come together in a cohesive manner. The Papillon was the result and I am still quite proud of it.

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So I wasn’t surprised to get a message asking if I would be amenable to adapting it to a marquise shape and turning it into an engagement ring.

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Due to it’s split shank style, it was a simple adaptation from an oval to a marquise, and one that worked out wonderfully.

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Yellow gold was chosen and it was just a matter of getting it set.

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C & J, I hope that this ring is shared through many incredibly happy years, and that you enjoy it for a long time to come. I am so delighted that you asked me to adapt a design to your stone and so lucky to have shared a small piece of your history together!

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The Vivant Ring

One thing I sometimes struggle with is keeping it simple. Sometimes I find myself adding details and thinking, “This is perfect!” and then going back and thinking, “Why did I add so much?!” I always try to remember that Coco Chanel quote:

“Before you leave the house, look in the mirror and take one thing off.”

Wise words from an impeccably fashionable woman. So while the Vivant necklace is a modern take with Art Deco appeal, I decided to keep the Vivant ring an echo of some of the details from the necklace, and lend towards classic simplicity.

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The stones chosen for this setting were chosen to add a little bit of drama via color, with a neon pink Mahenge spinel, and two antique Old Mine Cut cushions (because antique cuts in diamonds are my favorites!) as the perfect classic accents.

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Typically one of my favorite views, because it shows off so many details of a ring setting, and how they flow together. 

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The ring ends up at 2.64ctw of diamonds (antiques are .99ctw, melee are .10ctw) and spinel (1.55ct) and was made of 18kt white gold. This setting will be available (and tremendously adaptable!) for your own stone or stones, of any shape and size. I am also able to source stones, because pairs are not exactly easy to find sometimes!

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And ending with the fluidity of the shank, and the slight split shank transition.

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Custom Red Burmese Spinel Halo Ring

I’ve been incredibly busy, to say the least!

I actually took my first day off in three weeks renovating/decorating/etc the other day to exclusively work on jewelry stuff. I had been sorely missing it and really had a stack of things to get back on – gemstone photography, rough jewelry ideas, blog ideas, sketches (which I’m still behind on!), as well as giving my back a rest, as I had pulled it over a week ago.  So I’m feeling as though I’m in a much better place than I was last weekend, with getting some items that were way overdue taken off my list.

I have a few fancy shaped antique diamonds in queue to design custom rings around, and I’m really excited about those. And of course I have some colored stone custom designs in the works as well!

In the meantime, I wanted to share some images of the most recent design to come out of production, something reaching quite a ways outside of my comfort zone, which I often struggle with, but always comes out better than I could imagine.

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Sketch, slightly underdeveloped.

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Jeweler’s photographs. 

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Client’s photographs.

I always love when clients come up with something that’s out of the ordinary, and this certainly fits the bill in that regard! An unconventional diamond and platinum halo surrounds a 1.69 ct Burmese Red Spinel.

I will be sending a parcel of sapphires and an emerald to AGL for certification this week. I had been intending to send them to AGL and kept putting it off for various reasons. But they are going to go now, and typically they are at about a 2.5 week wait, so hopefully I will have them back relatively soon.

I have been working on some stock items, and as per usual, the CADs came out perfectly the first time for both items. Both share elements with the Vivant and as such, I decided to use Mahenge spinels as them as well. I can’t wait to see them completed!

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Designing Accolade

I have had a rough week, first I burned my hand while using a heat gun (remodeling) and then when I went to go to bed on Friday night, I thought it felt a bit cold…it was 60 in our house instead of the usual downright tropical 70. Turns out that the heater went out on us, and the heating company isn’t open until Monday. So I’m writing this blog from one of two reasonably not-freezing cold rooms, draped in blankets with a space heater humming away. Thank goodness we still have electricity!

As a result of all of the remodeling (and painting!) I’ve been doing lately, I have barely been wearing any of my jewelry, so I wanted to write about one of my favorite and most popular pieces: the Accolade band.

I often get asked what my biggest seller is, and I would have to say that it’s my Accolade band. I feel like there are a lot of women out there right now who are stacking so many fantastic rings and accenting their engagement rings or any rings with really fun bands, and the texture and versatility of the Accolade certainly lends itself to adding interest to any stack.

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The CAD of the flat version.

It originally started out as just a doodle. I had been thinking about all of the writers and word smiths in my extended family, and thought about how pretty the curves of the braces are (curly bracket, curly braces, squiggly bracket, etc) and I really wanted to make something inspired by them. I initially was interested in making it into a halo shape. If you hadn’t noticed, I’m particularly into making halos with unconventional shapes, evidence here, here, here and here.

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But then as I doodled one day, after the Glacé was made, I realized that if you flip the brace on it’s side, and then alternate it facing upwards and downwards, it created a beautiful series of waves with alternating curves and points. Later, as I studied architectural arches for another project, I would discover the Ogee arch – very similar in shape to the brace, further solidifying my instincts that found the shape beautiful.

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The flat version was made first, but I had it high polished and plain for the first prototype. While lovely, I thought that it really needed something to add a little bit of dimension and depth to the piece, while not distracting from the lines of the band. So I added milgrain because I thought that the band would go exceptionally well with the outline of the Exalteé halo. But as soon as I had laid eyes on the high polished flat version, I knew that a curved version needed to be made as well, this time with a brushed finish.

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They are so perfect to add just a little bit of texture with some negative space, and make wonderful wedding bands as well.

My fingers are crossed that I can get back to wearing jewelry soon enough (maybe once I’m done painting?) and one of these bands will be something I reach for first. The Accolade band is available through David Klass Jewelry in many styles and textures, even with diamonds or gemstones!

Are there any questions you’ve ever wanted to ask a gemstone cutter but were afraid to ask? Feel free to submit any questions you may have through me, and they may get answered in an upcoming feature by a wonderful lapidary!

Also, a note: I just renewed a bunch of listings in my shop on etsy! I’m planning on adding a few items there, hopefully this week, including a fancy colored diamond ring, and a red spinel and diamond ring. Feel free to reach out if you’d like to be added to the interest list for either item!

Guest Post: The Evolution of Collecting

I have a special treat today, a guest post from someone who has become a close friend through gemstones, and whose services I sometimes utilize as a gemstone personal shopper due to her connections within the industry.  So if you have ever asked me for help finding a gem, rest assured I have likely consulted her on your stone.
Please welcome Aimée!
I have been collecting gemstones for my personal collection for almost five years now. It has been quite a journey. My financial situation has fluctuated during that time, and my connections in the industry have strengthened. I never used to consider myself picky, but have discovered that when it comes to gems…I’m a princess. I want it all – colour, cut, and price. So…how does one do that?
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I started by buying everything that caught my fancy. I should specify at this point that my purchases happen almost exclusively online. This means a pretty large learning curve in terms of how to read pictures, specifically around colour, tone, and saturation ( a word I’ve only learned in the last four years). Also, some vendors have what I would call “frenzied drops”, where you have about 3 seconds or less to decide if you want something, regardless of price. I’ve returned many stones, and sold the ones I felt guilty about returning or that I realized ultimately weren’t for me. I’ve sold some beautiful stones, many that I’ve forgotten about, until I came across a picture on my computer. I’ve also developed realistic expectations. “A good price” is very relative. I’ve known people to drop tens of thousands of dollars on a diamond, then want a trade ideal coloured stone that is exponentially rarer than a diamond, with a maximum budget of a few hundred dollars. This type of search will usually lead to frustration and disappointment, and is quite simply a waste of time.
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I try not to develop emotional attachments to my stones. Oddly enough, that can be difficult. I have stones and/or rings that I have a really hard time parting with, even though I will probably never set them, or rarely wear them, but they are pretty, and the memory of how they came to be in my possession is too sweet to extinguish. Selling to a fellow enthusiast helps. If it’s someone I like, who really loves the gem, I have an easier time passing it on. At this point, I only sell to fund new projects.
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So, I’ve built my collection. What was once “the ultimate” moves on, once I find a “holy grail”. (Like stepping stones, except in a few instances, where…I hoard. I have several Mahenge spinels. My excuse is that they are all uniquely beautiful – pinkish red, reddish pink – I’m pretty sure I have every shade in between. Now, I’m aiming for cuprian tourmalines. Unfortunately, I came into the game too late for certain gems. But I digress…) I TRY to no longer buy impulsively (which can burn me in the case of, say…a holy grail that I try to think about for more than 3 seconds, and it’s grabbed by someone else in that time, during a frenzied drop). I try to accept what actually looks good with my skin tone – honestly, I have some stones which just aren’t flattered by my pasty hand…but are too pretty to sell!
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I have scored some wonderful gems, at reasonable prices. This is usually because a fellow enthusiast has either pointed me in the right direction, or sold me something they bought several years ago at a good price, and they’re passing on the deal. Sometimes, it’s because I’ve bugged a vendor somewhat incessantly about a certain colour, and they finally got something in that might shut me up. Sometimes, I’ve really lucked out when a stone has sat around for quite some time for whatever reason, and the price can be negotiated somewhat.
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If I was to have some advice for a “newbie” about collecting, it’s to have patience. “The One” WILL come along, at some point. You are better off socking away the money until it does. In the meantime, educate yourself, look at what’s around and at what price point, see as many gems in real life as you can, and when you see The One, pounce!
-Aimée