Miscellaneous Updates

Just a quick update this week, New Years is coming up soon (where did this year go?), and getting my new office/studio together is taking up way more time than I planned on.

  • My wonderful Angie Crabtree “Elle” print was finally framed, and it’s waiting for it’s new spot to be hung in my new office. I went simple on this one, and hopefully, since she is working on some antique diamond cuts, I can give “Elle” a companion sooner rather than later!
  • I haven’t been able to sketch and design as much as I normally do, snow shoveling has taken way too much of my time, as well as driving in the snow. It turns out that driving slow is key for avoiding wrecks! Right now I have three (plus) projects going on – two ring projects that I have very clear ideas on, and another more fluid project that I got a whole parcel of stones for, and have too many ideas on, so that will need to be worked on, hopefully in the coming week or so.
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  • Not much going on with stock settings, I decided against rolling out the Dignité for now, and will probably reconsider in the future. I am working on a three stone idea that has been formulating in my head that lends itself well to pairing with the Vivant necklace.
  • Instead of the Dignité being released, I posted the Intrepide – a wonderful interesting halo that’s just a slight tweak on a simple halo, that really comes with big impact!  This setting is available for any size and shape of stone, please contact us for details.
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  • I have a Voeu ring that just came out of production, and is available to view in person at David Klass Jewelry in Los Angeles. This one was made with a peachy-brown imperial garnet with both yellow gold and rose gold. This setting really lends itself well to smaller stones, giving them a good dose of presence, even for a smaller stone.
  • I got a few new jewelry tools for the holidays, so I’m excited to use those, both for pictures and just in general.
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  • I am considering sending several sapphires to AGL for certification, but the negative side of doing that (for the customer) is that the prices will inevitably go up.
  • Speaking of pricing, I think I might do a sale on my items on etsy for January. I will decide in the next week or so.
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A bit short today, I have been completely overloaded, but will hopefully get back into the groove again soon!

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Personal Shopping: Lavender Sapphire

Well this week has been crazy. We have had some insane weather here in the Pacific Northwest, including snow, rain (enough for Seattle schools to close, if you can imagine that amount of rain), 70+mph winds, freezing fog, and then record high temperatures.  Yes, it was in the 50s this week, which is downright balmy for this far north at this time of year.

Now, why would I talk about the weather, you might ask? Well, on November 17th, we had the above mentioned nasty wind storm, which knocked power out all over Spokane…and damaged part of the roof at the USPS sorting warehouse. Which, when the second wind storm hit, weakened the roof further to the point that it had to be evacuated. This happened just as a 3.62ct Mahenge spinel arrived in the ill-fated sorting facility in Spokane from Mayer & Watt. (If you don’t know Mayer & Watt, you should.) The gemstone that I was planning on evaluating and writing today’s post about. So that post will have to wait for next week. But a neon “original find” hot pink/red Mahenge should make for a good Christmas week post, so I’ll just have to let it go until next week.

Now, I’ve been working on some custom designs for some of my favorite clients, as well as looking at new stones for new clients, and really trying to get all of the stock collection up and running. One thing I’ve recently started doing is really going out and searching for stones, personal gemstone shopping, if you will. And I’ve been lucky enough to get in contact with the right people, at the right time, and find some extraordinary stones that I really thought we would not be able to find.

For instance, and if you follow me on Instagram, you’ve seen this stone, but I had a client come to me looking for her engagement ring stone. She wanted a lavender, leaning blue, oval sapphire that was at least 9mm wide on the width, precision cut. Which, if you’ve thought about it,  translates to about 5-8 carats, depending on cut. So, as soon as I saw her wish list, I said, “Hey, this is going to be incredibly hard to find. I would start thinking about alternatives or concessions you feel comfortable making.” So she did, and said that she thought a lighter pink or even a white sapphire might be acceptable, adding round to her list of acceptable shapes. And I started keeping an eye out for those. Which is when I found Mayer & Watt.

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Image is property of Mayer & Watt.

Geoffrey Watt participates in a gemstone appreciation group on Facebook, One World Gemstone, and when he posted an image, I went and looked at his company’s FB page. There was a white sapphire that was round, which fit my client’s new criteria list. So I reached out and asked about the round white sapphire, and while Geoffrey and I were talking about it, I mentioned originally looking for a lavender. To which Geoffrey said, “You mean like this one?”

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Image is property of Mayer & Watt.

Insert my heart popping out of my chest.

At 5.97cts, 10.7×9.2×7.5 it was exactly what we had been looking for. I was so excited that not only was this stone in existence (I truly thought that it wouldn’t exist, or at least, that we wouldn’t find it) that it was within reach, and it took me about two hours to compose the email to the client with the details because I was so excited and in shock.

After jumping through a whole bunch of hoops, and Geoffrey making every attempt to accommodate our needs, it was hers.

Since then, she actually sent it to Jerry Newman for a recut, to clean up the symmetry a bit since it would be her engagement ring stone. Jerry did an amazing job, managing to only lose 8.3% loss, from 5.99 ct to 5.49 ct. The depth was originally 7.43 mm and is now 6.9, keeping the original face up dimensions at 10.7 x 9.2mm.

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Images are property of Jerry Newman. 

Not to be overly gushing, but when I originally got this client request, I was so worried that I wouldn’t be able to come through for her. And it’s been through a couple of incredible colleagues in the gem trade that I was able to make a client’s engagement ring dreams come true.

It doesn’t get much better than that.

In the event that you see something in Mayer & Watt’s inventory that sparks your interest, feel free to request information through our contact page. Please keep in mind that Mayer & Watt are exclusively wholesalers, so they will not respond to your requests directly.

AGL Lab Testing

I have had a lot of questions about untreated gems in my brief stint on etsy. One thing I would really like to discuss is getting gems tested. I prefer to get gems tested by AGL, and I am going to talk about an experience with getting a gem evaluated by them.

I want to start out by saying that I’m willing to get any gem tested, so long as the customer pays for shipping and testing. I typically do not get stones tested myself, because most stones don’t merit it, whether through the stones resiliency against treatment, or the the lab test cost ratio to the cost of the gem. It doesn’t make sense to get an AGL Gem Brief that costs $60 (plus shipping both ways) for a $100 gem, especially in the event that it’s a stone that isn’t routinely treated or has a characteristic that isn’t likely to be desirable to the general public (for example, a golden brown topaz). If the untreated designation brings a sale value that is higher than the cost of the testing, then it makes financial sense to do it. Or if the stone is a high enough price, and the stone variety is routinely treated.

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I first contacted AGL about the violet sapphire late in 2014. I wanted to know about the procedures for getting a Gem Brief and then how to upgrade to a Prestige report. Maria emailed me back that I had to indicate it on the submission sheet.

Early in April I filled out the submission form and mailed it off to AGL. After roughly two weeks, I emailed Maria because I hadn’t heard anything from them (it’s a bit weird to mail an item to a location and not get any confirmation that it was received!) and wanted to make sure that it arrived at the destination. I have a deep distrust of USPS after an incident years ago involving Registered and a missing spinel that eventually turned up. Maria emailed me back that the stone had not only been received, but that it was done, untreated, and went through my shipping options. Instead of shipping Registered, she decided it would be a shorter wait to send it via armored vehicle overnight.

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So shortly after that conversation, the sapphire was back in my hands. With it’s fancy AGL Prestige Report. I have joked about this since then, but I’m only half joking when I say that I want to get an AGL Prestige Report on all of my gems. There is a cool digital diagram where the stone was mapped out and has all of it’s measurements and facets displayed, descriptions of the treatment, the color, the rarity, etc. It almost made me wish that I had a gem that was important enough to get a JewelFolio, but being that pricing starts at $3,000, I don’t see that happening soon.

AGL Pricelist
AGL Prestige Report
AGL GemBrief

So let me say again, I have no problems sending a stone off to a lab to have them test it. But sometimes it really just don’t make sense! I suggest that sapphires, rubies, and emeralds have some sort of testing, but honestly, most garnets, spinels, topaz, chrysoberyl, and others probably don’t merit it, just due to the price proportions!

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This sapphire has since sold, and I’m looking forward to seeing how it ends up getting set by it’s new owner!

Gem Blast: Violet Sapphire

I’ve recently taken possession of a Violet sapphire that perfectly skirts the line between purple and blue. I just had it certified by American Gemological Laboratories. I had never done that before, and it was a pretty great experience, especially when AGL testing found out that it was completely untreated.

3.90ctw 9.6 x 7.69 x 6.39

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I have a colleague who has been seeking out the perfect violet (or blurple, as she calls it) sapphire for the last several years, and this one ticks almost all of her boxes.

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Through her search, I’ve been deeply involved, and recruited several other searchers.

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In the end, this stone was discovered after she found her ideal stone, so she briefly considered using it for a necklace, but decided that she needed to share the wealth instead.

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In our searching, we discovered that these stones are typically color shifting to some extent. This one transitions from blue to purple, but is violet in most mixed lighting situations.

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The color on my laptop screen is less saturated than on my phone, where it looks more like the stone in real life.

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Once I get it back from AGL, I plan on taking a lot more photos of it. It’s a challenging stone to capture.

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You can see that it has some cut flaws, showing a slight darker bowtie in the above image and a small partial window in the two shots below.

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Showing a slight windowing effect that is more visible in picture than in real life. I wouldn’t dream of touching the cut on this, I wouldn’t want to alter the color in any way.

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This stone has been listed for sale on LoupeTroop.

David Klass Contest Band Part 2

There may be some irony that the post on the week of my birthday is not on diamonds, but sapphires.

Back in October 2014 I posted an entry about a band I had entered into a contest that David Klass was having. You can read that blog post here. I had originally designed it based on the pattern of the “Reverse Shell” piping that drove me crazy during nightly practice as a pastry student. I have a love/hate relationship with that particular pattern, as I find it beautiful, but I’m such a perfectionist when it comes to piping that I would go nuts every night trying to get it just right. This picture probably shows it best (this is not my picture or my work) but whoever did it screwed up on the left.

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I had been debating for months (almost 6!) about what color metal, what color stones, and trying to talk myself out of white metal and white diamonds because almost my entire jewelry box is full of white metal (I so badly need to remedy that) because it goes with just about everything. Except not so much yellow gold and peach…and then I realized that not only did I want to diversify, grow outwards and look towards what I want to do instead of what I already have. So, in anticipation of completing the padparadscha sapphire ring, I decided that it needed a band to go with it. Or, two. But I’m getting ahead of myself.

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So, diversify I did. I ended up telling David to make it for me in 14kt rose gold and pink sapphires to coordinate with the anticipated pad sapphire ring.

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I had seen an additional band that David had done a while back that was similarly curvy to my design, but had a softer, more floral feel to it. I asked him to make one of those for me in yellow gold in addition to my original design, again, for a bit more variety, and to add some texture too.

Check it out, when they are stacked just right, you can see a heart. It’s the little details that make my heart pitter patter.

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With a Blue Nile pink sapphire and rose gold eternity band. You can find it here.

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If you’re interested in this band in any variety of metals or stone colors, feel free to contact me!

David Klass Solitaire Setting Completed

So, back in September, I posted a Gem Blast with a purple sapphire I had picked up at a gem store on a trip back home. It was sold to me as a 2.40ct Untreated Color Shifting Sapphire. It does tend to look more blue in daylight, and more purple under fluorescent.

In November I posted about how I won David Klass’s Solitaire Setting contest, and posted a step by step guide of my drawing process. I mentioned not being able to vocalize my design process in that post, so I’m attempting to do that a little bit here, in this post.

I had a really hard time deciding if I wanted to use a high quality CZ for the setting or if I wanted to use one of my stones. I originally chose this stone to make the sketch and the setting around because there aren’t a lot of oval solitaire settings out there. This could be easily adapted for just about any symmetrical shape – round, cushion, emerald, radiant, asscher. Hearts, pears and trillions would require more intense modifications, of course.

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Colored stones are typically oval cuts, just because of the shape of the rough. But because most diamond solitaires out there are round, there just aren’t a lot of settings made specifically for ovals. The jewelry business has a love affair with diamond solitaires, and because of that, I find setting selection to be really limited for interesting solitaire settings that weren’t necessarily intended to be an engagement ring.

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The shoulder view was actually the original starting point for me. I was inspired by a detail in another setting, but the look and feel is completely different – the original ring had a similar filigree detail, but it was just a detail, not the actual structure of the ring, the way mine turned into. I’ve shown the inspiration and the finished product to people before and they have been like, “Why are you showing me these two rings?!” and not seeing any resemblance at all.

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The top view sort of just turned into what it was from how the shoulder detail worked out. The entire design started out and turned out to be based on that shoulder detail.

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You can see a little bit of uneven metal here – it’s really only noticeable under magnification, and especially here because of the way the lighting hits it.

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Now, typically I don’t like the leave the gallery blank and sort of boring like this – I feel like it’s one of the most neglected parts of a ring, but I didn’t want to overload an already very detailed setting with details that weren’t necessary. Part of the ring needed to be simple and clean, especially since I added the engraving detail on the bottom of the shank.

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I realize now that when I was taking pictures I didn’t really do a good job of capturing the profile view, so the above is probably the best view I got. About 4 hours before the sketch was due, I was still madly sketching and trying to discern a profile view. It couldn’t be too busy and it couldn’t be too simple, otherwise it wouldn’t flow with the rest of the setting.

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This is probably my favorite view of the setting – seeing both the profile and the shoulder view, and how they interact and curve into each other.

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A couple shots of the actual physical ring and the drawings. You can see just how closely David was able to follow my design and how few tweaks were actually made, and they were typically structural things.

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At the very last minute, I changed the setting to add engraving to the bottom of the shank. I wanted to make sure that it wasn’t visible from the top down view of the ring, and you can see that it is barely visible at all, just like I planned.

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Overall I’m pretty overwhelmed, yet amazed at how easily it came together, and how well David was able to execute my design into CAD from a simple 2D sketch.

Amazingly, David had the ring back to me exactly 1 week from the day I got the sapphire to him. He made a huge effort to get it to me quickly because I was going on a series of trips and wouldn’t be at home to receive it for a consistent period of more than a couple days.

So, now that you’ve seen the solitaire setting, I have actually made strides towards getting the band from this post made, so I should be able to post an update for that band soon too!