Evolution

Roughly ten years ago I started to take my obsession with jewelry and gemstones a bit more seriously by starting to actively research and reading everything I could find online.  It turns out that over ten years, things can evolve and change quite a bit.

I had a guest blogger who wrote about her collection and how it evolved over time, but I have not really addressed those kinds of questions myself, even though they keep coming up. So here are some answers to questions I get regularly!

What do you keep?
I keep almost exclusively sentimental pieces. At this point in my life, a stone has to be really outstanding to catch my eye, much less make me want to keep it in my personal collection. I have cultivated almost a rainbow of rings with pinks, peach, green, blue, violet and purple playing the major roles.

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A padparadscha sapphire in the Aurore, an anniversary gift from my husband. 

What you sell and why?
I usually do not sell anything from my personal collection. The only time I might sell something from my personal collection is if something else is replacing it. Also, if I’m selling something from my personal collection, you can bet that it doesn’t have any sentimental value attached to it. If my husband or daughter had any input in it, it’s going to stay in my personal collection. The pink spinel Vivant ring is the perfect example – the diamond sides were originally purchased as my first pair of diamond studs by my husband. They were used in another ring before being set into this ring. I cannot count how many times I’ve been asked to sell that ring, but I won’t!

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These diamonds were an anniversary gift from my husband. 

Do you buy less expensive things as time goes on?
No. If anything, I’ve bought more expensive things. I will pick up things here and there if I find them to be a good deal, but if I’m adding it to my personal collection, at this point, it’s got to be larger or “better” in some way than what I have already. Since many of those items were bought quite some time ago, odds are very good that the market has gone up since then, almost universally.

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This flawless Mint Merelani Garnet was given to me as a 30th birthday present. 

Or fewer, more expensive pieces?
What is kind of interesting is that I’ve been able to make more items that could potentially stay in my personal collection as prototypes than I was previously able to. At some point, I have to make a decision as to whether I am ok with selling them or keeping them in my collection. So I’ve been making more pieces, and they end up being more expensive. I think though, if I wasn’t designing jewelry and therefore unable to justify them as prototypes, I’d be putting together fewer, more expensive pieces.

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The blue spinel in the Petiller was a wedding gift from my father, and every diamond in the Privé band was from a different occasion – Valentine’s Day, Mother’s Day, birthday, etc. 

Or some other philosophy?
I guess I kind of collect everything now! 

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A collection picture from 2013, before I started designing everything.

How your settings have changed?
I started out being totally adverse to diamonds. As you’ll see in the settings that are coming up, diamonds play a pretty big part in it. So I’ve totally reversed my position on that end of things! But while there has been the addition of diamond accents, I’ve make an effort to simplify some of the blingier settings. That has not held true in every situation, as you’ll soon see when my next settings come out!

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This Colombian emerald was the last gem that really caught my attention. I couldn’t resist that color!

Have you gotten more subtle with age or more blingy?
Both. I think that both have a place in any collection. I have plain solitaires, and plain bands with no accents, and then I have settings that are crusted with diamonds.  Different moods call for different types of jewelry and I like that my jewelry box can accommodate just about any occasion.

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This Accolade band was made with spinels that my husband helped me pick out when he was just my boyfriend. 

What has changed the most in your collection?
I’ve actually tasted a little bit of antique jewelry. My most recent addition to my personal collection was an onyx, diamond, platinum and gold French ring from 1910, and I’m totally enamored with the craftsmanship and the detail work. Before, I never would have given most antique jewelry a second glance!

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An anniversary gift from my husband.
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Incoming Gemstones

Whoa! Gemstones ahoy!

I got a couple of packages from a couple of collectors looking to consign items, and there are some really awesome gems, and a couple of finished jewelry pieces.

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Some of the stand outs include:

40+ carats of green garnets: tsavorite, demantoid, mint, including melee!
2+ carat blue spinel pear
1.89 carat neon pink spinel
Green zircon
6+ carat blue zircon
Light teal-blue tourmaline
Pink Vietnamese spinel
Ruby studs
Handful of diamonds, rounds and cushions
Precision cut Mahenge garnets
Lavender tourmaline

Plus more!

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Also expected this week, a precision cut gray spinel antique cushion with a certification from AGL.

And I still have more incoming in the next couple weeks!

All of these will be listed to my etsy shop in the coming weeks, while I’m hoping to have everything up by Thanksgiving, but that just depends on how things go, and how much sun I get for photographs! If you are looking for anything in particular or if any of the above sound interesting, please reach out to be added to the interest list!

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If you haven’t found my coupon code on my Facebook page yet, you should go check it out because it expires October 31!

Also I have accounts with some wholesale dealers, so if you’re looking for anything in particular, let me know!

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We are getting very close to the holiday season. I will be releasing deadlines for holiday ordering within the next week – where has this year gone?! I cannot believe the holiday season is upon us!

So many custom projects going into production right now, I am so excited to see them come to fruition!

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Evaluating a Neon Pink Red Mahenge Spinel

This week’s blog is an evaluation of a 3.21ct Mahenge spinel that I did for a client recently.  The stone was brought in from Mayer & Watt, a wholesale dealer where the advertised MSRP is $5,256/carat. The following is a direct copy and paste of my email.
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Color:
It is always interesting to see how different stones look when up against other stones of similar colors. For this pear, I pulled out the large Mahenge reddish-pink cushion I have, the small Burmese pink-red, a red-red oval, my red spinel band, and my pink-pink Mahenge spinel. So this one is interesting because up against the more pink stones, it looks more red, and when it’s up against a red red, it looks pink. Overall it’s strongly saturated, medium in tone, with the slightest hint of orange when compared to pinks that are more blue-toned.
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Inside
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Outside
Inclusions:
My biggest concern going into it was the inclusion. As I think I mentioned in a message I sent you earlier, in some lighting situations, it’s more obvious than in others. Right now it’s about 18 inches from my face, and even though I know where it is, I have difficulty finding it. I think that it would be very close to where a prong would sit to hold it, so once set, it may become even less obvious. I just put it under 14x magnification and it looks as though there is a cluster of 3 bubble inclusions, which are typical for the Mahenge location. They don’t pose any problems for setting, they don’t even come close to reaching the surface. The largest one has a slightly larger cloud around it that’s typically not visible except when backlit, which I have attached a picture of. They are all clear or white inclusions, probably a negative crystal inclusion and two gas bubbles. Even with the three inclusions, I would say that this is a very clean example of Mahenge material.
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Cut/coloration:
You had asked about zoning earlier. There isn’t any zoning, but as is pretty typical with pear and marquise cuts, the color tends to concentrate on the tips, as a result of the cut. This one is actually pretty evenly colored, with just a slightly deeper color on the tip. As far as cut, this is a really well cut pear. There isn’t any windowing, and there isn’t an abnormal amount of tilt windowing. If anything, I’d say that there is less than the typical amount of tilt windowing.  There does not appear to be any bow-tie or large amount of extinction.
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Fluorescence:
It glows a bright red under UV light.
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Overall I’d say it’s a pretty exceptional stone. The only hesitation I would have would be the inclusion, but that’s really a matter of personal preference – I’m ok with inclusions so long as they aren’t detrimental to the overall look of the stone.
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TGP: Year Two

A lot has happened over the last year, and certainly in the last two!

On a more personal note, I have moved from just outside of the Mojave desert where water is scarce to a 1800s farmhouse in the middle of thousands of acres of the incredible rolling hills of the Palouse, and finally to a fixer upper in Pullman with an actual dedicated space for a studio with southern exposure.

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Professionally I have created some incredible new designs, some of my favorite being the most challenging – a double haloed Paraiba Tourmaline, a haloed Burmese red spinel, a scalloped halo for an antique pear diamond, a violet spinel three stone ring, and a stunner of a 6 carat violet sapphire ring and so many more!

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I have created some really amazing engagement rings – a marquise in the Papillon setting, and a three stone spinel ring, not to mention stones found for engagement rings. I am always so excited and feel so blessed to play a small part of someone’s engagement!

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I have added to and built up the retail portion of my website, adding a boutique, and adding multiple designs to the Elle Collection. I have also made new contacts and been able to see some incredible gems!

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As far as gemstones go, I got an untreated Colombian Emerald back from AGL – I always knew this stone was special, and now I know how special and rare it really is. I received a glowy red spinel cut by Jeff White, and while I considered keeping it for a while, I ended up letting it go. Very reluctantly! I have gotten a ton of gray spinels, and continue being on the lookout for more. I am always on the hunt for gray spinels, especially now that their prices have skyrocketed.

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One thing that also happened this year is that AGTA and JA declared spinel to be a birthstone for August. If you’ve followed my blog, etsy, website or Instagram for any period of time, you know how much I love spinels. So while I think this is wonderful that spinel can finally get some recognition it deserves, it’s really terrible because that means that the prices of spinels are going to go crazy for a while, and probably will never come down again.

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So many things are in the works for the next year, especially the next couple of months. I have a bunch of goals, including entering a design or two into competition, and working towards more earrings and necklace designs. At some point I would like to have a trunk show event at a local jewelry store because I think that would be a lot of fun!

Here is to my third year! I only hope that it is as wonderful as the past two years!

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TGP Updates

It has been far too long since I managed to get a post up! In the last few weeks, I’ve had a family emergency, found myself terribly sick and even had a birthday.

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Bright Yellow Sapphire

In more jewelry related news, I managed to get some new gems up on etsy, got a few custom projects underway, and am anxiously waiting for a few items in production.

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Pastel Green Aquamarine

I’m really sad that I haven’t been able to get more jewelry into production so far this year, but things have been distracting me, and I am hoping that as soon as I get moved into the new studio, things will take a turn for the better. I have a bunch of custom projects in the works, including a step cut halo, some cluster type rings, another halo, and some others including a fancy colored diamond ring.

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Medium Gray Spinel Pair

Speaking of the studio, I have a new drafting table, and I’m so excited to be able to draw without getting instant neck strain! I also have a big south facing window with incredible natural light (except during those pesky storms that make it over the Cascades from Seattle) that has been working quite well for photographing stones and jewelry. I didn’t realize when I started planning this new space just how many functions I need it for – drawing, photography, computer, writing, storage, shipping, etc. And all of those tasks need different lighting (say, for instance, color shifting stones!) and suddenly office planning is incredibly complicated.

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Lavender Spinel

Now, as for decorating the studio, I already have one print up from Angie Crabtree – the Elle modern asscher, and my wonderful husband surprised me with a new print for my birthday – the Dominique antique pear! This complicates things though – I had just figured out my wall configuration with the decor, so I will have to redo it once it is framed.

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Barry Bridgestock Tourmaline

I hope that you have taken the opportunity to take a minute to check out my Repertoire page – I have many of the items I have designed up there, both stock items as well as custom items. I am going to be writing another Inside The Industry blog coming up soon – I just need to be able to spend some time writing, instead of spending it on random non-jewelry related items. And I will be sharing a couple new items to go with the Vivant necklace as well – they should be coming out of production very shortly!

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Peter Torraca Tourmaline

In other updates, I have stones at AGL for certification/testing, and I will have a new small padparadscha sapphire as well as a gorgeous blue sapphire here soon as well!

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Custom Red Burmese Spinel Halo Ring

I’ve been incredibly busy, to say the least!

I actually took my first day off in three weeks renovating/decorating/etc the other day to exclusively work on jewelry stuff. I had been sorely missing it and really had a stack of things to get back on – gemstone photography, rough jewelry ideas, blog ideas, sketches (which I’m still behind on!), as well as giving my back a rest, as I had pulled it over a week ago.  So I’m feeling as though I’m in a much better place than I was last weekend, with getting some items that were way overdue taken off my list.

I have a few fancy shaped antique diamonds in queue to design custom rings around, and I’m really excited about those. And of course I have some colored stone custom designs in the works as well!

In the meantime, I wanted to share some images of the most recent design to come out of production, something reaching quite a ways outside of my comfort zone, which I often struggle with, but always comes out better than I could imagine.

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Sketch, slightly underdeveloped.

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Jeweler’s photographs. 

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Client’s photographs.

I always love when clients come up with something that’s out of the ordinary, and this certainly fits the bill in that regard! An unconventional diamond and platinum halo surrounds a 1.69 ct Burmese Red Spinel.

I will be sending a parcel of sapphires and an emerald to AGL for certification this week. I had been intending to send them to AGL and kept putting it off for various reasons. But they are going to go now, and typically they are at about a 2.5 week wait, so hopefully I will have them back relatively soon.

I have been working on some stock items, and as per usual, the CADs came out perfectly the first time for both items. Both share elements with the Vivant and as such, I decided to use Mahenge spinels as them as well. I can’t wait to see them completed!

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Gemstone Vocabulary and Anatomy

I decided to put together a glossary of sorts of gemstone terms, or terms that I use relatively often and might not be familiar to those who aren’t well versed in gemstone and jewelry terminology. Something I wish I had when I was first learning!

This is an endlessly growing and changing document, and will need continuous updates to keep it useful. Please let me know if any suggestions for terms, or comments you might have!

Adularescence – milky glow that moves as the stone moves, originates from within a gemstone and is caused by inclusions, occurs in the presence of stronger light conditions.

bezel set – a way of setting a stone with solid metal completely surrounding the stone, pushed down over the stone’s girdle

brilliance – amount of light reflected back out of a gemstone, a direct result of a stone’s refractive index

brilliant cut – a facet design radiating from the culet of the stone, on a perpendicular plane from the girdle of the stone

cleavage – tendency for a mineral to break along distinct planes dependant on how the mineral grows

colorless – a stone that is not known for being without color, having zero saturation. Examples: sapphires, spinels, garnet, tourmaline, topaz

crown – the facets from the girdle up to the table, the height from the girdle to the table

culet – the pointed tip of a stone formed by pavilion facets. Antique diamonds may have “small” “medium” or “large”. Modern cut diamonds typically do not have a culet, the pavilion facets meet at a point.

dispersion – the ability for a gem to divide the light into spectral colors

facets – a flat plane cut onto a gemstone

fat belly – when a pavilion is cut to preserve weight, instead of forming a cone, it is more bulbous and round on the bottom

fire – see dispersion

fluorescence – reaction of trace minerals causing the stone to glow a specific color when exposed to UV light, typically blue, yellow and red

girdle – the circumference around the stone where the crown and the pavilion facets meet, it can range from very thin to very thick, and can be faceted or rough.

keel – an edge formed by pavilion facets. typically found in elongated cut stones

kozibe effect – culet reflected around the stone

luster – light reflected from a gem’s surface

meet – the edge in which is made when two facets line up in faceting

monochrome – varying tones of one color, white-gray-black

MRB – modern round brilliant

OEC – Old European Cut

OMC – Old Mine/Miner’s Cut

pavilion – the bottom part of the stone, typically cone shaped

pleochromism – the characteristic of having different colors visible from different angles

RI – refractive index

Rose cut – stone cut into a dome type shape with a flat bottom/no pavilion, and the crown is a hexagon shape with triangular facets, meeting in a low angled point on top, typically cut in a round shape, but may also be cushion, pear, oval or marquise.

saturation – how pure and intense a color appears. Low saturated tends to be gray, highly saturated is vividly colored.

silk – the appearance of a stone looking slightly cloudy, which bounces the  typically caused by inclusions referred to as silk,

spread – the size of a stone when looking top down, measured by the diameter of the girdle. Typically used to compare one stone to another.

step cut – a facet design on a parallel plane from the girdle of the stone, typically angular in shape. Emerald, baguette, carre, asscher are common types.

tilt window – when a stone is viewed at an angle that is not straight down into the stone, and you can see through the pavilion

table – the flat top facet of the stone

window – when a stone is cut at the wrong angles for it’s type, the see through portion in the middle is called a window

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Window illustration